Anthology World Literature

In recent years, our poetic landscape has evolved in profound and exciting ways. So has our planet. Edited and introduced by the twenty-fourth Poet Laureate of the United States, Ada Limon, this book challenges what we think we know about "nature poetry," illuminating the myriad ways our landscapes—both literal and literary—are changing. You Are Here features fifty previously unpublished poems from some of the nation's most accomplished poets, including Joy Harjo, Diane Seuss, Rigoberto González, Jericho Brown, Aimee Nezhukumatathil, Paul Tran, and more.

Drowned Worlds looks at the future we might have if the oceans rise, good or bad. Here you'll find stories of action, adventure, romance, and, yes, warning and apocalypse. Stories inspired by Ballard's The Drowned World, Sterling's Islands in the Net, and Ryman's The Child Garden. Stories that allow that things may get worse, but remembers that such times also bring out the best in us all.

Ambrose Bierce left behind a nasty reputation and more than 90 short stories that are perfect expressions of his sardonic genius. This volume of selected stories represent an unprecedented accomplishment in American literature. In their iconoclasm and needle-sharp irony, their formal and thematic ingenuity and element of surprise, they differ markedly from the fiction admired in Bierce's time.

This is the second collection of short stories relating to the fictional sea-sprayed Canadian village of Avonlea. Anne Shirley appears in a few, but most concern other characters from the Anne Shirley series, including Diana Barry and members of the Meredith and Blair families. Published in 1920, these tales of hidden hopes and cherished dreams are sure to enchant fans of Anne of Green Gables.

Les contes fantastiques de Guy de Maupassant (1850-1893) comptent parmi les meilleures du genre en littérature française. Cet extrait de "La Peur" (seconde version) dans lequel l’auteur parle du romancier russe Tourgueniev, s’appliquerait parfaitement à lui-même : "Avec lui, on la sent bien, la peur vague de l’Invisible, la peur de l’inconnu qui est derrière le mur, derrière la porte, derrière la vie apparente. Avec lui, nous sommes brusquement traversés par des lumières douteuses qui éclairent seulement assez pour augmenter notre angoisse."

Based on traditional Vietnamese folk tales told to Violet Kupersmith by her grandmother, these fantastical, chilling, and thoroughly contemporary stories are a boldly original exploration of Vietnamese culture, addressing both the immigrant experience and the lives of those who remained behind. Lurking in the background of them all is a larger ghost—that of the Vietnam War, whose legacy continues to haunt us.

Tadeusz Borowski’s concentration camp stories were based on his own experiences surviving Auschwitz and Dachau. In spare, brutal prose he describes a world where where the will to survive overrides compassion, and prisoners eat, work, and sleep a few yards from where others are murdered; where the difference between human beings is reduced to a second bowl of soup, an extra blanket, or the luxury of a pair of shoes with thick soles; and where the line between normality and abnormality vanishes.

Seamlessly transitioning between the absurd and the tenderhearted, balancing acerbic humor with sharp emotional depth, Afterparties offers an expansive portrait of the lives of Cambodian Americans. As the children of refugees carve out radical new paths for themselves in California, they shoulder the inherited weight of the Khmer Rouge genocide and grapple with the complexities of race, sexuality, friendship, and family.

The teacher Patrick Healy travelled around the world, talked with people in different places, and collected around half a thousand myths, legends, and folktales and several alternative versions. His opinion and comments (directly or indirectly) are inevitable. 61 Filipino Tales is the third volume of his work, in his words. He retold the stories with his own opinion and approach to them.

The stories in This Is How You Lose Her, by turns hilarious and devastating, raucous and tender, lay bare the infinite longing and inevitable weaknesses of our all-too-human hearts. They capture the heat of new passion, the recklessness with which we betray what we most treasure, and the torture we go through - "the begging, the crawling over glass, the crying" - to try to mend what we've broken beyond repair. They recall the echoes that intimacy leaves behind, even where we thought we did not care.

In this long-awaited collection, Hopkinson continues to expand the boundaries of culture and imagination. Whether she is retelling The Tempest as a new Caribbean myth, filling a shopping mall with unfulfilled ghosts, or herding chickens that occasionally breathe fire, Hopkinson continues to create bold fiction that transcends boundaries and borders.

SET AGAINST THE VIVID backdrop of The Bahamas, these eighteen luminous and haunting stories introduce us to women and girls searching for certainty and belonging as they navigate profound upheaval. The characters are bold and big-hearted, complex and intimately familiar. They grapple with the bonds of kinship and the responsibilities of parenthood, with grief, longing, betrayal, coming of age and what it means to be a woman.

La inspiración para escribir este libro le llegó a García Márquez con una insólita noticia que tuvo que cubrir como periodista. El 26 de octubre de 1949 el reportero Gabriel García Márquez fue enviado al antiguo convento de Santa Clara, que iba a ser demolido para edificar sobre él un hotel de cinco estrellas, a presenciar el vaciado de las criptas funerarias y a cubrir la noticia. Se exhumaron los restos de un virrey del Perú y su amante secreta, un obispo, varias abadesas, un bachiller de artes y una marquesa.

#1 New York Times best-selling, Pulitzer Prize–winning author Anthony Doerr brings his“stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) to selecting The Best American Short Stories 2019. Doerr and the series editor, Heidi Pitlor, winnow down twenty stories out of thousands that represent the best examples of the form published the previous year.

Widely acclaimed as a progenitor of 20th-century Latin American fiction, Joaquim Maria Machado de Assis (1839-1908), the son of a mulatto father and a washerwoman, was hailed in his lifetime as Brazil's greatest writer. His prodigious output of novels, plays, and stories rivaled contemporaries like Chekhov, Flaubert, and Maupassant, but, shockingly, he was barely translated into English until 1963, and still lacks proper recognition today.

Before he was the engaging professor who brought mythology into people’s living rooms through his conversations with Bill Moyers, before he became known as the thinker whose ideas influenced Star Wars, and before his now-beloved phrase “follow your bliss” entered the popular lexicon, Joseph Campbell was a young man who tried his hand at writing fiction. After years of Depression-era unemployment, when he lived off money he had earned playing saxophone and read the world’s great literature in a syllabus of his own design, Campbell published his first short story.

In New York City, an art student finds an unexpected subject when she moves in with a grandmother from Xi’an, and boundaries are put into question. When a newlywed couple moves to Arizona, adapting to unfamiliar customs keeps their marriage from falling apart. A woman grapples with what it means to care for another, and the limits of that care, when her dying husband returns from Beijing years after abandoning her. And during a rainy summer in Texas, a visitor exposes the unspoken but unburiable history that binds two families together.

Not the End of the World is Kate Atkinson's first collection of short stories. Playful and profound, they explore the world we think we know whilst offering a vision of another world which lurks just beneath the surface of our consciousness, a world where the myths we have banished from our lives are startlingly present and where imagination has the power to transform reality.

Being brave, really being brave...is believing in yourself. It’s asking for help when you need it. It’s standing up to that monstrous bully and helping them be better and kinder. It’s looking into the eyes of grief, taking its hand, and riding the waves of change. It’s breathing through monkey brain when the world becomes chaotic, and it’s getting closer to nature by stepping just outside of your front door.

For fans of Etgar Keret, a debut collection that fuses the humor of everyday life in Israel with technology's challenges and the latest discoveries about the human brain. At once compassionate, philosophical, and humorous, Jerusalem Beach is a foray into the human condition in all its contradictions. Through a series of snapshots of contemporary life in Israel, Gefen reveals a world that's a step from the familiar.