Art Crime

In 1958 Jean Ellroy was murdered, her body dumped on a roadway in a seedy L.A. suburb. Her killer was never found, and the police dismissed her as a casualty of a cheap Saturday night. James Ellroy was ten when his mother died, and he spent the next thirty-six years running from her ghost and attempting to exorcize it through crime fiction. In 1994, Ellroy quit running. He went back to L.A., to find out the truth about his mother--and himself.

At twenty-five years old, Michael Stewart was a young Black aspiring artist, deejay, and model, looking to make a name for himself in the vibrant downtown art scene of the early 1980’s New York City. On September 15, 1983, he was brutally beaten by New York City Transit Authority police for allegedly tagging a 14th Street subway station wall. Witnesses reported officers beating him with Billy clubs and choking him with a nightstick. Stewart arrived at Bellevue Hospital hog-tied with no heartbeat and died after thirteen days in a coma.

From the acclaimed biographer - the fascinating, little-known story of a Victorian-era murder that rocked literary London, leading Charles Dickens, William Thackeray, and Queen Victoria herself to wonder: Can a novel kill?

What if a villain believes they are a hero? Our addiction to social media has created a new version of fame. And lurking beneath the surface of beautiful, polished social media accounts is a community being targeted by a killer. Ela's life is falling apart after she experiences a miscarriage. Her marriage dissolves while the rest of her life feels on hold. In order to deal with the grief and guilt from losing the pregnancy, Ela spends a lot of time on her phone. And the more time she spends online, the more her new identity begins to take shape.

Texte susceptible de choquer. À déconseiller aux âmes sensibles. L'Art. Jusqu'où certains sont-ils prêts à aller en son nom ? Des familles entières disparaissent, enlevées à leur domicile. Une horrible machination est mise en place pour satisfaire les appétits déviants de fortunés amateurs d'art. Soraya, adolescente de 16 ans, sera-t-elle le grain de sable dans ces rouages infernaux ?

Described as both “one of the most important novels ever written” and “the gospel of evil,” 120 Days of Sodom was written by the Marquis de Sade, a notorious eighteenth-century aristocrat who waged a campaign of mayhem and debauchery across France, evaded execution, and inspired the word “sadism,” which came to mean receiving pleasure from pain. Despite all his crimes, Sade considered this work to be his greatest transgression.

Art scams are today so numerous that the specter of a lawsuit arising from a mistaken attribution has scared a number of experts away from the business of authentication and forgery, and with good reason. Art scams are increasingly convincing and involve incredible sums of money. The cons perpetrated by unscrupulous art dealers and their accomplices are proportionately elaborate. Anthony M. Amore's The Art of the Con tells the stories of some of history's most notorious yet untold cons.

To his neighbors, Anthony Sowell was a friendly and helpful former Marine. But they didn't know about his dark side - or the gruesome secret inside his house. Sowell's secret life was revealed to the nation on October 29, 2009, when a Cleveland Police SWAT team entered his house to arrest him for an alleged rape. They didn't find Sowell, but they encountered a nightmarish scene: two decomposed bodies in his third-floor living room. Eight more bodies were hidden throughout the house and buried in the back yard.

The memoir covers La Plante's entire life, from her youth growing up in Merseyside to studying at RADA alongside Anthony Hopkins and John Hurt. It explores "the exasperation [La Plante] felt at the limited roles available for female actors" - something that led to her writing "Widows" and "Prime Suspect" for television.

En esta galardonada producción de Audible Studios, Trevor Noah cuenta su salvaje historia sobre la mayoría de edad durante el ocaso del apartheid en Sudáfrica. Es una historia que comienza con su madre arrojándolo desde una camioneta en movimiento para salvarlo de una disputa potencialmente fatal con gánsters, luego sigue el camino del comediante hacia el autodescubrimiento a través de episodios conmovedores y cómicos.

A fierce memoir of a mother's murder, a daughter's coming-of-age in the wake of immense loss, and her ultimate mission to know the woman who gave her life.

Brainstorm is an amazing five-year probe into the mysterious death of beloved movie star Natalie Wood by a real-life criminal law authority who determinedly pursued the truth in the face of Los Angeles County officials hell-bent on keeping it buried forever. Brainstorm: An Investigation of the Mysterious Death of Film Star Natalie Wood is the first-person account of Sam Perroni’s probing investigation of the actress’s death.

On a cool, overcast afternoon in April 2016, a salacious tip arrived at the L.A. Times that reporter Paul Pringle thought should have taken, at most, a few weeks to check out: a drug overdose at a fancy hotel involving one of the University of Southern California’s shiniest stars—Dr. Carmen Puliafito, the head of the prestigious medical school. Pringle, who’d long done battle with USC and its almost impenetrable culture of silence, knew reporting the story wouldn’t be a walk in the park. USC is the largest private employer in the city of L.A., and it casts a long shadow.

Penguin presents the unabridged, downloadable audiobook edition of Where Have All the Bullets Gone?, written and read by Spike Milligan. Back to those haunting days in Italy in 1944, at the foot of Mount Vesuvius, with lava running in great red rivulets down the slope towards us, and Jock taking a drag on his cigarette and saying, "I think we've got grounds for a rent rebate."

Glamorous international art-dealer Elizabeth Teerlinc knows a thing or two about fakes. After all, she is one herself. Her real identity, Judith Rashleigh, is buried under a layer of lies. Not to mention the corpses of the men foolish enough to get in her way. But now, caught in the murderous crossfire between a Russian Mafia boss and a corrupt Italian police detective, Judith is forced to create an even more daring work of art - a fake masterpiece she must take to the world-famous auction house where she used to be a lowly assistant and sell for $150 million.

How did the son of a decorated policeman grow up to be one of Boston's most notorious criminals? How did he survive a decades-long feud with the FBI? How did he escape one jail sentence with a fake gun carved out of soap? How did he trade the return of a famous Rembrandt for early release from another sentence? The Art of the Heist is a roller-coaster ride of a life, the memoir of America's most infamous art thief Myles Connor.

Real rock stars do truly insane thing and invite truly insane things to happen to them: murder, drug trafficking, rape, cannibalism and the occult. We allow this behavior. We are complicit because a rock star behaving badly is what's expected. It's baked into the cake. Deep down, way down, past all of our self-righteous notions of justice and right and wrong, when it comes down to it, we want our rock stars to be bad. We know the music industry is full of demons, ones that drove Elvis Presley, Phil Spector, and Sid Vicious and that consumed the Norwegian black metal scene.

In researching his acclaimed true-crime books, Philip Carlo interviewed some of the most infamous criminals and killers of our times in prisons and on death rows throughout the country. He was able to forge trusting relationships with his subjects, enabling him to extract the facts behind their monstrous acts and identify what motivated them to commit their horrific crimes.

London. 1910. A procession of well-attired gentlemen and ladies are clearly out of place among the stalls and pushcarts of the Whitechapel District. As the group makes its way through the crowded streets, the tour guide stops now and then to point out various places where the mutilated bodies of the women had been found. Although the murders occurred twenty-two years prior, the man leading the group seems to know every detail and aspect of each slaying. Of those things he does not know, he offers freely his own insightful conjecture.

Umiko Wada never set out to be a private detective, let alone become the one-woman operation behind the Kodaka Detective Agency. But so it has turned out, thanks to the death of her former boss, Kazuto Kodaka, in mysterious circumstances. Keen to avoid a similar fate, Wada chooses the cases she takes very carefully. A businessman who wants her to track down his estranged son offers what appears to be a straightforward assignment. But she should have known that the simplest cases are never really simple at all. Soon she finds herself pulled into a labyrinthine conspiracy.