Art Drama

Robert Altman - visionary director, hard-partying hedonist, eccentric family man, Hollywood legend - comes roaring to life in this rollicking cinematic biography, told in a chorus of voices that can only be called Altmanesque.

Power, tragedy and hubris are played out in this quartet, all of which are set in the febrile political atmosphere of ancient Rome. Performed by an incredible array of the 20th century’s greatest actors, Marlowe alumni including Ian McKellen, Prunella Scales, Patrick Wymark and William Devlin can be heard in these recordings.

In this third book in a four-book series, Lindell A. Warden, a former student of Neville Goddard, will be sharing with you some powerful principles around Neville's teachings. You will learn about spirituality, not religions. You'll also discover that everything begins in the theater of your mind and that you are always creating in your imagination.

A brand-new dramatised retelling of Milton’s epic poem about the fall of man, with Milton as the narrator, adapted by one of the leading poets and thinkers of our generation: Michael Symmons Roberts. Paradise Lost was first published in 1667 and tells the story of Satan’s plot to bring about the fall of man by tempting Adam and Eve in the Garden of Eden. This brand-new adaptation begins in the midst of the action and follows the exploits of a hero (or antihero) taking in warfare and the supernatural and expressing the ideals and traditions of a people. Milton himself is the blind narrator, grieving the loss of his wife, whose eyesight worsens as the drama develops.

The Theatrical Event discusses the objectives of theater studies by focusing on the communicative encounter between performer and spectator - the theatrical event. A theatrical event includes the presentation of a performance and the attention of an audience; in this sense, every performance - on stage or in the street, historical or contemporary - that is watched by an audience is a theatrical event. The concept underlines the "eventness" of all encounters between performers and spectators.

Believe it or not, America's fascination with celebrity culture was thriving well before the days of TMZ, Perez Hilton, Charlie Sheen's breakdown, and allegations against Woody Allen. And the stars of yesteryear? They weren't always the saints that we make them out to be. Part biography, part cultural history, the stories contained in this book cover the stuff that films are made of: love, sex, drugs, illegitimate children, illicit affairs, and botched cover-ups.

In the years leading up to 1606, since the death of Queen Elizabeth and the arrival in England of her successor, King James of Scotland, Shakespeare's great productivity had ebbed, and it may have seemed to some that his prolific genius was a thing of the past. But that year, at age 42, he found his footing again, finishing a play he had begun the previous autumn - King Lear - then writing two other great tragedies, Macbeth and Antony and Cleopatra.

Politics, power and the tragedy of war are played out in these sweeping histories that continue to surprise and entertain. Performed by an incredible array of the 20th century’s greatest actors, Marlowe alumni including Ian McKellen, Derek Jacobi, Prunella Scales, William Squire and Timothy West can be heard in these recordings.

The world's most dangerous book. A timeless piece that would undoubtedly disrupt the plans of any authoritarian regime. The Art of Guerrilla Warfare is a must-listen for anyone interested in military strategy. Fighting a superior foe is a momentous task. There are many ways it can be done, there are many ways victories can be achieved. In war, there are no rules, there are no laws. There are only strategies and tactics. A divided people can be isolated and devoured. Survival depends upon the masses forming one mind.

There are 83 copies of the First Folio in a vault beneath Capitol Hill - the world's largest collection. Well over 150 Indian movies are based on Shakespeare's plays - more than in any other nation. If current trends continue, there will soon be more high school students reading The Merchant of Venice in Mandarin Chinese than in early modern English. Why did this happen, and how? Ranging ambitiously across four continents and 400 years, Worlds Elsewhere is an eye-opening account of how Shakespeare went global.

For nearly two centuries, the authorship of William Shakespeare's plays has been challenged by writers and artists as diverse as Sigmund Freud, Mark Twain, Henry James, Helen Keller, Orson Welles, Malcolm X, and Sir Derek Jacobi. How could a young man from rural Warwickshire, lacking a university education, write some of the greatest works in the English language?

Based on Robert Greene’s story Pandosto, The Winter’s Tale play tells the story of Leontes, king of Sicilia, and his childhood friend Polixenes, king of Bohemia. In a jealous rage, Leontes mistakenly accuses Polixenes and his own his wife, Hermione, of adultery, and her newborn daughter as illegitimate, casting her into the wilderness, causing their son to die of grief and Hermione to seemingly follow suit. With his family dead or believed dead, Leontes must face the tragic consequences of his actions.

In this Holllywood Stage presentation we find Dantes still loyal to Napoleon in exile on Elba, he carries a message from him but is intercepted and imprisoned without trial. Whilst in prison his fiancé is told he has died and is forced to marry his arch enemy, Count Mondego. Dantes rots in prison for many years but is then helped by Abbe Faria, who leaves him the treasure of Monte Cristo and assists him in escaping prison.

Mystery, power and malevolence are present in these plays, all of which subvert the happy endings that one would expect in a comedy and the tragic effect one would expect in a tragedy, to pose deeper moral questions that echo modern society. Performed by an incredible array of the 20th century’s greatest actors, Marlowe alumni including Roy Dotrice, Prunella Scales, Ian McKellen, Michael Hordern and Derek Jacobi can be heard in these recordings.

Becoming Shakespeare begins with his death in 1616 and relates the fascinating story of his unlikely transformation from provincial playwright to universal Bard. Unlike later literary giants, Shakespeare created no stir when he died. Though he'd once had a string of hit plays, he had been retired in the country for six years, and only his family, friends, and business partners seemed to care that he was gone.

Jealous conspirators convince Caesar's friend Brutus to join their assassination plot against Caesar. To stop Caesar from gaining too much power, Brutus and the conspirators kill him on the Ides of March. Mark Antony drives the conspirators out of Rome and fights them in a battle. Brutus and his friend Cassius lose and kill themselves, leaving Antony to rule in Rome.

Trojan Prince Troilus falls in love with Cressida as war rages around them. After vowing to be faithful, Cressida is traded to the Greek camp, where she then agrees to see another man. Troilus witnesses Cressida's unfaithfulness and vows to put more effort into the war. The play ends after further deaths on both sides and with no resolution in sight.

Tom Stoppard is a towering and beloved literary figure. Known for his dizzying narrative inventiveness and intense attention to language, he deftly deploys art, science, history, politics, and philosophy in works that span a remarkable spectrum of literary genres: theater, radio, film, TV, journalism, and fiction. His most acclaimed creations - Rosencrantz and Guildenstern Are Dead, The Real Thing, Arcadia, The Coast of Utopia, Shakespeare in Love - remain as fresh and moving as when they entranced their first audiences.

From the Emmy Award-winning Squid Game to streaming sensations like The Glory and Crash Landing on You, Korean television has emerged onto the global pop culture scene as compelling television—but what exactly makes these shows so irresistibly bingeable? And what can we learn about our societies and ourselves from watching them? From stand-up comedian and media studies PhD Grace Jung comes a rollicking deep dive into the cultural significance of Korean television.

Judith Anderson and Anthony Quayle perform 'Medea', an ancient Greek tragedy written by Euripides. It is based upon the myth of Jason and Medea and first produced in 431 BC. The plot centers on the barbarian protagonist as she finds her position in the Greek world threatened, and the revenge she takes against her husband Jason who has betrayed her for another woman.