Art Crime

Gallery owner Ally Blake risks everything to exhibit at an art fair in Bogotá in the 1990s. She needs wealthy collectors to boost her gallery's sales and save her family from bankruptcy. When her art crates are tampered with and she discovers an ex-boyfriend and colleague from her State Department days in Santiago has involved her in a money laundering scheme, she devises a strategy to thwart the fraud, protect her children, and secure her family's future—but pulling it off will require her to make the art deal of a lifetime.

How do you catch a killer who thinks murder is art? Michael Fisher sees himself as an artist rather than a killer and poses his victims to resemble famous paintings. Detective Nick Kelly is called to attend the latest crime scene and finds himself at the centre of a media storm. But while the rest of the police department feels under pressure, Nick relishes the attention. Karen Kelly, Nick’s soon to be ex-wife, watches in horror as this brutal game of cat and mouse plays out. But Karen has secrets of her own.

After wading through the tragedy of San Francisco's Japantown murders, struggling antiques dealer Jim Brodie is back in Japan for a well-earned vacation. But checking in at the PI firm Brodie inherited from his father, he immediately acquires a new case: a Japanese World War II veteran shows up and spins a dark story connected to the war and a pair of violent home invasions committed in Tokyo only days earlier.

After a wealthy woman was brutally murdered in her Glasgow home in 1908, the police found a convenient suspect in Oscar Slater, an immigrant Jewish cardsharp. Though he was known to be innocent, Slater was tried, convicted, and consigned to life at hard labor. Outraged by this injustice, Arthur Conan Doyle, already world famous as the creator of Sherlock Holmes, used the methods of his most famous character to reinvestigate the case, ultimately winning Slater’s freedom.

Dashiell Hammett changed the face of crime fiction. In five novels published over five years as well as a string of stories, he transformed the mystery genre into literature and left us with the figure of the hard-boiled detective, from the Continental Op to Sam Spade - immortalized on film by Humphrey Bogart in The Maltese Falcon - and the more glamorous Thin Man, also made iconic with the aid of Hollywood.

Kim Wall was a thirty-year-old Swedish freelance journalist with a rising career. Then, in the summer of 2017, she followed a story that led to an eccentric inventor in Copenhagen. Instead of writing the next days headline, she'd become one. As the bizarre events of Kim's murder unfolded, the world watched in shocked disbelief. For Kim's distraught parents, Ingrid and Joachim, it was a devastating personal struggle. In the ensuing months, day by grueling day, they had to come to terms with their loss, process the global media attention, and endure the investigation and trial.

The Good Samaritan has been a thorn in Detective John Corbin’s side for years as he tries to hunt down the rogue killer with what few leads he has. As the bodies pile up each one is proven guilty of some profound evil thanks to the evidence provided by the mysterious avenger. No criminal in the city is safe as The Good Samaritan chooses his next victim who will learn, through unimaginable amounts of pain, what it’s like to be the one begging for mercy.

On a cold November day in Amsterdam in 2004, the celebrated and controversial Dutch filmmaker Theo van Gogh was shot and killed by an Islamic extremist for making a movie that "insulted the prophet Mohammed." The murder sent shock waves across Europe and around the world. Shortly thereafter, Ian Buruma returned to his native land to investigate the event and its larger meaning as part of the great dilemma of our time.

In Girls of Tender Age, Mary-Ann Tirone Smith fully articulates with great humor and tenderness the wild jubilance of an extended French-Italian family struggling to survive in a post-World War II housing project in Hartford, Connecticut.

A year after the private detective uncovered a criminal ring disguised as a mink farm in the Ozarks, O’Keefe is back home and back in trouble. A high school crush of O’Keefe’s turns up dead, but the details don’t add up. His pal, Mike Harrigan, has put his trust in the wrong people and now stands accused of crimes that could put him in the slammer. And O’Keefe? The mafia has put a price on his head. In their search for the truth, O’Keefe and his team will have to venture into the criminal underworld of their city, each step forward bringing them closer to the edge.

London. 1910. A procession of well-attired gentlemen and ladies are clearly out of place among the stalls and pushcarts of the Whitechapel District. As the group makes its way through the crowded streets, the tour guide stops now and then to point out various places where the mutilated bodies of the women had been found. Although the murders occurred twenty-two years prior, the man leading the group seems to know every detail and aspect of each slaying. Of those things he does not know, he offers freely his own insightful conjecture.

In Bearing Witness, John Carpenter explores how across the world, those who experienced the war tried to make sense of it both during and in its immediate aftermath. The digestion of a cataclysmic event can take generations. But in this fascinating audiobook, Carpenter brings together all those who did their best to communicate what they saw in the moment so that it could never be lost.

Glamorous international art-dealer Elizabeth Teerlinc knows a thing or two about fakes. After all, she is one herself. Her real identity, Judith Rashleigh, is buried under a layer of lies. Not to mention the corpses of the men foolish enough to get in her way. But now, caught in the murderous crossfire between a Russian Mafia boss and a corrupt Italian police detective, Judith is forced to create an even more daring work of art - a fake masterpiece she must take to the world-famous auction house where she used to be a lowly assistant and sell for $150 million.

From Benjamin Franklin's newspaper hoax that faked the death of his rival to Abbie Hoffman's attempt to levitate the Pentagon - pranksters, hoaxers, and con artists have caused confusion, disorder, and laughter in Western society for centuries. Profiling the most notorious mischief-makers from the 1600s to the present day, Pranksters explores how "pranks" are part of a long tradition of speaking truth to power and social critique.

Henry Lindon's flight across the north Atlantic was turbulent and sleepless. His plane has just touched down in Amsterdam, where he’s come to work as a visiting professor. Lindon is torn about leaving his troubled wife, Marylou, behind in Dallas, but relieved and excited to start a new chapter in a lively city. But troubles from the past soon cross the Atlantic. Lindon discovers that notorious Dutch art forger Han van Meegeren, born in 1899, is about to play a part in Lindon’s own personal drama.

Funny, what people seem to want. In Art, Mystery, a controversial former footballer, now export agent specializing in chrome, accepts an unusual commission—to find and export a pornographic work of Renaissance art.

The Stranger (1946), the third film directed by the legendary Orson Welles, is a film noir thriller of the highest order. In the wake of World War II, Mr. Wilson, an official with the Allied War Crimes Commission (played by the legendary Edward G. Robinson), is on the trail of Franz Kindler, an escaped Nazi who was the chief architect of the regime’s mass genocide. Wilson allows a concentration camp commandant, Conrad Meinike, to escape in the hope that he will lead him to the elusive Kindler.

Arthur Fellig’s ability to arrive at a crime scene just as the cops did was so uncanny that he renamed himself “Weegee”, claiming that he functioned as a human Ouija board. Weegee documented better than any other photographer the crime, grit, and complex humanity of midcentury New York City. In Flash, we get a portrait not only of the man (both flawed and deeply talented, with generous appetites for publicity, women, and hot pastrami) but also of the fascinating time and place that he occupied....

Thanks to one reporter's skill, we can fix the exact moment on November 22, 1963 when the world stopped and held its breath: At 12:34 p.m. Central Time, UPI White House reporter Merriman Smith broke the news that shots had been fired at President Kennedy's motorcade. Most people think Walter Cronkite was the first to tell America about the assassination. But when Cronkite broke the news on TV, he read from one of Smith's dispatches.

Jake saw something unspeakable when he was nine. An act of violence. Brutal. He doesn't know it, but this trauma will play a key role in shaping him later in life. Now, he's 15. A wimp. He flinches. Always. He seeks the guidance of the biggest bad-ass he knows, his cousin Nick. Nick is a professional burglar and makes Jake his apprentice. Nick teaches Jake his dark philosophy - that there is no right or wrong in the world, just a series of events that happen without meaning. At first this helps Jake, but it also unleashes an aggression in himself he never thought possible....