Art Crime

The extraordinary life and crimes of heiress-turned-revolutionary, who in 1974 became the only woman to pull off a major art heist, The Woman Who Stole Vermeer is Rose Dugdale’s story, from her idyllic upbringing in Devonshire and her presentation to Elizabeth II as a debutante to her university years and her eventual radical lifestyle.

Marion Spicer spends her days examining auction catalogues and searching for stolen works of art. All this changes when she inherits a prestigious collection of pre-Columbian art from a father she never knew; she must face the merciless microcosm of Paris art auctions and galleries, with its sharks, schemes, fences, traps, scams, and attacks. Her quest draws her into a world where people will kill for a love of beauty.

In the 1970s, a mysterious man captivated and terrorized a small Alabama town. He was elegant and handsome, a charismatic pastor and leader in the African American community. But rumors swirled. "Preaching on Sunday," people would say, "killing on Monday." Far away in New York City, one of America’s most beloved writers was about to get caught up in the strange and violent tale of Reverend Willie J. Maxwell. Harper Lee, author of the modern-day classic To Kill a Mockingbird, was searching for her next book when the perfect story came her way.

Gary Gilmore, the infamous murderer immortalized by Norman Mailer in The Executioner's Song, campaigned for his own death and was executed by firing squad in 1977. Writer Mikal Gilmore is his younger brother. In Shot in the Heart, he tells the stunning story of their wildly dysfunctional family: their mother, a black sheep daughter of unforgiving Mormon farmers; their father, a drunk, thief, and con man. It was a family destroyed by a multigenerational history of child abuse, alcoholism, crime, adultery, and murder.

No es ficción, es pura realidad. Para lograr la primicia y llegar hasta donde las fuerzas militares no podían, una periodista colombiana se traza como objetivo: penetrar sola, hasta el corazón de las Farc. Tras conocer los secretos íntimos de la guerra, descubre que conocidos de su pasado estaban ligados a quienes hacían parte del conflicto.

When a Dutch art dealer hides the stock from his gallery - rather than turn it over to his Nazi blackmailer - he pays with his life, leaving a treasure trove of modern masterpieces buried somewhere in Amsterdam, presumably lost forever. That is, until American art history student Zelda Richardson sticks her nose in.

Trouble erupts as a serial killer launches a huge legal appeal against his conviction, claiming police corruption, and pointing the finger directly at young DC Peter Boyd – and implicating forensic scientist, Frankie Wharton. With Boyd forced to disappear, criminal profiler, Grace Foley, and cops, Spencer Jordan, and Mel Silver, join Frankie to clear their names and save Boyd from disgrace and possible prison. Told over five days, with each character taking turns to tell their story, this heart-stopping case sees them racing to beat the clock as the unthinkable unfolds.

Unlock the enigmatic world where beauty meets betrayal, where passion for art conceals a sinister underbelly. In this captivating exposé, J.K. Artson unveils the hidden stories that have plagued the art world for centuries. Prepare to be enthralled as you embark on a journey through the shadows of art, crime, and corruption. Discover the rise of illicit acts that threaten our cultural heritage, leaving a trail of stolen masterpieces and shattered legacies in their wake.

When he retired as the chief security officer of New York City's Metropolitan Museum of Art, John Barelli had spent the better part of 40 years responsible not only for one of the richest treasure troves on the planet, but the museum's staff, the millions of visitors, as well as American presidents, royalty, and heads of state from around the world. For the first time, John Barelli shares his experiences of the crimes that occurred on his watch, the investigations that captured thieves and recovered artwork....

Cinema emerged alongside the rules that ushered in boxing’s modern age and the “squared circle” proved the ideal stage for cinematic display. The public had its first taste of the new medium in 1894 through a heavyweight bout, recognized today as the world’s first feature film. Smash Hit: Race, Crime, and Culture in Boxing Films uses twenty films as the basis of a hard-nosed exploration as to how the genre held a bloody mirror to twentieth century America’s most prominent social anxieties, elucidating two conjoined mediums that serve as bellwether to an ever-shifting cultural zeitgeist.

Crime and Punishment is the second of Fyodor Dostoyevsky's full-length novels following his return from 5 years of exile in Siberia, and is considered the first great novel of his "mature" period of writing. The novel focuses on the mental anguish and moral dilemmas of Rodion Raskolnikov, an impoverished ex-student in St. Petersburg who formulates and executes a plan to kill an unscrupulous pawnbroker for her cash.

Springtime on the Cornish coast and Porthpella’s artistic community are throwing open their doors, welcoming visitors to the annual Arts Trail. And this year, celebrity artist Harrison Loveday is the guest of honour. However, the light mood soon darkens when there’s a dramatic death at the opening-night party, and after threatening messages start appearing around the village, fear takes over. Before long, Porthpella is shocked by a second brutal murder, and whisperings of a ‘serial killer’ start to circulate.

Art is being systematically stolen from the collection on the most luxurious cruise ship at sea. The collective value is way beyond the sum people kill for. CSCI is approached to work invisibly because unlike INTERPOL or any other international crime unit, art police, valuers, insurance investigators, or experts, they are unknown to the thieves. They must remain unseen or the crime will stop, the thieves will vanish and the art lost for good.

For every true crime story that makes headlines, there's a separate drama happening behind the scenes. Follow a journalist and TV producer from 48 Hours and 60 Minutes as she carves out a career in the ruthless, knives-out world of true crime television . . . one killer story at a time.

A chance discovery of something unimaginable will steer Detective Patrick Gutteridge’s life down a path littered with memories of his past, memories he’s spent a decade trying to forget. For two years, Gloucester’s provincial streets have glowed to the media interest gifted by the works of an anonymous graffiti artist, Tick-Tock. But the art is changing, distorting, each piece becoming more perverse and contentious than the last. Only DI Gutteridge sees a pattern forming which points to something far more sinister looming on the horizon.

Not long ago, Somerville, Massachusetts was commonly referred to as “Slummerville.” A gritty, blue-collar town just north of Boston, its major claim to fame was a brutal gang war. Then, the Boston subway system’s Red Line came to Somerville’s Davis Square, and the town began to attract a more affluent, professional class to mix with its traditional working class base. The mixing has not always been easy.

Rache ist süß und gemein. Der Maler Yves Honoré entzweit sich von seiner Muse Pénélope und landet in den Armen der Amerikanerin Patricia. Das neue Glück währt nur kurz, denn seine Ex terrorisiert das Paar. Als auch noch der Verlobte von Patti aus den USA dazustößt, ist das Drama perfekt. Leidtragende ist die Freundin von Patti, denn sie verschwindet spurlos. Wurde sie Opfer der Tragödie, die sich zwischen den Liebenden abspielt? Commissaire Lucie Girard muss alle Register ziehen, um zwischen Lügen und Intrigen ihr Ziel zu erreichen.

All his life, journalist Walter Shapiro assumed that the outlandish stories about his great-uncle Freeman were exaggerated family lore; some cockamamie Jewish revenge fantasies dreamt up to entertain the kids and venerate their larger-than-life relative. Only when he started researching Freeman Bernstein's life did he realize that his family was actually holding back.

When a nameless, struggling actor in 1970s New York gets the call that an enigmatic director wants him for an art film set in the Amazon, he doesn't hesitate: He flies to South America, no questions asked. He quickly realizes he's made a mistake. He's replacing another actor who quit after seeing the script - a script the director now claims doesn't exist. The movie is over budget. The production team seems headed for a breakdown. The air is so wet that the celluloid film disintegrates.

Generoso Pope, Sr., an Italian immigrant, arrived in New York in 1906 with only pennies in his pocket. He got a job shoveling sand, but through his intelligence, he worked his way up to become the biggest provider of cement, just as it was becoming the key material for building. Gene Pope, Jr., was his father’s choice to inherit and run the business, but Gene’s mother and two brothers forced him out, and he found himself penniless and on his own. With a loan from his godfather, mobster Frank Costello, Gene bought the New York Enquirer. He renamed it the National Enquirer.