Ancient Classics

Tales of Troy and Greece by classicist and gifted storyteller Andrew Lang is an ideal introduction to the The Iliad and The Odyssey, recounting the Homeric legend of the wars between the Greeks and the Trojans. Paris, Achilles, the lovely Helen of Troy, Penelope, Hector, Ulysses, the Amazons, and the Wooden Horse all feature in this evocative introduction to one of the greatest legends ever told.

An easy-going drama critic discovers that his kind and gentle aunts have a bizarre habit of poisoning gentlemen callers and burying them in the cellar.

The ancient Greek poet Hesiod lived around the same time as Homer. He is considered to be an economist and also wrote works on mythology, ancient time-keeping, and farming techniques. The Hesiod Collection includes The Shield of Heracles, Theogony (the origins and genealogies of the Greek gods), and Works and Days (a farmer’s almanac in which Hesiod instructs his brother Perses in the art of agriculture).

We are all classicists - we come into touch with the classics on a daily basis: in our culture, politics, medicine, architecture, language, and literature. What are the true roots of these influences, however, and how do our interpretations of these aspects of the classics differ from their original reality?

This reissue of the 1919 classic combines the immortal stories from Homer's Iliad and Odyssey into one glorious saga of heroism and magical adventure. Beloved by generations, Padraic Colum's masterful retelling of these epic adventures is remarkably fresh, consistently spellbinding, and unmatched for its richness and poetry.

By the time Shakespeare came to write Macbeth - almost certainly in 1605/1606 - he had already completed three of the great tragedies with which modern audiences are so familiar: Hamlet (1601), Othello (1603), and King Lear (1605). Each of those plays gives us an eponymous hero who is in some significant way flawed, but for whom we also inevitably feel deep sympathy, whatever his errors or crimes. But in MacBeth, Shakespeare has chosen for his tragic hero a man guilty of the most terrible crime imaginable to a Jacobean audience, that of regicide - the murder of a king.

In this collection, you will enjoy the epic stories of ancient Mesopotamia that echoed through other great works like the Bible and The Odyssey. The Sumerian belief system offers a fascinating insight into the lives of these ancient people as they struggled to establish the first empires of man.

Aeschylus’ historical tragedy Persians, with its dire warnings against the hubris of imperialist overreach, is as relevant today as it was when first presented to an Athenian audience in 472 BC. This new edition of the classic drama features a literal translation by Mark Will (translator of Fernando Pessoa’s Message) which reconstructs in contemporary English verse the epic cadences of the original Greek.

Homer is one of the most important figures in ancient Greek literature, believed to have lived in the 8th century BC. He is most famous for his epic poems, the Iliad and the Odyssey, which are considered to be the founding works of Western literature. The Iliad tells the story of the Trojan War, focusing on the hero Achilles, while the Odyssey recounts the adventures of the Greek hero Odysseus as he attempts to return home after the war. Both works are celebrated for their vivid storytelling, complex characters, and profound exploration of human nature.

In Stephen Mitchell's The Iliad, the epic story resounds again across 2,700 years, as if the lifeblood of its heroes Achilles and Patroclus, Hector, and Priam flows in every word. And we are there with them, amid the horror and ecstasy of war, carried along by a poetry that lifts even the most devastating human events into the realm of the beautiful. Mitchell's The Iliad is the first translation based on the work of the preeminent Homeric scholar Martin L. West.

The incredible saga of Hannibal and his invasion of Italy in 218 B.C. is the subject of this third volume of Livy's magnificent history. As only Livy can describe it, we are swept into the era of the Second Punic War and given a ringside view of the leadership of both sides. The stirring account of Hannibal crossing the Alps, the brutal description of Cannae, and the relentless Roman siege of Syracuse are some of the highlights of this remarkable story.

The iconic love story of the Middle East, by a 12th-century Persian poet who has been compared to Shakespeare for his subtlety, inventiveness, and dramatic force, Layli and Majnun tells of star-crossed lovers whose union is tragically thwarted by their families and whose passion continues to ripple out across the centuries. Theirs is a love that lasts a lifetime, and in Nezami's immortal telling, erotic longing blends with spiritual self-denial in an allegory of Sufi aspiration, as the amenities of civilization give way to the elemental wilderness.

First published in three separate volumes from 1855 to 1863, Bulfinch's Mythology quickly became the standard source of classic tales from ancient Greece and Rome, the Norse tradition, and beyond. This edition contains the full text of The Age of Fable, or Stories of Gods and Heroes, the first volume of Bulfinch's seminal work. From stories of the Greek gods of Mt. Olympus to retellings of the Iliad and the Odyssey, from descriptions of mythological monsters to tales of Hindu and Egyptian deities, Bulfinch's versions of these classic stories bring their characters to life.

Matthew Arnold praised the Iliad for its "nobility", as has everyone ever since - but ancient critics praised it for its enargeia, its "bright unbearable reality" (the word used when gods come to earth, not in disguise but as themselves). To retrieve the poem's energy, Alice Oswald has stripped away its story, and her account focuses by turns on Homer's extended similes and on the brief 'biographies' of the minor war-dead, most of whom are little more than names, but each of whom lives and dies unforgettably - and unforgotten - in the copiousness of Homer's glance.

The Roman poet Publius Ovidius Naso (Ovid) is best known for his epic poem Metamorphoses, a collection of myths and legends from Ancient Greece and Rome. His works continue to be widely read and admired, and he is regarded as one of the most significant poets of ancient Rome. Ovid’s love poems are both brilliant and evocative. In Amores, the romantic mysteriousness of elegiac love-poetry is exploded by his witty and ironic treatment of the form. Ars Amatoria and Remedia Amoris both lay down the rules for the game of love, which both sexes can play.

The Allegory of the Cave appears in Plato’s Republic and compares the effect of education and the lack of it on human nature. It is written as a dialogue between Plato's brother and Socrates, who tells of people that have been chained to the wall of a cave their whole lives. They see shadows projected on the wall from objects passing in front of a fire behind them. Socrates explains that the philosopher is like a prisoner who has escaped the cave and realizes that the shadows on the wall are not the true reality at all.

Cast off on a raft with a runaway slave down the great Mississippi and a boy who couldn't dream of a greater adventure. With each bend of the river, each town, comes a chance encounter, perhaps with a king or duke wrapped in the schemes of scoundrels or a young girl caught amidst a family feud. On a journey with a friend dreaming of freedom, it's full of mischief, full of fun, and the adventures of a lifetime.

One of the most significant and popular books in the history of human thought, and China’s earliest philosophical classic, The Dao De Jing has served for millennia as a brilliant guide to living healthily and happily, to treating the Earth with respect, and to understanding our place in the cosmos. Renowned translator J. H. Huang has spent over two decades researching the Dao, resulting in the most accurate translation to date based on the oldest known transcripts of the text.

This is a summary of Marcus Aurelius’ Meditations. Meditations is essentially a scrapbook of thoughts written over a 19-year period; it’s not ordered and it repeats itself frequently as ideas reoccurred to the author at different times. For this reason, it can be hard for a casual reader to extract the myriad messages contained within. This summary helps in that by interpreting Meditations and reducing it from around 50,000 words down to 4,400. While it has been interpreted, the author has done his best not to embellish it.

Veteran cavalry commander Marcus Flavius Victor sets out with his regiment to make what may be his final tour of the forts along Hadrian's Wall. Through a combination of military prowess, brutality and bribery, Marcus has spent 20 years keeping the savage Picts at bay. Feared by his enemies and hated by his superiors, his strength of will is the only thing that has held the disgruntled, poorly paid garrisons of the Wall in place as the failing Roman Empire's grip on Britannia weakened.