Art Crime

Springtime on the Cornish coast and Porthpella’s artistic community are throwing open their doors, welcoming visitors to the annual Arts Trail. And this year, celebrity artist Harrison Loveday is the guest of honour. However, the light mood soon darkens when there’s a dramatic death at the opening-night party, and after threatening messages start appearing around the village, fear takes over. Before long, Porthpella is shocked by a second brutal murder, and whisperings of a ‘serial killer’ start to circulate.

How did the son of a decorated policeman grow up to be one of Boston's most notorious criminals? How did he survive a decades-long feud with the FBI? How did he escape one jail sentence with a fake gun carved out of soap? How did he trade the return of a famous Rembrandt for early release from another sentence? The Art of the Heist is a roller-coaster ride of a life, the memoir of America's most infamous art thief Myles Connor.

Kennedy's Last Days is a gripping account of the events leading up to the most notorious crime of the 20th century. Adapted from Bill O’Reilly’s best-selling historical thriller, Killing Kennedy, this audiobook will have young listeners - and grown-ups too - hooked on this fascinating and colorful period of history. In the first term of his presidency, as the Cold War escalates, John F. Kennedy struggles to contain the growth of Communism while dealing with the many other complexities facing him as president of the United States.

A group of criminals in 1946 pull off the heist of the century, stealing a dozen priceless works of art from a Boston museum. But while the thieves get caught, the art is never found. Forty years later, the last surviving thief gets out of jail and goes hunting for the loot, involving some innocent college students in his dangerous plan—and twenty-eight years after that, in the present day, the former college kids, now all grown up, are drawn back into danger as the still-missing art tempts a deadly new generation of treasure hunters.

The extraordinary life and crimes of heiress-turned-revolutionary, who in 1974 became the only woman to pull off a major art heist, The Woman Who Stole Vermeer is Rose Dugdale’s story, from her idyllic upbringing in Devonshire and her presentation to Elizabeth II as a debutante to her university years and her eventual radical lifestyle.

Throughout John Mortimer's career, he established profound friendships with people accused of various crimes. He also indulged his passion for writing, penning Paradise Postponed and a series of stories about Rumpole, for whom he was often mistaken. With wit, wisdom and tenderness, he has written the story of his life.

In the summer of 1985, the anonymous author of this book met a man with a colorful history of criminal escapades and an incredible tale to tell about the biggest one of all – a tale that is finally seeing the light of day half a century after it happened. International smugglers, the IRA, Italian mobsters, and cold-blooded Nazis all play a part in this exciting saga of robbery and revenge that is also, ultimately, about friendship and love.

When businessman Thomas Peterson is killed outside a football ground in the Highlands, there are several witnesses. Yet the hunt for the killer is proving as futile as the search for a motive. Possible connections to Russian money and an eerie retirement home are soon thrown into the mix. To further complicate things, DI Westphall's MI6 past is coming back to haunt him. Guilt stalks his dreams, but could there be a message in these nightmares? Westphall is in danger of losing his head just when he needs it the most. He must find answers, and fast, before the murderer strikes again.

When a Dutch art dealer hides the stock from his gallery - rather than turn it over to his Nazi blackmailer - he pays with his life, leaving a treasure trove of modern masterpieces buried somewhere in Amsterdam, presumably lost forever. That is, until American art history student Zelda Richardson sticks her nose in.

Criminal exploits, secret agent intrigue, and clever disguises fill the pages of Francois Eugene Vidocq’s memoirs. A legendary figure in history, Vidocq is known as the first detective and an inspiration to great writers such as Honore de Balzac, Victor Hugo and Edgar Allen Poe. As a player in the criminal underworld, Vidocq is a master of disguises and an accomplished thief, eventually turning his unlawful talents toward catching criminals as the first French chief of secret police.

Enzi is a runaway with in-demand skills. Kaori communicates with her drawings. When Kaori is involved in a shocking crime, Enzi questions everything he has ever done.

All his life, journalist Walter Shapiro assumed that the outlandish stories about his great-uncle Freeman were exaggerated family lore; some cockamamie Jewish revenge fantasies dreamt up to entertain the kids and venerate their larger-than-life relative. Only when he started researching Freeman Bernstein's life did he realize that his family was actually holding back.

After a wealthy woman was brutally murdered in her Glasgow home in 1908, the police found a convenient suspect in Oscar Slater, an immigrant Jewish cardsharp. Though he was known to be innocent, Slater was tried, convicted, and consigned to life at hard labor. Outraged by this injustice, Arthur Conan Doyle, already world famous as the creator of Sherlock Holmes, used the methods of his most famous character to reinvestigate the case, ultimately winning Slater’s freedom.

LAPD veteran "Hollywood Nate" Weiss could take or leave the opulence, but he wouldn't say no to onscreen fame. He may get his shot when he catches the appreciative eye of B-list director Rudy Ressler, and his troublemaking fiance, Leona Brueger, the older-but-still-foxy widow of a processed-meat tycoon. Nate tries to elude her crafty seductions, but consents to keep an eye on their estate in the Hollywood Hills while they're away.

Gary Webb is the former San Jose Mercury News reporter whose 1996 "Dark Alliance" series on the so-called CIA-crack cocaine connection created a firestorm of controversy and led to his resignation from the paper amid escalating attacks on his work by the mainstream media. Author and investigative journalist Nick Schou published numerous articles on the controversy and was the only reporter to significantly advance Webb's stories.

"Creepy crawling" was the Manson Family's practice of secretly entering someone's home and, without harming anyone, leaving only a trace of evidence that they had been there, some reminder that the sanctity of the private home had been breached. Now, author Jeffrey Melnick reveals just how much the Family creepy crawled their way through Los Angeles in the sixties and then on through American social, political, and cultural life for close to fifty years, firmly lodging themselves in our minds.

Glamorous international art-dealer Elizabeth Teerlinc knows a thing or two about fakes. After all, she is one herself. Her real identity, Judith Rashleigh, is buried under a layer of lies. Not to mention the corpses of the men foolish enough to get in her way. But now, caught in the murderous crossfire between a Russian Mafia boss and a corrupt Italian police detective, Judith is forced to create an even more daring work of art - a fake masterpiece she must take to the world-famous auction house where she used to be a lowly assistant and sell for $150 million.

From the acclaimed biographer - the fascinating, little-known story of a Victorian-era murder that rocked literary London, leading Charles Dickens, William Thackeray, and Queen Victoria herself to wonder: Can a novel kill?

In a secret meeting in 1981, a master thief named Louis Royce gave career gangster Ralph Rossetti the tip of a lifetime. As a kid, Royce had visited the Isabella Stewart Gardner Museum and made a habit of sneaking in at night to find a good place to sleep. He knew the Museum's security was lax, and he gave this information to a boss of the Boston criminal underworld. It took years before the Museum was hit. But when it finally happened, it quickly became one of the most infamous art heists in history.

Cinema emerged alongside the rules that ushered in boxing’s modern age and the “squared circle” proved the ideal stage for cinematic display. The public had its first taste of the new medium in 1894 through a heavyweight bout, recognized today as the world’s first feature film. Smash Hit: Race, Crime, and Culture in Boxing Films uses twenty films as the basis of a hard-nosed exploration as to how the genre held a bloody mirror to twentieth century America’s most prominent social anxieties, elucidating two conjoined mediums that serve as bellwether to an ever-shifting cultural zeitgeist.