American Theater

From the first landings at Casablanca straight through to the crossing of the Elbe River and V-E Day, this book tells the gripping story of the European theater of operations battles of World War II that American soldiers, sailors, and airmen took part in and of the strategy behind them. The book's core is its account of such famous and dramatic episodes as the landings in North Africa, Kasserine Pass, Salerno and Anzio; D-day; the liberation of Paris; the Battle of the Bulge; the crossing of the Rhine; and the race across Germany.

Mass violence committed by young people is now an epidemic. The reasons behind this escalating violence and the cultural forces that have impugned a generation is the subject of this important new book. The Spiral Notebook is full of interviews with Generation Z, a group dogged by big pharma and antidepressants and ADHD drugs, by a doomsday/apocalyptic mentality present since birth, and by an entertainment industry that has turned violence into parlor games.

Tyler Merritt's video "Before You Call the Cops" has been viewed millions of times. He's appeared on Jimmy Kimmel and Sports Illustrated and has been profiled in the New York Times. The viral video's main point - the more you know someone, the more empathy, understanding, and compassion you have for that person - is the springboard for this book. By sharing his highs and exposing his lows, Tyler welcomes us into his world in order to help bridge the divides that seem to grow wider every day.

August Wilson wrote a series of ten plays celebrating African American life in the 20th century, one play for each decade. No other American playwright has completed such an ambitious oeuvre. Two of the plays became successful films, Fences, starring Denzel Washington and Viola Davis; and Ma Rainey’s Black Bottom, starring Viola Davis and Chadwick Boseman. Fences and The Piano Lesson won the Pulitzer Prize for Drama; Fences won the Tony Award for Best Play, and years after Wilson’s death in 2005, Jitney earned a Tony Award for Best Revival of a Play.

NYC, 2013. During late night trips on the A train, we get snapshots of Tyrone's life - his close relationship with his mother, his attempts to flirt with a coworker, Niesha, his job as a bouncer, and his dreams of going back to school. As new traumas accumulate, Tyrone's world becomes as claustrophobic as the subway car, with as few opportunities to exit or change course.

As author Ethan Mordden looks back at Chicago's various moving parts - including the original 1926 play that started it all, a sexy silent film directed by Cecil B. DeMille, a talkie remake with Ginger Rogers, the musical itself, and at last the movie of the musical - we learn how the American theater serves as a kind of alternative news medium, a town crier warning the public about the racy, devious interior contradictions of American society. Opinionated, witty, and rich in backstage anecdotes, All That Jazz brings the American musical to life in all its artistry and excitement.

At the height of the McCarthy era, an experimental theater troupe set up shop in a bar near the University of Chicago. Via word-of-mouth, astonished crowds packed the ad-hoc venue to see its unscripted, interactive, consciousness-raising style. From this unlikely seed grew the Second City, the massively influential comedy theater troupe, and its offshoots - the Groundlings, Upright Citizens Brigade, SNL, and a slew of others. Sam Wasson charts the meteoric rise of improv in this richly reported, scene-driven narrative.

The American theater was not ignorant of the developments brought on by World War II, and actively addressed and debated timely, controversial topics for the duration of the war, including neutrality and isolationism, racism and genocide, and heroism and battle fatigue. McLaughlin and Parry's work fills a significant gap in the history of theater and popular culture, showing that American society was more divided and less idealistic than the received histories of the WWII home front and the entertainment industry recognize.

Only in the world of the theater can Nat Field find an escape from the tragedies that have shadowed his young life. So he is thrilled when he is chosen to join an American drama troupe traveling to London to perform A Midsummer Night's Dream in a new replica of the famous Globe theater. Shortly after arriving in England, Nat goes to bed ill and awakens transported back in time 400 years - to another London, and another production of A Midsummer Night's Dream. Amid the bustle and excitement of an Elizabethan theatrical production, Nat finds the warm, nurturing father figure missing from his life - in none other than William Shakespeare.

At the peak of the civil rights movement, Lydia Abarca was the first ballerina in a Black ballet company to grace the cover of Dance magazine. Alongside founding members Shelia Rohan and Gayle McKinney-Griffith and first-generation dancers Karlya Shelton and Marcia Sells, Abarca invited a bright light to shine on Black professional classical dancers. Grit, determination, and exquisite artistry propelled these swans of Harlem to dizzying heights as they performed around the world for audiences that included celebrities, dignitaries, and royalty.

Broadway’s most esteemed visionaries tell all - how they got started in the business, how they chose projects, how they raise money, why some of their shows were huge hits and others flopped, and much more. From Flo Ziegfeld and David Merrick, from Joseph Papp, from Cameron Mackintosh, from today’s up-and-coming new generation of producers - here are priceless words of wisdom.

Timothy R. White begins his history of the theater industry with the dispersed pre-Broadway era, when components such as costumes, lights, and scenery were built and stored nationwide. Subsequently, the majority of backstage operations and storage were consolidated in New York City during what is now known as the golden age of musical theater. Toward the latter half of the 20th century, decentralization and deindustrialization brought the emergence of nationally distributed regional theaters and performing arts centers.

In this survey of eighteenth and nineteenth century American drama, Tice L. Miller examines American plays written before a canon was established in American dramatic literature and provides analyses central to the culture that produced them. Entertaining the Nation evaluates plays in the early years of the republic, reveals shifts in taste from the classical to the contemporary in the 1840s and 1850s, and considers the increasing influence of realism at the end of the nineteenth century.

When we think of '70s cinema, we think of classics like The Godfather and Taxi Driver...but the riches found in the overlooked B-movies of the time, rolled out wherever they might find an audience, unexpectedly tell an eye-opening story about post-Watergate, post-Vietnam America. Revisiting the films that don't make the Academy Award montages, Charles Taylor finds a treasury many of us have forgotten, movies that in fact "unlock the secrets of the times".

When Broadway Was the Runway explores the central and largely unacknowledged role of commercial Broadway theater in the birth of modern American fashion and consumer culture. Long before Hollywood's red carpet spectacles, Broadway theater introduced American women to the latest styles. At the beginning of the 20th century, theater impresarios captured the imagination of their largely female patrons by transforming the stage into a glorious site of consumer spectacle.

The First 60 Years: The History of Afro-American Musical Theater and Entertainment chronicles the contributions made by Black Americans to the entertainment industry in America from 1871 through 1930. This book describes, among other subjects, the types of traveling circuses performers worked on and the types of material performed there. This book also chronicles the history and the beginnings of Black Vaudeville in America, the creation of the blues, and the beginnings of Black theatrical entrepreneurship that took place in America during its most racist times.

Sondheim in Our Time and His offers a wide-ranging historical investigation of the landmark works and extraordinary career of Stephen Sondheim, a career which has spanned much of the history of American musical theater. Each author uncovers those aspects of biography, collaborative process, and contemporary context that impacted the creation and reception of Sondheim's musicals. In addition, several authors explore in detail how Sondheim's shows have been dramatically revised and adapted over time, bringing together his past with the present, thriving existence of his musicals.

The abolitionist legacies of Orville Brown and his son, Spencer, live on in this historic and daring 19th-century account. Journeying apart from each other, but with similar passion, Orville and Spencer's stories span virtually every major abolitionist event: from the battles of Bleeding Kansas and the establishment of the free-soil movement to the river wars of Memphis, Vicksburg, and Shiloh. Listeners will follow Orville west as he strikes out for Kansas Territory to help ensure its entry as a free state.

The idea of American musical theater often conjures up images of bright lights and big city, but its lifeblood is found in amateur productions at high schools, community theaters, after-school programs, summer camps, and dinner theaters. In Beyond Broadway, author Stacy Wolf looks at the widespread presence and persistence of musical theater in US culture and examines it as a social practice - a live, visceral experience of creating, watching, and listening.

The Sit Room brings you inside the secretive Situation Room of the White House, the most important deliberative room in the world, during the early 1990s when the author was one of the policymakers who framed the Clinton Administration's policy toward the bloody Balkans War. Drawing upon newly declassified documents and his own notes, David Scheffer, who later became America's first Ambassador-at-Large for War Crimes Issues, weaves the true story of how policy options were debated in the Sit Room among the highest national security officials.