Ancient Classics

Award-winning storyteller Barbara McBride-Smith breathes life (albeit a wizened Texan version) into the old Greek myths. With her incurable Texas drawl, she spins the Greek myths as you've never heard them before, rendering them 99% more fun while retaining 100% of their original insights into the crooked ways of the human heart and the no less crooked ways of the ancient Greek gods.

This tale of a man who, when tinkering with magic, becomes changed into an ass is one of the most entertaining and remarkable stories from classic Latin literature. It is funny, bawdy and completely approachable - but also shows life from the point of view of a beast of burden in the Roman Empire of the second century CE.

Along with Virgil, Horace (Quintus Horatius Flaccus) was the greatest poet produced by Rome, and in many ways his work has had arguably an even greater impact. His brilliant expression and astonishing acumen continue to amaze readers today, either in their original Latin or in innumerable worldwide translations. Shakespeare's debt to Horace is incalculable, and it is difficult to read his Sonnets today without immediately being reminded of the famous Odes.

Three tales from The Canterbury Tales, read in the original Middle English by Richard Bebb under the direction of Britain's foremost Chaucer scholar, Derek Brewer.

Jason and the Golden Fleece is one of the finest tales of Ancient Greece, an epic journey of adventure and trial standing beside similar stories of Perseus, Theseus and the Labours of Heracles. The finest classic account comes from Apollonius of Rhodes, the Greek poet of the 3rd century BCE and librarian at Alexandria. Though less well-known than Homer's Iliad and Odyssey, and much shorter, it is an epic poem which is both exciting and moving, with remarkably vivid portraits of the main characters, Jason and Medea.

Matthew Arnold praised the Iliad for its "nobility", as has everyone ever since - but ancient critics praised it for its enargeia, its "bright unbearable reality" (the word used when gods come to earth, not in disguise but as themselves). To retrieve the poem's energy, Alice Oswald has stripped away its story, and her account focuses by turns on Homer's extended similes and on the brief 'biographies' of the minor war-dead, most of whom are little more than names, but each of whom lives and dies unforgettably - and unforgotten - in the copiousness of Homer's glance.

This audiobook contains 17 short stories inspired from famous classic fairy tales. In addition to 17 classic tales, you’ll get another three bonus stories from Aesop’s Fables book.

Antigone is a famous Greek tragedy attributed to the ancient playwright Sophocles at around 440 BCE. The play expands on the Theban legend of Oedipus that predates it, dealing with Antigone’s burial of her brother Polyneices in defiance of the law and the tragic results of her act. On another level, the play exposes the dangers of the absolute ruler or tyrant in the character of Creon. No one speaks freely to him, so he makes a series of mistakes, illustrating the folly of tyranny.

This is a summary of Marcus Aurelius’ Meditations. Meditations is essentially a scrapbook of thoughts written over a 19-year period; it’s not ordered and it repeats itself frequently as ideas reoccurred to the author at different times. For this reason, it can be hard for a casual reader to extract the myriad messages contained within. This summary helps in that by interpreting Meditations and reducing it from around 50,000 words down to 4,400. While it has been interpreted, the author has done his best not to embellish it.

By the time Shakespeare came to write Macbeth - almost certainly in 1605/1606 - he had already completed three of the great tragedies with which modern audiences are so familiar: Hamlet (1601), Othello (1603), and King Lear (1605). Each of those plays gives us an eponymous hero who is in some significant way flawed, but for whom we also inevitably feel deep sympathy, whatever his errors or crimes. But in MacBeth, Shakespeare has chosen for his tragic hero a man guilty of the most terrible crime imaginable to a Jacobean audience, that of regicide - the murder of a king.

Here are the most exciting and essential parts of two historic, epic poems: the "Iliad" and the "Odyssey". The ancient words of Homer find a new home in today's world - spoken aloud, just as Homer intended. Translated by Stanley Lombardo.

Tales of Troy and Greece by classicist and gifted storyteller Andrew Lang is an ideal introduction to the The Iliad and The Odyssey, recounting the Homeric legend of the wars between the Greeks and the Trojans. Paris, Achilles, the lovely Helen of Troy, Penelope, Hector, Ulysses, the Amazons, and the Wooden Horse all feature in this evocative introduction to one of the greatest legends ever told.

Versión en prosa de uno de los clásicos absolutos de la literatura universal: "La Ilíada" de Homero, que narra el rapto de Helena de Troya a manos de Paris y la posterior guerra entre aqueos y troyanos por recuperarla, con la intervención de las diferentes fuerzas de la naturaleza encarnadas por dioses y semidioses. Una lectura capital para todos aquellos aficionados a la Grecia clásica y a la buena literatura.

This Greek tragedy is based on the myth of Prometheus, a Titan who, in defiance of the gods, gives fire to mankind, an act for which he is subjected to perpetual punishment.The play consists almost entirely of speeches since the protagonist is chained throughout.

The Iliad and The Odyssey are epic poems traditionally attributed to Homer, of which the written versions are dated to the 8th century BCE. Chronicling events in the Greek Bronze Age, this magnificent pair of poems forms the cornerstone of Western literature. If The Iliad is a classic war story, The Odyssey is symbolic of the individual’s journey through life.

The iconic love story of the Middle East, by a 12th-century Persian poet who has been compared to Shakespeare for his subtlety, inventiveness, and dramatic force, Layli and Majnun tells of star-crossed lovers whose union is tragically thwarted by their families and whose passion continues to ripple out across the centuries. Theirs is a love that lasts a lifetime, and in Nezami's immortal telling, erotic longing blends with spiritual self-denial in an allegory of Sufi aspiration, as the amenities of civilization give way to the elemental wilderness.

The ancient Greek poet Hesiod lived around the same time as Homer. He is considered to be an economist and also wrote works on mythology, ancient time-keeping, and farming techniques. The Hesiod Collection includes The Shield of Heracles, Theogony (the origins and genealogies of the Greek gods), and Works and Days (a farmer’s almanac in which Hesiod instructs his brother Perses in the art of agriculture).

Homer is one of the most important figures in ancient Greek literature, believed to have lived in the 8th century BC. He is most famous for his epic poems, the Iliad and the Odyssey, which are considered to be the founding works of Western literature. The Iliad tells the story of the Trojan War, focusing on the hero Achilles, while the Odyssey recounts the adventures of the Greek hero Odysseus as he attempts to return home after the war. Both works are celebrated for their vivid storytelling, complex characters, and profound exploration of human nature.

Livy continues his magnificent epic, with Rome in complete ruin after the Gallic invasion and sack of the city in 310 B.C. Led by Camillus, one of Rome's great heroic patricians, the city regains her self-confidence and once more becomes the leader of the Latin people. Painstakingly rebuilding alliances, forging friendships, cementing relations among her own people, and fighting endless wars, Rome soon becomes the dominant power among the fractious Italic tribes on the Latin plain.

We are all classicists - we come into touch with the classics on a daily basis: in our culture, politics, medicine, architecture, language, and literature. What are the true roots of these influences, however, and how do our interpretations of these aspects of the classics differ from their original reality?