Ancient Poetry

Educated in Lebanon, United States, and France, Gibran was influenced by the European modernists of the late 19th century, but even more by Francis Marrash, who introduced poetic prose and prose poetry in the Arab world. Gibran's style of writing and ideas he wrote about are believed to have been greatly influenced by Marrash, particularly the concept of universal love.

"The Theogony" (“Birth of the Gods”) is a poem by Hesiod which describes the origin, position and relationships of the gods of the Greek pantheon. Hesiod created a synthesis of the diverse Greek traditions concerning the gods, in the form of a hymn invoking Zeus and the Muses. The Theogony is the first known Greek mythical cosmogony. However, it should not be considered as the authoritative source of Greek mythology, but rather as a portrait of a dynamic tradition that was recorded around 700 BCE.

Ovid’s Metamorphoses is an epic poem, but one that upturns almost every convention. There is no main hero, no central conflict, and no sustained objective. What it is about (power, defiance, art, love, abuse, grief, rape, war, beauty, and so on) is as changeable as the beings that inhabit its chapters. The sustained thread is power and how it transforms us, both those of us who have it and those of us who do not.

The Kalevala is a 19th-century work of epic poetry compiled by Elias Lönnrot from Karelian and Finnish oral folklore and mythology. The Kalevala was instrumental in the development of the Finnish national identity and the sense of nationality that led to Finland's independence from Russia in 1917. Beginning with the traditional Finnish creation myth, the Kalevala branches out into stories of the creation of the earth, plants, creatures, and the sky. There are many stories of, romance, kidnapping, seduction, and magical spell casting and singing.

The Theogony (composed c. 700 BC) is a poem by Hesiod (8th-7th century BC) describing the origins and genealogies of the Greek gods. A theogony is a part of Greek mythology which attempts to articulate reality as a whole. Hesiod's work is a synthesis of various local Greek traditions concerning the gods, organized as a narrative that tells of their origin and how they established control over the Cosmos.

Piers Plowman, William Langland's visionary medieval work about one man's quest for the true Christian life, is an allegorical journey through dream visions and visions within dreams. During the course of his journey, the narrator (William Langland) meets Piers Plowman, who gradually reveals himself to be the son of God. Through Piers, William learns of the virtues in poverty, the temptations of wealth, and of the perfect society that is to come under the rule of Piers Plowman.

Lucretius was born in 99 BC, and On the Nature of Things is his only surviving work. His aim was to free the Roman world from its two great terrors - the gods and death. Lucretius argues that the gods are not actively involved in life, so need not be appeased; and that death is the end of everything human - body and soul - and therefore should not be feared. But On the Nature of Things is also a poem of striking imagery, intimate natural observation and touching pathos.

Odysseus has been away from Ithaca, the Greek city-state under his rule, for ten years while fighting in the Trojan War. After the fall of Troy, Odysseus begins the long journey home to his wife and son; however, his journey is plagued by misfortune as the gods feud over his fate, leaving the Ithacans to believe that he has died. In the myths and legends that are retold here, Fagles has captured the energy and poetry of Homer's original in a bold, contemporary idiom, and given us an Odyssey to read aloud, to savor, and to treasure for its sheer lyrical mastery.

Virgil's Aeneid, one of the greatest classical poems, tells the story of Aeneas, son of Priam, after the fall of Troy. His quest is to find the site "in the west" where he will found a new town prophesied to be the seat of a world empire: Rome.

Homer is one of the most important figures in ancient Greek literature, believed to have lived in the 8th century BC. He is most famous for his epic poems, the Iliad and the Odyssey, which are considered to be the founding works of Western literature. The Iliad tells the story of the Trojan War, focusing on the hero Achilles, while the Odyssey recounts the adventures of the Greek hero Odysseus as he attempts to return home after the war. Both works are celebrated for their vivid storytelling, complex characters, and profound exploration of human nature.

Together with Omar Khayyam and Jalāl ud-Din Mohammad Rumi, Khwaja Shams-ud-din Mohammed Hafiz-e Shirazi, more commonly known just as Háfiz, is considered one of the major figures of classical Persian literature. Gertrude Lothian Bell (1868 - 1926) was a traveler, archeologist, political advisor, and authority on Middle Eastern history and literature.

Cap the narrator makes a deal with his pal Sam McGee that he will cremate him when he dies. Now the problem is where to do this deed in the frozen Yukon.

The iconic love story of the Middle East, by a 12th-century Persian poet who has been compared to Shakespeare for his subtlety, inventiveness, and dramatic force, Layli and Majnun tells of star-crossed lovers whose union is tragically thwarted by their families and whose passion continues to ripple out across the centuries. Theirs is a love that lasts a lifetime, and in Nezami's immortal telling, erotic longing blends with spiritual self-denial in an allegory of Sufi aspiration, as the amenities of civilization give way to the elemental wilderness.

The story of the adventures of the mythical hero Gilgamesh is the most considerable literary production that has come down to us from ancient Babylonia. Unfortunately, it was not preserved in complete form. This recording is of the fullest translation which had yet been issued in English when it was first published in 1917.

"Et tu bois cet alcool brûlant comme ta vie Ta vie que tu bois comme une eau de vie." Premier recueil de poèmes d'Apollinaire, "Alcools" est publié en 1913, alors que certains poèmes du recueil ont été écrits dès 1902. Apollinaire y mêle différents motifs comme la souffrance amoureuse, la mélancolie et le passage du temps, la ville moderne, ou encore le quotidien dans son exploration des paysages rhénans.

Transcendentalism embodies the concept that people have a deeper and more profound understanding of the world around them than simply by what they can glimpse with their senses. In this collection of essays and poems, the works of three transcendentalist authors are shared, each with their own impressions and opinions supporting the movement.

Everyone knows something of Shakespeare's sonnets, even if only in memorable fragments like "the darling buds of May", or "remembrance of things past", or "the marriage of true minds". For centuries these wonderfully crafted, intense lyrics have stood for something valued about youth, love, and the emotional complexities belonging to that time of life. This new recording presents all 154 of Shakespeare's sonnets, using the New Cambridge Shakespeare texts.

Sing to me of the man, Muse, the man of twists and turns driven time and again off course, once he had plundered the hallowed heights of Troy. So begins Robert Fagles' magnificent translation of the Odyssey, which Jasper Griffin in The New York Times Review of Books hails as "a distinguished achievement." If the Iliad is the world's greatest war epic, then the Odyssey is literature's grandest evocation of everyman's journey though life.

Versión en prosa de uno de los clásicos absolutos de la literatura universal: "La Ilíada" de Homero, que narra el rapto de Helena de Troya a manos de Paris y la posterior guerra entre aqueos y troyanos por recuperarla, con la intervención de las diferentes fuerzas de la naturaleza encarnadas por dioses y semidioses. Una lectura capital para todos aquellos aficionados a la Grecia clásica y a la buena literatura.

Le narrateur prend le bus à une heure d'affluence. Il observe un jeune homme avec un chapeau et un cou trop long. Celui-ci s'énerve contre son voisin qui, dit-il, le bouscule chaque fois que passe quelqu'un. Voyant une place libre, il finit par aller s'asseoir. Deux heures plus tard, le narrateur voit le jeune homme place Saint-Lazare qui discute avec un ami de questions vestimentaires. Cette brève histoire est racontée quatre-vingt-dix-neuf fois, de quatre-vingt-dix-neuf manières différentes. Mise en images, portée sur la scène des cabarets, elle a connu une fortune extraordinaire.