Art Crime

When he retired as the chief security officer of New York City's Metropolitan Museum of Art, John Barelli had spent the better part of 40 years responsible not only for one of the richest treasure troves on the planet, but the museum's staff, the millions of visitors, as well as American presidents, royalty, and heads of state from around the world. For the first time, John Barelli shares his experiences of the crimes that occurred on his watch, the investigations that captured thieves and recovered artwork....

Idiosyncratic detective duo Max Matthews and Sean Armitage are back for three more series, in which they expertly extract confessions from their suspects during the course of one interview. Their relationship has evolved since they were first paired up, back when Armitage was a rookie constable, but their interrogation technique is as incisive as ever. These 11 compelling dramas all shine the spotlight on a different suspect, each with their own tale to tell - and their own selective version of events.

How can she prove her innocence to save her son, when she's already been convicted of murdering his father? Art school dropout Lucie is on a backpacking trip across Europe when she arrives in the idyllic Swiss Alps. A holiday romance with ski instructor Mathieu takes a crucial turn when Lucie discovers she is pregnant. Spiralling into a relationship of coercion and dark domestic abuse, Lucie is powerless to escape her marriage without losing her son.

For well over twenty years, Poe Ballantine traveled America, taking odd jobs, living in small rooms, and wondering the big whys. At age 46, he finally settled with his Mexican immigrant wife in Chadron, Nebraska, where they had a son who was red-flagged as autistic. Poe published four books about his experiences as a wanderer and his observations of America.

The extraordinary life and crimes of heiress-turned-revolutionary, who in 1974 became the only woman to pull off a major art heist, The Woman Who Stole Vermeer is Rose Dugdale’s story, from her idyllic upbringing in Devonshire and her presentation to Elizabeth II as a debutante to her university years and her eventual radical lifestyle.

Marion Spicer spends her days examining auction catalogues and searching for stolen works of art. All this changes when she inherits a prestigious collection of pre-Columbian art from a father she never knew; she must face the merciless microcosm of Paris art auctions and galleries, with its sharks, schemes, fences, traps, scams, and attacks. Her quest draws her into a world where people will kill for a love of beauty.

When a Dutch art dealer hides the stock from his gallery - rather than turn it over to his Nazi blackmailer - he pays with his life, leaving a treasure trove of modern masterpieces buried somewhere in Amsterdam, presumably lost forever. That is, until American art history student Zelda Richardson sticks her nose in.

Cinema emerged alongside the rules that ushered in boxing’s modern age and the “squared circle” proved the ideal stage for cinematic display. The public had its first taste of the new medium in 1894 through a heavyweight bout, recognized today as the world’s first feature film. Smash Hit: Race, Crime, and Culture in Boxing Films uses twenty films as the basis of a hard-nosed exploration as to how the genre held a bloody mirror to twentieth century America’s most prominent social anxieties, elucidating two conjoined mediums that serve as bellwether to an ever-shifting cultural zeitgeist.

Crime and Punishment is the second of Fyodor Dostoyevsky's full-length novels following his return from 5 years of exile in Siberia, and is considered the first great novel of his "mature" period of writing. The novel focuses on the mental anguish and moral dilemmas of Rodion Raskolnikov, an impoverished ex-student in St. Petersburg who formulates and executes a plan to kill an unscrupulous pawnbroker for her cash.

No es ficción, es pura realidad. Para lograr la primicia y llegar hasta donde las fuerzas militares no podían, una periodista colombiana se traza como objetivo: penetrar sola, hasta el corazón de las Farc. Tras conocer los secretos íntimos de la guerra, descubre que conocidos de su pasado estaban ligados a quienes hacían parte del conflicto.

Art is being systematically stolen from the collection on the most luxurious cruise ship at sea. The collective value is way beyond the sum people kill for. CSCI is approached to work invisibly because unlike INTERPOL or any other international crime unit, art police, valuers, insurance investigators, or experts, they are unknown to the thieves. They must remain unseen or the crime will stop, the thieves will vanish and the art lost for good.

Springtime on the Cornish coast and Porthpella’s artistic community are throwing open their doors, welcoming visitors to the annual Arts Trail. And this year, celebrity artist Harrison Loveday is the guest of honour. However, the light mood soon darkens when there’s a dramatic death at the opening-night party, and after threatening messages start appearing around the village, fear takes over. Before long, Porthpella is shocked by a second brutal murder, and whisperings of a ‘serial killer’ start to circulate.

A chance discovery of something unimaginable will steer Detective Patrick Gutteridge’s life down a path littered with memories of his past, memories he’s spent a decade trying to forget. For two years, Gloucester’s provincial streets have glowed to the media interest gifted by the works of an anonymous graffiti artist, Tick-Tock. But the art is changing, distorting, each piece becoming more perverse and contentious than the last. Only DI Gutteridge sees a pattern forming which points to something far more sinister looming on the horizon.

Not long ago, Somerville, Massachusetts was commonly referred to as “Slummerville.” A gritty, blue-collar town just north of Boston, its major claim to fame was a brutal gang war. Then, the Boston subway system’s Red Line came to Somerville’s Davis Square, and the town began to attract a more affluent, professional class to mix with its traditional working class base. The mixing has not always been easy.

All his life, journalist Walter Shapiro assumed that the outlandish stories about his great-uncle Freeman were exaggerated family lore; some cockamamie Jewish revenge fantasies dreamt up to entertain the kids and venerate their larger-than-life relative. Only when he started researching Freeman Bernstein's life did he realize that his family was actually holding back.

When a nameless, struggling actor in 1970s New York gets the call that an enigmatic director wants him for an art film set in the Amazon, he doesn't hesitate: He flies to South America, no questions asked. He quickly realizes he's made a mistake. He's replacing another actor who quit after seeing the script - a script the director now claims doesn't exist. The movie is over budget. The production team seems headed for a breakdown. The air is so wet that the celluloid film disintegrates.

Generoso Pope, Sr., an Italian immigrant, arrived in New York in 1906 with only pennies in his pocket. He got a job shoveling sand, but through his intelligence, he worked his way up to become the biggest provider of cement, just as it was becoming the key material for building. Gene Pope, Jr., was his father’s choice to inherit and run the business, but Gene’s mother and two brothers forced him out, and he found himself penniless and on his own. With a loan from his godfather, mobster Frank Costello, Gene bought the New York Enquirer. He renamed it the National Enquirer.

When Gauri Lankesh, an outspoken journalist in the South Indian city of Bangalore, was assassinated in September 2017 outside her home, it wasn’t just a loss to her close-knit community of writers and activists—the shock reverberated nationwide, making headlines and sparking mass protests. Why was she targeted, and who was behind it? Following the case to its stunning, unsettling conclusion, Rollo Romig uncovers a world of political extremists, fearless writers, organized crime, and shadowy religious groups.

One hundred and thirty years ago Eadweard Muybridge invented stop-motion photography, anticipating and making possible motion pictures. He was the first to capture time and play it back for an audience, giving birth to visual media and screen entertainments of all kinds. Yet the artist and inventor Muybridge was also a murderer who killed coolly and meticulously, and his trial is one of the early instances of a media sensation.

“A powerful memoir of one man’s struggle for freedom, 15 to Life tells in vivid prose the story of Anthony Papa, a painter and a casualty of the War on Drugs. This journey of a soul shows the power of art to transcend the violence of prison, and all that is possible when the human spirit refuses to be contained. Papa’s account should be required reading for New York lawmakers and all Americans who care about civil liberties.” (Sister Helen Prejean, author of Dead Man Walking)