Anthropology Fiction

The Origin of Species sold out on the first day of its publication in 1859. It is the major book of the 19th century and one of the most readable and accessible of the great revolutionary works of the scientific imagination. Though, in fact, little read, most people know what it says—at least they think they do. The Origin of Species was the first mature and persuasive work to explain how species change through the process of natural selection. Upon its publication, the book began to transform attitudes about society and religion.

Edward O. Wilson is one of the world’s preeminent biologists, a Pulitzer Prize winner, and the author of more than 25 books. The defining work in a remarkable career, The Social Conquest of Earth boldly addresses age-old questions (Where did we come from? What are we? Where are we going?) while delving into the biological sources of morality, religion, and the creative arts.

Gideon Oliver expects to be amicably bored when he takes on the role of "accompanying spouse" at a lodge in the magnificent wild country of Glacier Bay, Alaska, where his forest ranger wife, Julie, is attending a conference. But it turns out to be exactly his cup of tea. There is another group at the lodge: six scientists on a memorial journey to the site of a 30-year-old glacial avalanche that killed three of their colleagues. Their leader is TV's most popular science personality, the unctuous M. Audley Tremaine - the sole survivor of the fatal avalanche. But he does not survive long.

When anthropology professor Gideon Oliver is offered a teaching fellowship at US military bases in Germany, Sicily, Spain, and Holland, he wastes no time accepting. On his first night, he is forced to fend off two desperate, black-clad men who have invaded his Heidelberg hotel room with intent to kill. And then there are a few trivial details that the recruiting agency forgot to mention - such as the fact that the two previous holders of the fellowship both met with mysterious ends.

There is not much left of the irascible Albert Evan Jasper, "dean of American forensic anthropologists," after his demise in a fiery car crash. But in accord with his wishes, his remains are installed in an Oregon museum to create a fascinating if macabre exhibit. All agree that it is a fitting end for a great forensic scientist - until what is left of him disappears in the midst of the biannual meeting of the august WAFA - the Western Association of Forensic Anthropologists - in nearby Bend, Oregon. Like his fellow attendees, Gideon Oliver - the Skeleton Detective - is baffled.

Mayan ruins in the Yucatán...a secret room in a tomb...age-old skeletons. To anthropologist Gideon Oliver, the renowned Skeleton Detective, the invitation to join the archaeological excavation of Tlaloc promises two months of paradise on Earth. That is, until an ancient series of Mayan curses against desecrators of the site is unearthed.

Deep in the primeval rainforest of Washington state's Olympic Peninsula, the skeletal remains of a murdered man are discovered. And a strange, unsettling tale begins to unfold, for forensic anthropologist Gideon Oliver determines that the murder weapon was a primitive bone spear of a type not seen for the last 10,000 years. And whoever - or whatever - hurled it did so with seemingly superhuman force. Bigfoot "sightings" immediately crop up, but Gideon is not buying them.

When an Orthodox Jew is found shot to death in Montreal, Temperance Brennan is called in to examine the body and to figure out the puzzling damage to the corpse. Unexpectedly, a stranger slips her a photograph of a skeleton and assures her the picture is the key to the victim's death. Before she knows it, Tempe is involved in an international mystery as old as Jesus, a mystery that could rewrite 2000 years of religious history. that could rewrite 2000 years of religious history. Tempe learns that the stranger's picture shows bones uncovered during an archeological dig.

For decades, the singular and provocative paintings by Cree artist Kent Monkman have featured a recurring character—an alter ego of sorts, a shape-shifting, time-travelling elemental being named Miss Chief Eagle Testickle. Though we have glimpsed her across the years in films and on countless canvases, it is finally time to hear her story, in her own words. And, in doing so, to hear the whole history of Turtle Island anew.

Acclaimed author M.A.C. Farrant has been hailed as “a brave iconoclast” by Publishers Weekly and is well known for her pithy wit and maverick sensibilities. Broken into three sections, The Strange Truth About Us is a fusion of fragmented prose, probing questions and caustic satire. The result is both a meditation on absence and a commentary on the human penchant for complacency.

The film Rabbit-Proof Fence is based on this true account of Doris Pilkington's mother Molly, who as a young girl led her two sisters on an extraordinary 1,600 kilometer walk home. Under Western Australia's invidious removal policy of the 1930s, the girls were taken from their Aboriginal families at Jigalong on the edge of the Little Sandy Desert, and transported halfway across the state to the Native Settlement at Moore River, north of Perth. Here Aboriginal children were instructed in the ways of white society and forbidden to speak their native tongue.

Shortlisted for the Booker Prize and the Whitbread Award, Paradise was characterized by the Nobel Prize committee as Abdulrazak Gurnah’s “breakthrough” work. It is at once the chronicle of an African boy’s coming-of-age, a tragic love story, and a tale of the corruption of African tradition by European colonialism.

Buried ceremoniously, high in a cave on the Rock of Gibraltar, lies the skeleton of a human woman, clutching the skeleton of a part-human, part-Neanderthal child. Fascinated, Professor Oliver jumps at the chance to visit the site. But two deaths, possibly murders, have rocked Gibraltar. As Oliver tries to piece things together, he's about to fall for some deadly tricks. After all, unlike the Gibraltar Boy, he's only human.

The dead man is the manager of Tahiti's Paradise Coffee Plantation, producer of the most expensive coffee bean in the world, the winey, luscious Blue Devil. Nothing tangible points to foul play behind his fall from a cliff, but FBI agent John Lau, a relative of the coffee-growing family, has his suspicions. What he needs is evidence, and who better to provide it than his friend, anthropologist Gideon Oliver, the Skeleton Detective? Gideon is willing to help, but surprisingly - and suspiciously - both the police and the other family members refuse to okay an exhumation order.

When Gideon Oliver and his wife, Julie, are in Tuscany visiting the Cubbiddu family, the renowned Skeleton Detective is asked to reexamine the remains of a mysterious family tragedy. Pietro Cubbiddu, former patriarch of the Villa Antica wine empire, is thought to have killed his wife and then himself in the remote mountains of the Apennines. It does not take long for Gideon to deduce that, whatever happened, a murder-suicide it was not. Soon Gideon finds himself in a morass of family antipathies, conflicts, and mistrust, to say nothing of the local authority's resentment.

Les-Eyzies-de-Tayac is known for three things: pâte de fois gras, truffles, and prehistoric remains. The little village, in fact, is the headquarters of the prestigious Institute de Prehistoire, which studies the abundant local fossils. But when a pet dog emerges from a nearby cave carrying parts of a human skeleton - by no means a fossilized one - Chief Inspector Lucien Anatole Joly puts in a call to his old friend, Gideon Oliver, the famed “Skeleton Detective.”

At a time when we are all confronted by not one, but many crossroads in our modern lives - identity, technology, trust, politics, and a global pandemic - celebrated mythologist and wilderness guide Martin Shaw delivers Smoke Hole: three metaphors to help us understand our world, one that is assailed by the seductive promises of social media and shadowed by a health crisis that has brought loneliness and isolation to an all-time high.

What do we believe? And in God's name why? Lewis Black has the answers. Or at least his answers. He survived Hebrew school and a bar mitzvah (barely), was a 60's college student who saw the parallels between religious rapture and drug-induced visions (even if none of his friends did), explored the self-actualization movement of the 70's (and the self-indulgence it engendered), and turned a cynical eye toward politicians who don the cloak of religious rectitude to cover up their own hypocrisy.

In a house under renovation, a plumber uncovers a cellar no one knew about, and makes a rather grisly discovery - a decapitated chicken, animal bones, and cauldrons containing beads, feathers, and other relics of religious ceremonies. In the center of the shrine is the skull of a teenage girl. Meanwhile, on a nearby lakeshore, the headless body of a teenage boy is found by a man walking his dog.

An ancient skeleton tossed in a garbage dump is the first conundrum to rattle Gideon Oliver when he arrives in Egypt. There to appear in a documentary film, he expects an undemanding week of movie star treatment and a luxurious cruise up the Nile with his wife, Julie. But then Gideon discovers a tantalizing secret in the discarded bones - and violence claims a famous Egyptologist's life. Plying his calipers as the world's foremost forensic anthropologist, Gideon's investigation of the goings-on leads him through the back alleys and bazaars of Cairo.