Art Drama

These remarkable letters represent a wealth of as-yet-undiscovered knowledge about Shakespeare's relationships, personality, and career as he carved out his place in the chaotic world of 16th-century London. Whether you are a Shakespeare scholar, merely a fan, or even if you have never read any of his works, the stories of the The Lost Letters will enthrall you with their fascinating and true tale.

In this survey of eighteenth and nineteenth century American drama, Tice L. Miller examines American plays written before a canon was established in American dramatic literature and provides analyses central to the culture that produced them. Entertaining the Nation evaluates plays in the early years of the republic, reveals shifts in taste from the classical to the contemporary in the 1840s and 1850s, and considers the increasing influence of realism at the end of the nineteenth century.

William Shakespeare had nothing to do with the actor and moneylender William Shaksper from Stratford-upon-Avon. The man behind the nom de plume "William Shakespeare" was, in fact, a very well-educated aristocrat who often frequented the court of Elizabeth and whose real name was Edward de Vere, Earl of Oxford. The dramas of Shakespeare were not written for the Globe Theatre but for the Queen's court.

Gesprochenes Drama sowie die komplette Opernaufnahme in einem Hörbuch! Zunächst das gesprochene Drama, dann Drama und Oper, Akt für Akt nacheinander im Wechsel, dann die komplette Oper als durchgehender Musikgenuss, eingespielt von Bayreuth-Legende Joseph Keilberth und dem Bayreuther Festival-Orchester!! Der vierte Teil des wohl berühmtesten Opern-Zyklus aller Zeiten: Durch Intrigen wird Siegfried dazu verleitet, Brünnhilde zu vergessen und Gutrune, Gunthers Schwester, zu erobern. Gunther hilft er, Brünnhilde zu besiegen. Siegfried fällt - die Rheinnixen erhalten den Ring zurück.

Gesprochenes Drama sowie die komplette Opernaufnahme in einem Hörbuch! Zunächst das gesprochene Drama, dann Drama und Oper, Akt für Akt nacheinander im Wechsel, dann die komplette Oper als durchgehender Musikgenuss, eingespielt von Bayreuth-Legende Joseph Keilberth und dem Bayreuther Festival-Orchester!! Der dritte Teil des wohl berühmtesten Opern-Zyklus aller Zeiten: Siegfried erstarkt, schmiedet Notung, das Schwert, neu, und besiegt Wotan. Er erklimmt den Walkürenfelsen und erweckt Brünnhilde, die in Liebe entbrennt. Mit dabei: Ein pdf-Dokument mit allen Szenen.

To Each Their Own is a modern-writ comedy in the style of the Theatre of Elizabeth the First, written with a scholar's research and a modern Shakespearean actor's wit. It includes many of the elements we are used to seeing in Shakespeare (sassy servants, pompous Noblemen, love-at-first-sight, shipwrecks, magic, fights, sacrifice, and slapstick) and language that conveys much more than single emotions.

The Risk Theatre Model of Tragedy presents a profoundly original theory of drama that speaks to modern audiences living in an increasingly volatile world driven by artificial intelligence, gene editing, globalization, and mutual-assured destruction ideologies. Tragedy, according to risk theatre, puts us face to face with the unexpected implications of our actions by simulating the profound impact of highly improbable events.

Morgan and Devon Gregson Bennett are an interracial creative power couple living happily enough in Brooklyn until a freak accident leaves a little girl orphaned in Los Angeles. Setting aside reservations about the price motherhood will exact on their marriage and careers, Morgan and Devon agree to adopt Vabeh, a bi-racial ethnic-hair-products heiress. Vabeh touches down in New York, wearing last season’s fur and on a mission to quickly distinguish herself from the other bold-faced names at her new school, the tony School for Spoiled Kids.

Is theater really dead? Does the theater, as its champions insist, really provide a more intimate experience than film? If so, how have changes in cinematic techniques and technologies altered the relationship between stage and film? What are the inherent limitations of representing three-dimensional spaces in a two-dimensional one, and vice versa? American Drama in the Age of Film examines the strengths and weaknesses of both the dramatic and cinematic arts to confront the standard arguments in the film-versus-theater debate.

The Roman General Titus Andronicus returns from war with four prisoners who vow to take revenge against him. They rape and mutilate Titus' daughter and have his sons killed and banished. Titus kills two of them and cooks them into a pie, which he serves to their mother before killing her, too. The Roman emperor kills Titus, and Titus' last remaining son kills the emperor and takes his place.

Arguably the greatest love story ever told, Shakespeare’s Romeo and Juliet continues to touch modern audiences with its passionate depiction of the tragic romance between two young lovers. With a bitter feud between their respective families, Romeo and Juliet’s love is troubled from the start, and through their relationship, Shakespeare shows the fine line between love, hatred, comedy and tragedy.

After Henry V's death and while Henry VI is young, nobles rule England and fight the French, including Joan of Arc. As Henry VI becomes king, the noble houses begin to divide and take sides between York and Lancaster. The war with France winds down, and the nobles try to find Henry a wife and disagree about who Henry chooses.

The Art of Guerrilla Warfare SE: The Guerrilla is the second book in the special edition series of the timeless treatise. The SE collection amplifies the wisdom of the flagship title with new insights and metaphorical lessons, useful to those facing insurmountable odds, in this war called life. Fighting a superior foe is a momentous task. There are many ways it can be done, there are many ways victories can be achieved. In war, there are no rules, there are no laws, there are only strategies and tactics.

Long before Rod Serling created The Twilight Zone and hid social messages within the context of science fiction and fantasy, Playhouse 90 was among the last of the live television anthology dramas to explore them as straight dramas. This audiobook shall shed light on Playhouse 90, and put into perspective the influence it had on The Twilight Zone and others.

An uplifting comedy drama about the life, loves and misadventures of wheelchair user Maz. Nicknamed Tinsel Girl by her best friend Lisa because of her sparkly view of life, wheelchair user Maz is one of life's eternal optimists. She has just turned 30, only to become all too aware that not only is she single but also disabled. Her degenerative disease means she now has to use a motorised wheelchair, which isn't exactly the sexiest accessory a girl can have!

Prince Hal leaves the company of the knave Falstaff and his revelers in order to command his father's troops and fight the rebels at the Battle of Shrewsbury.

King Cymbeline of Britain banishes his daughter Imogen's husband, who then makes a bet on Imogen's fidelity. Imogen is accused of being unfaithful, runs away and becomes a page for the Roman army as it invades Britain. In the end, Imogen clears her name, discovers her long-lost brothers and reunites with her husband while Cymbeline makes peace with Rome.

In 1949, John George Haigh, the infamous 'Vampire killer', was hanged for the murder of at least six people. Join him in the hangman's cell as he tells you his story and invites you to relive the seduction, murder and disposal of three of his victims. Nigel Fairs, whose great-grandfather put the shackles on Haigh in Lewes Prison, plays the charming murderer, with Louise Jameson and Richard Franklin as two of his victims.

Ben is having a difficult week. After five whole years of “drinking from Mommy’s boobies”, he suddenly has to step aside for his new baby sister, Beatrice, who may or may not be human. Mommy says he has to “support her appearance no matter how humiliating it is for us as family”, but that’s hard to do when your sister has branches for arms and legs.

Forced into exile in the Forest of Arden, lovers Rosalind and Orlando become entangled in a beguiling game of love, lust and mistaken identity. Rosalind and her cousin escape into the forest and find Orlando, Rosalind's love. Disguised as a boy shepherd, Rosalind has Orlando woo her under the guise of 'curing' him of his love for Rosalind. Rosalind reveals she is a girl and marries Orlando during a group wedding at the end of the play.