Ancient Women

This riveting narrative explores the lives of six remarkable female pharaohs, from Hatshepsut to Cleopatra - women who ruled with real power - and shines a piercing light on our own perceptions of women in power today. Female rulers are a rare phenomenon - but thousands of years ago in ancient Egypt, women reigned supreme. But throughout human history, women in positions of power were more often used as political pawns in a male-dominated society. What was so special about ancient Egypt that provided women this kind of access to the highest political office?

The Peloponnesian War drags on and on with no end in sight, and the tough-minded Lysistrata has had enough. Men! - always making stupid decisions that affect everyone. Women's opinions are never listened to. Taking matters into her own hands, Lysistrata convenes a meeting of women from warring city-states across Greece and calls for a sex strike. It's a hard sell, but in the end, it is agreed: They will withhold sex until the war is brought to hasty a close.

In her mesmerizing fourth work of fiction, Sue Monk Kidd takes an audacious approach to history and brings her acclaimed narrative gifts to imagine the story of a young woman named Ana. Raised in a wealthy family with ties to the ruler of Galilee, she is rebellious and ambitious, with a brilliant mind and a daring spirit. She engages in furtive scholarly pursuits and writes narratives about neglected and silenced women. Ana is expected to marry an older widower, a prospect that horrifies her. An encounter with 18-year-old Jesus changes everything.

Hatshepsut - the daughter of a general who usurped Egypt's throne and a mother with ties to the previous dynasty - was born into a privileged position in the royal household, and she was expected to bear the sons who would legitimize the reign of her father's family. Her failure to produce a male heir was ultimately the twist of fate that paved the way for her improbable rule as a cross-dressing king.

Augustus, Tiberius, Caligula, Claudius, and Nero - these are the names history associates with the early Roman Empire. Yet, not a single one of these emperors was the blood son of his predecessor. In this captivating history, a prominent scholar of the era documents the Julio-Claudian women whose bloodline, ambition, and ruthlessness made it possible for the emperors' line to continue. Eminent scholar Guy de la Bedoyere, author of Praetorian, asserts that the women behind the scenes - including Livia, Octavia, and the elder and younger Agrippina - were the true backbone of the dynasty.

Is it possible that a place called Lemuria existed? What about the missing continent of MU? What does being a Lemurian actually mean for you today? The answer to these questions and more is revealed in this book.

Sun Tzu's Art of War for Women helps women find the peaceful path to success through strategies made famous in the ancient Chinese text, The Art of War. Female wisdom, or common sense, is about avoiding needless confrontation, conserving energy for the things that matter, and seeking an outcome in which everyone wins. And for women, as for Sun Tzu, success doesn't come simply from knowing what to do, but from knowing who you are.

In the waning years of Egypt's 18th Dynasty, when female power can only come at an unsettling price, four royal women struggle against the shadowy influence of Akhenaten, the infamous heretic pharaoh. Akhenaten wields control of a strange emerging religion unlike anything Egypt has seen. His power can't be denied, but whoever can maintain her grip on the unpredictable pharaoh will hold all of Egypt in her hands - and better still, will remain mistress of her own fate.

Amazons - fierce warrior women dwelling on the fringes of the known world - were the mythic archenemies of the ancient Greeks. Heracles and Achilles displayed their valor in duels with Amazon queens, and the Athenians reveled in their victory over a powerful Amazon army. In historical times, Cyrus of Persia, Alexander the Great, and the Roman general Pompey tangled with Amazons.

A Rome of One’s Own is a retelling of the history of Rome with the Important Things, but also all the things Roman history writers relegate to the background—or designate as domestic, feminine, or worthless. This is a history of individuals, twenty-one women who span the length of its territory and its centuries, who caused outrage, led armies in rebellion, wrote poetry, lived independently or under the thumb of emperors. A Rome of One’s Own highlights women overlooked and misunderstood, and through them offers a fascinating and groundbreaking chronicle of the ancient world.

Ariadne, Princess of Crete, grows up greeting the dawn from her beautiful dancing floor and listening to her nursemaid’s stories of gods and heroes. But beneath her golden palace echo the ever-present hoofbeats of her brother, the Minotaur, a monster who demands blood sacrifice. When Theseus, Prince of Athens, arrives to vanquish the beast, Ariadne sees in his green eyes not a threat but an escape. Defying the gods, betraying her family and country, and risking everything for love, Ariadne helps Theseus kill the Minotaur.

When Leukas, a Christian convert, ventures into the wilds of Gaul to receive the hidden teachings from Mary Magdalene before she dies, he discovers that hidden within the Gospels he thinks he knows is an epic love story—between an educated Jewish woman overwhelmed by her mysterious spiritual powers and a sensual magician devoted to the wisdom of the earth. The secrets she will reveal are both more shocking and more tragic than anything listeners have encountered before.

The tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over.

Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women—whether they were simply sitting at their looms at home or participating in the highest echelons of power—were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it.

At long last, Mary Beard addresses in one brave book the misogynists and trolls who mercilessly attack and demean women the world over, including, very often, Mary herself. In Women & Power, she traces the origins of this misogyny to its ancient roots, examining the pitfalls of gender and the ways that history has mistreated strong women since time immemorial.

The great city of Troy is under siege as Greek heroes Achilles and Agamemnon wage bloody war over a stolen woman. In the Greek camp, another woman is watching and waiting: Briseis. She was a queen of this land until Achilles sacked her city and murdered her husband and sons. Now she is Achilles' concubine: a prize of battle. Briseis is just one among thousands of women backstage in this war - the slaves and prostitutes, the nurses, the women who lay out the dead - all of them voiceless in history.

Artist Laura Matthews finds her new home in the Welsh mountains to be a place so charged with tales and legends that she is able to reach through the gossamer-fine veil that separates her own world from that of myth and fable. She and her husband, Dan, have given up their city life and moved to Blaencwm, an ancient longhouse high in the hills. Here, she hopes that the wild beauty will inspire her to produce her best art and will give her the baby they have longed for.

The history of Egyptology is often told as yet one more grand narrative of powerful men striving to seize the day and the precious artifacts for their competing homelands. But that is only half of the story. During the Golden Age of Exploration, there were women working and exploring before Howard Carter discovered the tomb of King Tut. Before men even conceived of claiming the story for themselves, women were working in Egypt to lay the groundwork for all future exploration.

When Jezebel learns she can't be a king like her father simply because she’s a girl, she vows never to become someone’s decorative wife, nameless and lost to history. At fifteen she’s married off, despite her protests, to Prince Ahab of Israel. There, she does what she must to gain power and remake the dry and distant kingdom in the image of her beloved, prosperous seaside homeland of Tyre, beginning by building temples to the gods she grew up worshipping. As her initiatives usher in an era of prosperity for Israel, her new subjects love her, and her name rings through the land.

Convinced that unnamed babies are not truly alive, King Tuthmosis I’s wife Ahmose immediately names her newborn daughter Hatshepsut. This tiny girl will one day rise above her name and become not just "the foremost of women" but ruler of all Egypt. Growing up in pharaoh’s palace, the young princess prepares for her future by learning the essentials of Egyptian religious, political, and social life. After 12-year-old Hatshepsut’s father dies, she - following the royal custom - becomes queen by marrying King Tuthmosis II, the son of one of her father’s lesser wives.