Art Drama

The Theatrical Event discusses the objectives of theater studies by focusing on the communicative encounter between performer and spectator - the theatrical event. A theatrical event includes the presentation of a performance and the attention of an audience; in this sense, every performance - on stage or in the street, historical or contemporary - that is watched by an audience is a theatrical event. The concept underlines the "eventness" of all encounters between performers and spectators.

In this third book in a four-book series, Lindell A. Warden, a former student of Neville Goddard, will be sharing with you some powerful principles around Neville's teachings. You will learn about spirituality, not religions. You'll also discover that everything begins in the theater of your mind and that you are always creating in your imagination.

Jealous conspirators convince Caesar's friend Brutus to join their assassination plot against Caesar. To stop Caesar from gaining too much power, Brutus and the conspirators kill him on the Ides of March. Mark Antony drives the conspirators out of Rome and fights them in a battle. Brutus and his friend Cassius lose and kill themselves, leaving Antony to rule in Rome.

Forced into exile in the Forest of Arden, lovers Rosalind and Orlando become entangled in a beguiling game of love, lust and mistaken identity. Rosalind and her cousin escape into the forest and find Orlando, Rosalind's love. Disguised as a boy shepherd, Rosalind has Orlando woo her under the guise of 'curing' him of his love for Rosalind. Rosalind reveals she is a girl and marries Orlando during a group wedding at the end of the play.

Becoming Shakespeare begins with his death in 1616 and relates the fascinating story of his unlikely transformation from provincial playwright to universal Bard. Unlike later literary giants, Shakespeare created no stir when he died. Though he'd once had a string of hit plays, he had been retired in the country for six years, and only his family, friends, and business partners seemed to care that he was gone.

England in the 14th Century. Twelve-year-old Robin’s world is turned upside down when his father, the Earl of Waringham, dies in disgrace. His inheritance lost and his family name dishonoured, the penniless Robin must begin a new life as a peasant on his own estate. He soon makes an enemy in Mortimer, the spoiled young son of the new Earl. As the years pass and the boys enter adulthood, Robin flees Waringham to seek his fortune abroad.

In Ovid’s Metamorphoses, the boy hunter Adonis is the willing lover of Venus, the goddess of love, and dies accidentally. Shakespeare has Adonis reject Venus. Venus endlessly argues for making love, with Adonis uttering petulant protests.

Why Shakespeare? What explains our continued fascination with his poems and plays? In Living with Shakespeare, Susannah Carson invites 40 actors, directors, scholars, and writers to reflect on why his work is still such a vital part of our culture.

Had I become disenchanted with the form I had once fallen so madly in love with as a pubescent, pimple-faced suburban homo with braces? Maybe theatre was like an all-consuming high school infatuation that now, ten years later, I saw as the closeted balding guy with a beer gut he’d become. There were of course those rare moments of transcendence that kept me coming back. But why did they come so few and far between?

Drama teacher Keith Burt shares his experience of curating, creating, and teaching drama curriculum from over 20 years of working in and with secondary schools. In this book, he turns his lifetime’s experience into practical, actionable steps to help you develop a robust, successful, and sustainable drama curriculum that will challenge, inspire, and engage your students.

In the glittering world of Hollywood, where dreams are made and broken, storytelling reigns supreme. The magic of the silver screen relies on compelling narratives, complex characters, and plot twists that capture the audience's imagination. As an aspiring screenwriter or author, you dream of creating a story that resonates, enchants, and leaves your audience craving for more. You dream of Hollywood.

Steven Adler examines the dynamic life and workings of the theatre company responsible for some of the world's most compelling performances and influential productions of the last 40 years, including Marat/Sade, A Midsummer Night's Dream, Les Misérables, Les Liaisons Dangereuses, and Nicholas Nickleby.

Abandoned as an infant on the local veterinarian’s front porch, Pepper Rafferty was raised by two loving mothers, and now, at thirty-six is married to the stable, supportive Ike. She’s never told anyone that at fifteen she discovered the identity of her biological mother. That’s because her birth mother is Ula Frost, a reclusive painter famous for the outrageous claims that her portraits summon their subjects’ doppelgängers from parallel universes.

For Lena, the upcoming year is going to be epic—one of opportunities and chances. Until one choice, one moment, destroys everything. Now Lena isn't looking forward to tomorrow. Not when friend time may never be the same. Not when college applications feel all but impossible. Not when Sebastian might never forgive her for what happened. For what she let happen. With the guilt growing each day, Lena knows that her only hope is to move on. But how can she move on when her and her friends' entire existences have been redefined? How can she move on when tomorrow isn't even guaranteed?

A Scottish meteorologist locks horns with his American counterpart as both men try to convince General Dwight D. Eisenhower that they can accurately predict the atmospheric conditions needed to launch the greatest amphibious assault in the history of mankind - the D-Day invasion.

Robin has made a powerful ally in the Duke of Lancaster. But he has made powerful enemies too: not only his childhood adversary Mortimer, but the sadistic knight Peter de Gray. Returning to England, he is awarded the fiefdom of Fernbrook in Lancashire, where he meets the beautiful noblewoman Joanna. But the wheel of fortune keeps turning and as the years pass Robin and his friends must face trials and tragedies: plague, war and political intrigue are never far away.

There is no general consensus about how Shakespeare "should" be played. There are no rules. But, while the Bard created superhuman characters and placed them in situations that stretches the imagination to its limits, he also provided his actors with the keys to playing them.

The ghost of the king of Denmark tells his son Hamlet to avenge his murder by killing the new king, Hamlet's uncle. Hamlet feigns madness, contemplates life and death and seeks revenge. His uncle, fearing for his life, also devises plots to kill Hamlet. The play ends with a duel, during which the king, queen, Hamlet's opponent and Hamlet himself are all killed.

Drawing on her knowledge as director, actor, and teacher, Packer traces the chronological evolution of Shakespeare's female characters and examines Shakespeare's own journey and growth as a writer from feckless misogynist in his youth to committed lover in his middle years to unrepentant feminist in his final years.

Bassiano, a noble Venetian, hopes to woo the beautiful heiress Portia. However, he requires financial assistance from his friend Antonio. Antonio agrees, but he, in turn, must borrow from the Jewish moneylender Shylock. As recourse for past ills, Shylock stipulates that the forfeit on the loan must be a pound of Antonio’s flesh. In the most renowned onstage law scene of all time, Portia proves herself one of Shakespeare’s most cunning heroines, disguising herself as a lawyer and vanquishing Shylock’s claims....