Apocalyptic Horror

This is the sixth and final novel in the action-packed series following Special Forces captain Lee Harden and a group of survivors struggling to survive while rebuilding an America devastated by a bacterium that has turned 90 percent of the population into a ravenous horde.

You can't kill the dead! Like any good monster, the zombie has proven to be ever-evolving, monumentally mutable, and open to seemingly endless imaginative interpretations: the thralls of voodoo sorcerers, George Romero's living dead, societal symbols, dancing thrillers, viral victims, reanimated ramblers, video-gaming targets, post-apocalyptic permutations, shuffling sidekicks, literary mash-ups, the comedic, and, yes, even the romantic.

The unthinkable has happened. The dead are walking! Humanity's fragile thread may be reaching its bitter end. Individuals and groups struggle to survive...some at any cost. Will there be anybody left? Or, is this just... The Ugly Beginning?

This book contains foul language and fouler descriptions of life as a zombie. It will offend most anyone, so proceed with caution or not at all. And be forewarned: This is not a zombie book. This is a different sort of tale. It is a story about the unfortunate, about those who did not get away. It is a human story at its rotten heart. It is the reason we can't stop obsessing about these creatures, in whom we see all too much of ourselves.

Set 17 years after the main events of We’re Alive, We’re Alive: Goldrush is a recollection story that describes the efforts of the “soldiers” (Greg Muldoon, Anthony Robbins, Carl Thomas, and Samuel Puck) as they attempt a side mission to retrieve a suspected stash of gold bullion. An aging General Puck confides this previously undisclosed tale to Alex Robbins, the son of his former teammate and friend, Anthony Robbins.

Each year, the residents of Pine Deep host the Halloween Festival, drawing tourists and celebrities from across the country to enjoy the deliciously creepy fun. Those who visit the small Pennsylvania town are out for a good time, but those who live there are desperately trying to survive. For a monstrous evil lives among them, a savage presence whose malicious power has grown too powerful even for death to hold it back.

It was intended to eradicate the common cold; instead it eradicated most of the human race. A genetically modified virus killer mutates, transforming everyone it infects into zombies. As it rapidly spreads across the globe, small groups of survivors battle to stay alive and escape the growing hordes of flesh eaters.

Jane Finch wishes her problems ended with a bad commute and no coffee. But when she and her beloved Great Dane, Schrodinger, emerge from a locked room they discover a city changed for the undead. Zombies are everywhere. Some are endlessly cycling through their last actions, others have turned feral—and hungry. Jane and Schroddie's best chance for survival? Reaching her parents' bunker on the city's north shore. Not an easy commute on foot—when surrounded by zombies. Dodging stray bullets and feral zombies is one thing. But soon Jane realizes one of the zombies is following her.

Teenage delinquent Angel Crawford lives with her redneck father in the swamps of southern Louisiana. She's a high school dropout, addicted to drugs and alcohol, and has a police record a mile long. But when she's made into a zombie after a car crash, her addictions disappear, except for her all-consuming need to stay "alive".

From New York Times best-selling author Mira Grant comes a vision of a decade in the future, where humanity thrives in the absence of sickness and disease. We owe our good health to a humble parasite—a genetically engineered tapeworm developed by the pioneering SymboGen Corporation. When implanted, the Intestinal Bodyguard worm protects us from illness, boosts our immune system—even secretes designer drugs. It's been successful beyond the scientists' wildest dreams. Now, years on, almost every human being has a SymboGen tapeworm living within them.

The zombie illness has shattered civilization. The survivors, who have found tenuous safety in Texas, defend their fort against the walking dead and living bandits. The people of Ashley Oaks are stunned to discover that the vice president of the United States is alive and commanding the remnants of the US military. And what’s left of the US government has plans for this group of determined survivors.

Howie and Marcy fight their way back into the fort to rescue Lani, only to find her on a killing spree. Her body made weak by the incessant and relentless purge of the Undead, and believing Howie has betrayed her with Marcy, she now seeks to destroy him and all he loves. With tensions running high, Maddox and his crews watch on while Howie tries to reason with the woman he thought he loved. She leads him to the armoury, where they are together and alone. She holds a grenade in her hand, ready to detonate.

As the first waves of injured bystanders, guardsmen, and rioters arrived at hospitals, it became apparent that a deadly new disease had been unleashed on the population. Whether the virus was naturally occurring or an escaped lab experiment, Cade hadn't a clue and wasn't especially concerned until he learned of its unprecedented virulence, unusual method of transference, and the fact that, according to the news, it brought the newly dead back to life, semi-mindless, and with an insatiable desire to feed on the flesh of the living.

Jack, Mike and Trip were ripped from their loved ones and thrown into a dangerous world they know nothing about, relentlessly pursued by Night Runners, Zombies and terrifying new creatures known only as Whistlers.

Like their own worlds, civilization has collapsed and danger lurks around every corner. The trio can do nothing but march forward and attempt to find some answers - some way to escape from the nightmare. Seeking only to return to their families, they must navigate through the unknown.

A pyramid predating all known cultures appears without warning. Its discovery throws into question everything we know about the origins of mankind. Inside lies incredible technology, proof of a culture far more advanced than our own. Something dark lurks within, eager to resume a war as old as mankind. When it is unleashed, it heralds the end of our species' reign.

It was supposed to be fun. Six teenagers and their British captain aboard the ketch Crosscurrent Voyager, headed on a senior year summer cruise to excitement and adventure. Then the world as they knew it ended. A plague spread throughout the globe, killing millions and turning the survivors into cannibalistic rage monsters - zombies, in so many words. Only by putting aside their differences were the young crew able to survive. Now, they seek others like them, those fortunate souls who have made it through the zombie apocalypse.

Shaun Mason is a man without a mission. Not even running the news organization he built with his sister has the same urgency as it used to. Playing with dead things just doesn't seem as fun when you've lost as much as he has. But when a CDC researcher fakes her own death and appears on his doorstep with a ravenous pack of zombies in tow, Shaun has a newfound interest in life. Because she brings news—he may have put down the monster who attacked them, but the conspiracy is far from dead. Now, Shaun hits the road to find what truth can be found at the end of a shotgun.

Jon South knows he should be dead. Yet, somehow, he’s still breathing, suffering from the zombie bite. With the help of some unlikely new allies, Jon escapes prison, and makes his way back to Hope’s Dawn - only to find the camp smoking and burning from an apparent ambush. Fighting against time, and knowing the virus from his infected bite could take him at any moment, Jon must find his friends, before it’s too late.

The zombie plague unleashes its horrors on the suburbs of Atlanta without warning, pitting the living against the dead. Caught in the mass exodus, Lilly Caul struggles to survive in a series of ragtag encampments and improvised shelters. But the Walkers are multiplying. Dogged by their feral hunger for flesh and crippled by fear, Lilly relies on the protection of good Samaritans by seeking refuge in a walled-in town once known as Woodbury, Georgia. But Lilly begins to suspect that all is not as it seems....

In Dark Property, a woman carries a dying baby across a desert waste, moving toward a fortress harboring a mysterious resurrection cult. Menaced by scavengers, she nevertheless begins to suspect that the reality within the fortress may be even more unsettling than the blasted environment outside. In Contagion and Other Stories, Evenson takes his audiences into a world that is at once apocalyptic, dark, observant, and grotesque without ever dipping into static genre conventions.