Art Crime

The Stranger (1946), the third film directed by the legendary Orson Welles, is a film noir thriller of the highest order. In the wake of World War II, Mr. Wilson, an official with the Allied War Crimes Commission (played by the legendary Edward G. Robinson), is on the trail of Franz Kindler, an escaped Nazi who was the chief architect of the regime’s mass genocide. Wilson allows a concentration camp commandant, Conrad Meinike, to escape in the hope that he will lead him to the elusive Kindler.

The Urban Outlaws have been betrayed - and defeated. Or so Hector thought when he stole the world's most advanced computer virus. But Hector will need to try much harder than just crossing the Atlantic if he wants to outsmart Jack and his team... With the help of a shadowy figure known as The Shepherd, the Urban Outlaws risk everything and head to the States. They plan to take Hector down and stop him from using the virus as the ultimate hacking tool - the world's secrets, and their own, are in his fingertips and if they don't act fast, our lives will be changed forever.

El carismático mercenario que narra esta historia es un personaje real bajo el seudónimo de Adrián Falcón, aunque a lo largo de sus años en activo usó otros como El Parse, Garfio, Strelkinov...Tierno y diabólico, Falcón tiene ahora sesenta y tantos años y ha sobrevivido con peculiar sentido del humor a su compleja historia de vida.

A troubled Mary Ann Walker takes a nosedive off a bridge. Seattle's police department macho man John LaMoia takes the call, along with the beauteous cop psychologist Daphne Matthews. They suspect her boyfriend, known to beat Mary Ann. Her seething brother, Ferrell, is convinced the boyfriend did the deed. But the case somehow becomes too slippery to close.

Freed after a five-year prison stint for a crime he did not commit, Eddie Grassle is looking to make a fresh start. His main goal: to unite with the young child he has never met. But a fateful decision lands Eddie back in jail, this time as an unwitting accomplice to a murder. Convinced he is headed to prison for life, Eddie executes a brazen jailbreak in the desperate hope of finding and meeting his son.

Arthur Fellig’s ability to arrive at a crime scene just as the cops did was so uncanny that he renamed himself “Weegee”, claiming that he functioned as a human Ouija board. Weegee documented better than any other photographer the crime, grit, and complex humanity of midcentury New York City. In Flash, we get a portrait not only of the man (both flawed and deeply talented, with generous appetites for publicity, women, and hot pastrami) but also of the fascinating time and place that he occupied....

A family story of blood and memory and the haunting power of the past. After nearly three decades reporting conflict from all over the world for the BBC, Fergal Keane has gone home to Ireland to tell a story that lies at the root of his fascination with war. It is a family story of war and love, and how the ghosts of the past return to shape the present. Wounds is a powerful memoir about Irish people who found themselves caught up in the revolution that followed the 1916 Rising, and in the pitiless violence of civil war in north Kerry after the British left in 1922.

Crime and Punishment, and Notes from Underground are two of the most famous novels written by Fyodor Dostoevsky, a Russian author widely considered to be one of the greatest writers of all time. These three books, in particular, are often cited as among his greatest works.

If anything has become clear, it’s that our understanding of the Arab Islamic world remains shrouded and incomplete. The seeds of revolution, radicalism, and—possibly—reform are buried in the individual stories of millions of people whose lives determine the fates of their societies, people whose motivations are as common, and as strange, as our own. Here is one of those stories—and the story of how this world is being transformed, one life at a time.

Dashiell Hammett changed the face of crime fiction. In five novels published over five years as well as a string of stories, he transformed the mystery genre into literature and left us with the figure of the hard-boiled detective, from the Continental Op to Sam Spade - immortalized on film by Humphrey Bogart in The Maltese Falcon - and the more glamorous Thin Man, also made iconic with the aid of Hollywood.

Zoe has an unconventional pen pal - Mr. Stuart Harris, a Texas Death Row inmate and convicted murderer. But then again, Zoe has an unconventional story to tell. A story about how she fell for two brothers, betrayed one of them, and killed the other. Hidden away in her backyard shed in the middle of the night with a jam sandwich in one hand and a pen in the other, Zoe gives a voice to her heart and her fears after months of silence. Mr. Harris may never respond to Zoe's letters, but at least somebody will know her story...

Kim Wall was a thirty-year-old Swedish freelance journalist with a rising career. Then, in the summer of 2017, she followed a story that led to an eccentric inventor in Copenhagen. Instead of writing the next days headline, she'd become one. As the bizarre events of Kim's murder unfolded, the world watched in shocked disbelief. For Kim's distraught parents, Ingrid and Joachim, it was a devastating personal struggle. In the ensuing months, day by grueling day, they had to come to terms with their loss, process the global media attention, and endure the investigation and trial.

On a cold November day in Amsterdam in 2004, the celebrated and controversial Dutch filmmaker Theo van Gogh was shot and killed by an Islamic extremist for making a movie that "insulted the prophet Mohammed." The murder sent shock waves across Europe and around the world. Shortly thereafter, Ian Buruma returned to his native land to investigate the event and its larger meaning as part of the great dilemma of our time.

In Girls of Tender Age, Mary-Ann Tirone Smith fully articulates with great humor and tenderness the wild jubilance of an extended French-Italian family struggling to survive in a post-World War II housing project in Hartford, Connecticut.

A child is stolen - gone but not forgotten. As Stella watches the police investigation unfold, she starts to ask a terrifying question. Where was her own mother that night?

How do you catch a killer who thinks murder is art? Michael Fisher sees himself as an artist rather than a killer and poses his victims to resemble famous paintings. Detective Nick Kelly is called to attend the latest crime scene and finds himself at the centre of a media storm. But while the rest of the police department feels under pressure, Nick relishes the attention. Karen Kelly, Nick’s soon to be ex-wife, watches in horror as this brutal game of cat and mouse plays out. But Karen has secrets of her own.

A cop as well as an art historian, Marco Valoni leads a crack team of investigators in a race to solve a crime he's certain is about to shock the world: someone is planning to steal the Holy Shroud of Turin.

Henry Lindon's flight across the north Atlantic was turbulent and sleepless. His plane has just touched down in Amsterdam, where he’s come to work as a visiting professor. Lindon is torn about leaving his troubled wife, Marylou, behind in Dallas, but relieved and excited to start a new chapter in a lively city. But troubles from the past soon cross the Atlantic. Lindon discovers that notorious Dutch art forger Han van Meegeren, born in 1899, is about to play a part in Lindon’s own personal drama.

A year after the private detective uncovered a criminal ring disguised as a mink farm in the Ozarks, O’Keefe is back home and back in trouble. A high school crush of O’Keefe’s turns up dead, but the details don’t add up. His pal, Mike Harrigan, has put his trust in the wrong people and now stands accused of crimes that could put him in the slammer. And O’Keefe? The mafia has put a price on his head. In their search for the truth, O’Keefe and his team will have to venture into the criminal underworld of their city, each step forward bringing them closer to the edge.

Rock & Roll Nightmares, Volume 1 scratched the sinister surface with tales of the 27 Club, rock ‘n’ roll suicides, plane crashes, curses, and more. Now the award-winning series continues with concert mayhem, a look at the “baby groupie” trend of the 1970s, Satanic panic, horrific home invasions, musicians who’ve died on stage, rockers who lived on borrowed time, gun-toting music producers, deadly DJs, and much more.