Art Drama

This production of The Lost World, based on the novel by Arthur Conan Doyle, was first broadcast on BBC Radio 4 in 1975, and amongst the cast are Francis de Wolff, Gerald Harper, Carol Boyd and the renowned radio actor Carleton Hobbs. The story follows a 19th century expedition to enter the rumoured lair of animals thought to have died out millions of years before - a terrifying world of pterodactyls and other 'prehistoric monsters'.

Becoming Shakespeare begins with his death in 1616 and relates the fascinating story of his unlikely transformation from provincial playwright to universal Bard. Unlike later literary giants, Shakespeare created no stir when he died. Though he'd once had a string of hit plays, he had been retired in the country for six years, and only his family, friends, and business partners seemed to care that he was gone.

Jealous conspirators convince Caesar's friend Brutus to join their assassination plot against Caesar. To stop Caesar from gaining too much power, Brutus and the conspirators kill him on the Ides of March. Mark Antony drives the conspirators out of Rome and fights them in a battle. Brutus and his friend Cassius lose and kill themselves, leaving Antony to rule in Rome.

In Ovid’s Metamorphoses, the boy hunter Adonis is the willing lover of Venus, the goddess of love, and dies accidentally. Shakespeare has Adonis reject Venus. Venus endlessly argues for making love, with Adonis uttering petulant protests.

At the age of 30, Robin is an Earl at last - but not the Earl of Waringham, the ancestral title that he still hopes to win back one day from the evil Mortimer. England has seen other changes too: Edward III is dead and his successor, the boy king Richard II, is at odds with his uncle, the Duke of Lancaster. The introduction of a hated new poll tax brings about one of the most dangerous episodes in English history and Robin finds himself embroiled in the Peasants’ Revolt.

This single inherited epic in our language has it all: drama, blood, heroism, mourning, and teaching with soul-searching thought about all this. It looks back. In its top layer of listening, we are brought along with heroic figures, even with a superhero, to challenge agonizing monsters. This world also includes beautiful sea voyages, crafty disputes, the falling of tribes, and moving elegies. Most often its Old English poetry can translate directly into fresh pictures. The epic Beowulf is a masterfully told story.

Whether you are just starting to explore the self-defense/self-protection world or you are already a martial artist but you're looking for more information, this book will give you all of the answers you need to get started or keep going.

Crafting a list of the top ten Korean dramas of all time presents a rich tapestry of storytelling, character development, and cultural impact. These dramas have resonated with audiences for their compelling narratives, memorable performances, and emotional depth. Let's delve into each one.

The Art of Guerrilla Warfare SE: The Guerrilla is the second book in the special edition series of the timeless treatise. The SE collection amplifies the wisdom of the flagship title with new insights and metaphorical lessons, useful to those facing insurmountable odds, in this war called life. Fighting a superior foe is a momentous task. There are many ways it can be done, there are many ways victories can be achieved. In war, there are no rules, there are no laws, there are only strategies and tactics.

Joanne Taylor - former TV Diva - is on the verge of her 50-something birthday, seriously single, 'hot-flushing' and about to make some drastic changes in her life. Pulling Faces is an acerbic, topical comedy about society’s obsession with youth, beauty and transformation.

In this fascinating and deeply researched book, Sharon Marcus challenges everything you thought you knew about our obsession with fame. Icons are not merely famous for being famous; the media alone cannot make or break stars; fans are not simply passive dupes. Instead, journalists, the public, and celebrities themselves all compete, passionately and expertly, to shape the stories we tell about celebrities and fans. The result: a high-stakes drama as endless as it is unpredictable.

In 1949, John George Haigh, the infamous 'Vampire killer', was hanged for the murder of at least six people. Join him in the hangman's cell as he tells you his story and invites you to relive the seduction, murder and disposal of three of his victims. Nigel Fairs, whose great-grandfather put the shackles on Haigh in Lewes Prison, plays the charming murderer, with Louise Jameson and Richard Franklin as two of his victims.

Среди книг западной беллетристики, изображающих жизнь театральных подмостков, Актриса - классическое произведение, может быть, лучшее, что написано в этой области. Эдмон де Гонкур дал в Актрисе своеобразное сочетание романа и исследования, сплетающихся, дополняющих друг друга и освещающих судьбу и творчество главной героини произведения, Жюльетты Фостэн, великой актрисы, вылепленной Гонкуром наподобие знаменитых трагических артисток французской сцены.

In 2014, the UK science-fiction television series Black Mirror was released on Netflix worldwide, quickly becoming a hit with US audiences. Like other beloved British imports, this series piqued Americans' interest with hints of dark comedy, clever plotlines, and six-episode seasons that left audiences frantic for more. In Transatlantic Television Drama, volume editors Michele Hilmes, Matt Hills, and Roberta Pearson team up with leading scholars in TV studies and transnational television to look at how dramas like Black Mirror captivate US audiences....

Is theater really dead? Does the theater, as its champions insist, really provide a more intimate experience than film? If so, how have changes in cinematic techniques and technologies altered the relationship between stage and film? What are the inherent limitations of representing three-dimensional spaces in a two-dimensional one, and vice versa? American Drama in the Age of Film examines the strengths and weaknesses of both the dramatic and cinematic arts to confront the standard arguments in the film-versus-theater debate.

Es war Heinrich von Kleists letztes Theaterstück, bevor er sich das Leben nahm: "Prinz Friedrich von Homburg", geschrieben 1810. Darin geht es um die Schlacht von Fehrbellin im 17. Jahrhundert, die Preußens Aufstieg zur Großmacht begründete. Der Prinz von Homburg verweigert einen Befehl und wendet ausgerechnet damit das Schlachtenglück zugunsten Preußens. Am Ende muss er selbst entscheiden, welche Strafe er für seine Befehlsverweigerung bekommen soll.

Gesprochenes Drama sowie die komplette Opernaufnahme in einem Hörbuch! Zunächst das gesprochene Drama, dann Drama und Oper, Akt für Akt nacheinander im Wechsel, dann die komplette Oper als durchgehender Musikgenuss, eingespielt von Bayreuth-Legende Joseph Keilberth und dem Bayreuther Festival-Orchester!! Der dritte Teil des wohl berühmtesten Opern-Zyklus aller Zeiten: Siegfried erstarkt, schmiedet Notung, das Schwert, neu, und besiegt Wotan. Er erklimmt den Walkürenfelsen und erweckt Brünnhilde, die in Liebe entbrennt. Mit dabei: Ein pdf-Dokument mit allen Szenen.

Drawing on her knowledge as director, actor, and teacher, Packer traces the chronological evolution of Shakespeare's female characters and examines Shakespeare's own journey and growth as a writer from feckless misogynist in his youth to committed lover in his middle years to unrepentant feminist in his final years.

Boris Karloff is the star of our Hollywood Stage presentation of David Copperfield. Charles Dickens is rightly regarded as amongst the foremost of English novelists. One of his great creations is David Copperfield which chronicles the young mans journey from childhood to maturity and the problems and hurdles that bestride his path.

The Theatrical Event discusses the objectives of theater studies by focusing on the communicative encounter between performer and spectator - the theatrical event. A theatrical event includes the presentation of a performance and the attention of an audience; in this sense, every performance - on stage or in the street, historical or contemporary - that is watched by an audience is a theatrical event. The concept underlines the "eventness" of all encounters between performers and spectators.