Art Biography

There's No Crying in Newsrooms tells the stories of remarkable women who broke through barrier after barrier at media organizations around the country over the past four decades. They started out as editorial assistants, fact checkers, and news secretaries and ended up running multi-million-dollar news operations that determine a large part of what Americans read, view, and think about the world.

Distinguished theater critic John Lahr brings unique perspective to the life of Arthur Miller, the playwright who almost single-handedly propelled twentieth-century American theater into a new level of cultural sophistication. Organized around the fault lines of Miller’s life—his family, the Great Depression, the rise of fascism, Elia Kazan and the House Committee on Un-American Activities, Marilyn Monroe, Vietnam, and the rise and fall of Miller’s role as a public intellectual—this book demonstrates the synergy between Arthur Miller’s psychology and his plays.

In 1986 Darius Rucker cofounded Hootie & The Blowfish at the University of South Carolina. What began as a party band playing frat houses and dive bars quickly became a global pop rock phenomenon through their multiplatinum-selling debut album, cracked rear view. Later, Darius would chart a pioneering path as a solo country music artist, with classic anthems like “Wagon Wheel” and “Alright.” Nearly forty years after the band’s formation, Darius tells his remarkable story through the lens of the songs that shaped him.

From 1965 to 1995, the Grateful Dead flourished as one of the most beloved, unusual, and accomplished musical entities to ever grace American culture. The creative synchronicity among Jerry Garcia, Bob Weir, Phil Lesh, Bill Kreutzmann, Mickey Hart, and Ron "Pigpen" McKernan exploded out of the early 60s roots and folk scene, providing the soundtrack for the Dionysian revels of the counterculture. Dennis McNally, the band's historian and publicist for more than 20 years, takes listeners back through the Dead's history.

From the outrageously filthy and oddly innocent comedienne and star of the powerful 2015 film I Smile Back Sarah Silverman comes a memoir—her first book—that is at once shockingly personal, surprisingly poignant, and still pee-in-your-pants funny. If you like Sarah's television show The Sarah Silverman Program, or memoirs such as Chelsea Handler's Are You There Vodka? It's Me Chelsea and Artie Lange's Too Fat to Fish, you'll love The Bedwetter.

"Lors de ma première naissance, je n'étais pas là. Mon corps est venu au monde le 26 juillet 1937 à Bordeaux. On me l'a dit. Je suis bien obligé d'y croire puisque je n'en ai aucun souvenir. Ma seconde naissance, elle, est en pleine mémoire. Une nuit, j'ai été arrêté par des hommes armés qui entouraient mon lit. Ils venaient me chercher pour me mettre à mort. Mon histoire est née cette nuit-là." C'est cette histoire bouleversante que Boris Cyrulnik nous raconte pour la première fois en détail dans ce livre audio où l'émotion du survivant se conjugue au talent de l'écrivain.

In this heartfelt memoir by the Masterpiece Theatre host, Pulitzer Prize winner, and groundbreaking New York Times columnist, Russell Baker traces his youth in the mountains of rural Virginia. When Baker was only five, his father died. His mother, strong-willed and matriarchal, never looked back. After all, she had three children to raise. These were Depression years, and Mrs. Baker moved her fledgling family to Baltimore. Baker's mother was determined her children would succeed, and we know her regimen worked for Russell.

Ayelet Tsabari was 21 years old the first time she left Tel Aviv with no plans to return. Restless after two turbulent mandatory years in the Israel Defense Forces, Tsabari longed to get away. It was not the never-ending conflict that drove her but the grief that had shaken the foundations of her home. The loss of Tsabari’s beloved father in years past had left her alienated and exiled within her own large Yemeni family and at odds with her Mizrahi identity. By leaving, she would be free to reinvent herself and to rewrite her own story.

Howard Bloom - called “the greatest press agent that rock and roll has ever known” by Derek Sutton, the former manager of Styx, Ten Years After, and Jethro Tull - is a science nerd who knew nothing about popular music. But he founded the biggest PR firm in the music industry and helped build or sustain the careers of our biggest rock legends, including Michael Jackson, Prince, Bob Marley, Bette Midler, Billy Joel, Billy Idol, Chaka Khan, and 100 more. What was he after? He was on a hunt for the gods inside of you and me.

Goodwin describes the broken friendship between Teddy Roosevelt and his chosen successor, William Howard Taft. With the help of the "muckraking" press, Roosevelt had wielded the Bully Pulpit to challenge and triumph over abusive monopolies, political bosses, and corrupting money brokers. Roosevelt led a revolution that he bequeathed to Taft only to see it compromised as Taft surrendered to money men and big business. The rupture led Roosevelt to run against Taft for president, an ultimately futile race that gave power away to the Democrats.

As one of America's preeminent comedic voices, George Carlin saw it all throughout his extraordinary 50-year career and made fun of most of it. Last Words is the story of the man behind some of the most seminal comedy of the last half century, blending his signature acer-bic humor with never-before-told stories from his own life.

Bob Dylan's Chronicles: Volume One explores the critical junctions in his life and career. Through Dylan's eyes and open mind, we see Greenwich Village, circa 1961, when he first arrives in Manhattan. Dylan's New York is a magical city of possibilities: smoky, nightlong parties; literary awakenings; transient loves and unbreakable friendships. Elegiac observations are punctuated by jabs of memories, penetrating and tough.

Lit follows Mary Karr's descent into the inferno of alcoholism and madness - and her astonishing resurrection. Karr's longing for a solid family seems secure when her marriage to a handsome, Shakespeare-quoting poet produces a son they adore. But she can't outrun her apocalyptic past. She drinks herself into the same numbness that nearly devoured her charismatic but troubled mother, reaching the brink of suicide. A hair-raising stint in "The Mental Marriott" awakens her to the possibility of joy, and leads her to an unlikely faith.

Lee Miller, 1927 - New York: A classically beautiful young woman, she is discovered by Condé Nast. Lee Miller, 1929 - Paris: Protégé and lover of Man Ray, she invents with him the solarization technique of photography, develops into a brilliant Surrealist photographer, and plays the statue in Cocteau's film Blood of a Poet. Lee Miller, 1939-45 - Europe: Living at times with her future husband, the painter Roland Penrose, she becomes a US war correspondent and covers the siege of St Malo and the liberation of Paris.

Empire of the Air tells the story of three American visionaries - Lee de Forest, Edwin Howard Armstrong, and David Sarnoff - whose imagination and dreams turned a hobbyist's toy into radio, launching the modern communications age. Tom Lewis weaves the story of these men and their achievements into a richly detailed and moving narrative that spans the first half of the 20th century, a time when the American romance with science and technology was at its peak.

Moss Hart's Act One, which Lincoln Center Theater presented in 2014 as a play written and directed by James Lapine, is one of the greatest American memoirs - a glorious memorial to a bygone age filled with all the wonder, drama, and heartbreak that surrounded Broadway in the early 20th century.

Whit Fraser delivers a smart, touching and astute living history of five decades that transformed the North, a span he witnessed first as a longtime CBC reporter and then through his friendships and his work with Dene and Inuit activists and leaders. Whit had a front-row seat at the MacKenzie Valley Pipeline inquiry, the constitutional conferences and the land-claims negotiations that successfully reshaped the North. His vivid portraits of groundbreakers bring home their truly historic achievements, but they also give us a privileged glimpse of who they are, and who Whit Fraser is.

Jennifer Saunders' comic creations have brought joy to millions. From Comic Strip to Comic Relief, from Bolly-swilling Edina in Ab Fab to her takes on Madonna or Mamma Mia, her characters are household names. But it's Jennifer herself who has a place in all our hearts. This is her funny, moving, and frankly bonkers memoir, filled with laughter, friends, and occasional heartache - but never misery. Bonkers is full of riotous adventures.

In 1937, it seemed as if Cary Grant had it all: the fame and fortune of being a leading man for one of Hollywood’s biggest studios, with a life of luxury that was a world away from the hardship and misery he knew growing up in Bristol, England. But all that glitters is not gold. Grant felt that he had no say in the development of his own career, and he was seeing signs that the studio was losing interest in him…other than to just be a handsome face. He yearned for better roles to prove himself as an actor. And so, he did the inconceivable.

In 1895, a specialist straps five-year-old Katharine Hathaway, then suffering from spinal tuberculosis, to a board with halters and pulleys in a failed attempt to prevent her from becoming a “hunchback” like the “little locksmith” who does odd jobs at her family’s home. Forced to endure her confinement for ten years, Katharine remains immobile until age fifteen, only to find that none of it has prevented her from developing a deformity of her own.