Art Crime

In the 1970s, a mysterious man captivated and terrorized a small Alabama town. He was elegant and handsome, a charismatic pastor and leader in the African American community. But rumors swirled. "Preaching on Sunday," people would say, "killing on Monday." Far away in New York City, one of America’s most beloved writers was about to get caught up in the strange and violent tale of Reverend Willie J. Maxwell. Harper Lee, author of the modern-day classic To Kill a Mockingbird, was searching for her next book when the perfect story came her way.

Gary Gilmore, the infamous murderer immortalized by Norman Mailer in The Executioner's Song, campaigned for his own death and was executed by firing squad in 1977. Writer Mikal Gilmore is his younger brother. In Shot in the Heart, he tells the stunning story of their wildly dysfunctional family: their mother, a black sheep daughter of unforgiving Mormon farmers; their father, a drunk, thief, and con man. It was a family destroyed by a multigenerational history of child abuse, alcoholism, crime, adultery, and murder.

Cinema emerged alongside the rules that ushered in boxing’s modern age and the “squared circle” proved the ideal stage for cinematic display. The public had its first taste of the new medium in 1894 through a heavyweight bout, recognized today as the world’s first feature film. Smash Hit: Race, Crime, and Culture in Boxing Films uses twenty films as the basis of a hard-nosed exploration as to how the genre held a bloody mirror to twentieth century America’s most prominent social anxieties, elucidating two conjoined mediums that serve as bellwether to an ever-shifting cultural zeitgeist.

In Long Island, a farmer found a duck pond turned red with blood. On the Lower East Side, two boys playing at a pier discovered a floating human torso wrapped tightly in oilcloth. Blueberry pickers near Harlem stumbled upon neatly severed limbs in an overgrown ditch. Clues to a horrifying crime were turning up all over New York, but the police were baffled: There were no witnesses, no motives, no suspects. The grisly finds that began on the afternoon of June 26, 1897, plunged detectives headlong into the era's most perplexing murder.

It was an explosion that reverberated across the country—and into the very heart of early-twentieth-century America. On the morning of October 1, 1910, the walls of the Los Angeles Times Building buckled as a thunderous detonation sent men, machinery, and mortar rocketing into the night air. When at last the wreckage had been sifted and the hospital triage units consulted, twenty-one people were declared dead and dozens more injured. But as it turned out, this was just a prelude to the devastation that was to come.

For every true crime story that makes headlines, there's a separate drama happening behind the scenes. Follow a journalist and TV producer from 48 Hours and 60 Minutes as she carves out a career in the ruthless, knives-out world of true crime television . . . one killer story at a time.

Unlock the enigmatic world where beauty meets betrayal, where passion for art conceals a sinister underbelly. In this captivating exposé, J.K. Artson unveils the hidden stories that have plagued the art world for centuries. Prepare to be enthralled as you embark on a journey through the shadows of art, crime, and corruption. Discover the rise of illicit acts that threaten our cultural heritage, leaving a trail of stolen masterpieces and shattered legacies in their wake.

For well over twenty years, Poe Ballantine traveled America, taking odd jobs, living in small rooms, and wondering the big whys. At age 46, he finally settled with his Mexican immigrant wife in Chadron, Nebraska, where they had a son who was red-flagged as autistic. Poe published four books about his experiences as a wanderer and his observations of America.

Marion Spicer spends her days examining auction catalogues and searching for stolen works of art. All this changes when she inherits a prestigious collection of pre-Columbian art from a father she never knew; she must face the merciless microcosm of Paris art auctions and galleries, with its sharks, schemes, fences, traps, scams, and attacks. Her quest draws her into a world where people will kill for a love of beauty.

Mann is only 13, yet he has already had to deal with more than most go through in a lifetime. His family is still reeling from the tragic shooting death of his little brother, Jason, each person coping with grief in his or her own way.

How can she prove her innocence to save her son, when she's already been convicted of murdering his father? Art school dropout Lucie is on a backpacking trip across Europe when she arrives in the idyllic Swiss Alps. A holiday romance with ski instructor Mathieu takes a crucial turn when Lucie discovers she is pregnant. Spiralling into a relationship of coercion and dark domestic abuse, Lucie is powerless to escape her marriage without losing her son.

The Professor and the Madman is an extraordinary tale of madness, genius, and the incredible obsessions of two remarkable men that led to the making of the Oxford English Dictionary - and literary history. The making of the OED was one of the most ambitious projects ever undertaken. As definitions were collected, the overseeing committee, led by Professor James Murray, was stunned to discover that one man, Dr. W. C. Minor, had submitted more than 10,000.

Mark Sullivan, the co-author of James Patterson’s Private Games, has, in Robin Monarch, created a compelling new hero. Monarch is a world-class thief and a highly skilled operative - a man with skills, a rigid code of honor, powerful friends, and implacable enemies. In The Art of Rendition, Monarch is an agent for the CIA, called upon to use his unique skills to kidnap and interrogate a Russian nuclear scientist suspected of selling technology to the Iranians. But that’s only part of the challenge....

Art is being systematically stolen from the collection on the most luxurious cruise ship at sea. The collective value is way beyond the sum people kill for. CSCI is approached to work invisibly because unlike INTERPOL or any other international crime unit, art police, valuers, insurance investigators, or experts, they are unknown to the thieves. They must remain unseen or the crime will stop, the thieves will vanish and the art lost for good.

A chance discovery of something unimaginable will steer Detective Patrick Gutteridge’s life down a path littered with memories of his past, memories he’s spent a decade trying to forget. For two years, Gloucester’s provincial streets have glowed to the media interest gifted by the works of an anonymous graffiti artist, Tick-Tock. But the art is changing, distorting, each piece becoming more perverse and contentious than the last. Only DI Gutteridge sees a pattern forming which points to something far more sinister looming on the horizon.

Der 19-jährige Antonio verliert schuldlos seinen Job. Schlimmer noch. Nach einer brutalen Auseinandersetzung mit seinem Chef droht ihm sogar das Gefängnis. So zieht Anto desillusioniert, hasserfüllt und ziellos durch die Straßen der Großstadt. Getrieben von unbändiger innerer Wut und Frustration hinterlassen er und seine Clique eine Schneise der Gewalt und Zerstörung.

Not long ago, Somerville, Massachusetts was commonly referred to as “Slummerville.” A gritty, blue-collar town just north of Boston, its major claim to fame was a brutal gang war. Then, the Boston subway system’s Red Line came to Somerville’s Davis Square, and the town began to attract a more affluent, professional class to mix with its traditional working class base. The mixing has not always been easy.

When a nameless, struggling actor in 1970s New York gets the call that an enigmatic director wants him for an art film set in the Amazon, he doesn't hesitate: He flies to South America, no questions asked. He quickly realizes he's made a mistake. He's replacing another actor who quit after seeing the script - a script the director now claims doesn't exist. The movie is over budget. The production team seems headed for a breakdown. The air is so wet that the celluloid film disintegrates.

Generoso Pope, Sr., an Italian immigrant, arrived in New York in 1906 with only pennies in his pocket. He got a job shoveling sand, but through his intelligence, he worked his way up to become the biggest provider of cement, just as it was becoming the key material for building. Gene Pope, Jr., was his father’s choice to inherit and run the business, but Gene’s mother and two brothers forced him out, and he found himself penniless and on his own. With a loan from his godfather, mobster Frank Costello, Gene bought the New York Enquirer. He renamed it the National Enquirer.

One bright Los Angeles day, a young Polish émigré named Viva is driving along the freeway when she’s flagged down by a dazzling, disheveled woman in green chiffon. The woman is Bobby Sleeper, a fellow Eastern European and an erstwhile art gallerist with a mysterious background and even more mysterious filmmaker husband. Within days the couple hire Viva as their assistant, then enlist her as an accomplice in an improbable scheme involving a long-lost Vermeer masterwork, a multi-million-dollar reward, and several shadowy ex-husbands.