Art Essays

Here is Virginia Woolf at her most entertaining and informative, relishing the portraits and insights she presents as she surveys a varied collection of individuals in English society and English literature. In The Common Reader Volume 2, (published in 1932), the essay lives on and even more so in this sensitive and engaging book by Georgina Sutton.

Beginning students in Japanese martial arts, such as karate, judo, aikido, iaido, kyudo, and kendo, learn that when they are in the dojo (the practice space), they must don their practice garb with ritual precision, address their teacher and senior students in a specific way, and follow certain unwritten but deeply held codes of behavior. But very soon they begin to wonder about the meaning behind the traditions, gear, and relationships in the dojo.

Chesterton's Gateway was made for the person who has always loved Chesterton quotes, but has never been able to finish - or perhaps even start - a Chesterton book. This is because there really is no really good "first" Chesterton book. They are all hard the first time around. Chesterton was an essayist, and it is through his essays he is best discovered. Ethan Nicolle has put together this assortment of essays, a list he often gives to people who ask him where to start with Chesterton. Included are chapter introductions to help with context.

New York Times bestselling author Jim Harrison (1937-2016) was a writer with a poet’s economy of style and trencherman’s appetites and ribald humor. In The Search for the Genuine, a collection of new and previously published essays, the giant of letters muses on everything from grouse hunting and fishing to Zen Buddhism and matters of the spirit, including reported pieces on Yellowstone and shark-tagging in the open ocean, commentary on writers from Bukowski to Neruda to Peter Matthiessen, and a heartbreaking essay on life on the US/Mexico border.

It happens to us all: We think we’ve settled into an identity, a self, and then out of nowhere and with great force, the traces of our parents appear to us, in us - in mirrors, in gestures, in reaction and reactivity, at weddings and funerals, and in troubled thoughts that crouch in dark corners of our minds. In this masterful collection of new essays, the apple looks at the tree.

Have you ever read a suspense novel so good you had to stop and think to yourself, "How did the author come up with this idea? Their characters? Is some of this story real?" For more than five years, Mark Rubinstein, physician, psychiatrist, and mystery and thriller writer, had the chance to ask the most well-known authors in the field just these kinds of questions in interviews for the Huffington Post. Collected here are interviews with 47 accomplished authors, including Michael Connelly, Ken Follett, Meg Gardiner, Dennis Lehane, Laura Lippman, and Don Winslow.

As a young woman, Kate Betts nursed a dream of striking out on her own in a faraway place and becoming a glamorous foreign correspondent. After college—and not without trepidation—she took off for Paris, renting a room in the apartment of a young BCBG (bon chic, bon genre) family and throwing herself into the local culture. She was determined to master French slang, style, and savoir faire, and to find a job that would give her a reason to stay.

Gregory Pardlo's father was a brilliant and charismatic man - a leading labor organizer who presided over a happy suburban family of four. But when he loses his job following the famous air traffic controllers' strike of 1981, he succumbs to addiction and exhausts the family's money on more and more ostentatious whims. In the face of this troubling model and disillusioned presence in the household, young Gregory rebels.

Throughout his 25-year journalistic career, David Carr was noted for his sharp and fearless observations, his uncanny sense of fairness and justice, and his remarkable compassion and wit. His writing was informed both by his own hardships as an addict, and his intense love of the journalist's craft. His range - from media politics to national politics, from rock-n-roll celebrities to the unknown civil servants who make our daily lives function - was broad and often timeless.

"Nothing more strangely indicates an enormous and silent evil of modern society than the extraordinary use which is made nowadays of the word orthodox. In former days the heretic was proud of not being a heretic. It was the kingdoms of the world and the police and the judges who were heretics. He was orthodox. He had no pride in having rebelled against them; they had rebelled against him. The armies with their cruel security, the kings with their cold faces, the decorous processes of State, the reasonable processes of law - all these like sheep had gone astray...."

Amanda ha tenido siempre una mirada aguda e irónica acerca de sí misma y de quienes la rodean: sabe estar sola y acompañada. Sin embargo, en este libro nos revela dos aspectos de su ser menos conocido: su destreza informal para la fabulación: sabe relatar historias breves por medio de un ritmo más seductor que acosador. Y, por otra parte, abandona la guerra cotidiana que libra a cada momento de su vida como artista popular y nos propone a un ser menos glamuroso, pero más humano.

Ever since he joined the sports department of the Boston Globe in 1968, sports enthusiasts have been blessed with the writing and reporting of Bob Ryan. Tony Kornheiser calls him the "quintessential American sportswriter". For the past 25 years, he has also been a regular on various ESPN shows, especially The Sports Reporters, spreading his knowledge and enthusiasm for sports of all kinds.

Pop Song is a book about love and about falling in love - with a place, or a painting, or a person - and the joy and terror inherent in the experience of that love. Plumbing the well of culture for clues and patterns about love and loss - from Agnes Martin's abstract paintings to James Turrell's transcendent light works, and Anne Carson's Eros the Bittersweet to Frank Ocean's Blonde - Larissa Pham writes of her youthful attempts to find meaning in travel, sex, drugs, and art, before sensing that she might need to turn her gaze upon herself.

Tracing 25 centuries of human history, from the fourth century BC to the present day, Manguel dedicates each of his chapters to a single character - ranging from our best-known thinkers, scientists, and artists to seemingly minor figures of whom we know little more than one inspired utterance - in whom he identifies a particular way of asking the question "why?"

Timbaland is indisputably one of the most innovative music producers working today. The Grammy Award–wining producer, rapper, songwriter, and composer has collaborated with the mega-superstars of pop, rap, hip-hop, and R&B, from Jay Z to 50, Madonna to Justin, Nelly to Björk. His solo album Shock Value has sales tipped in the millions, and the video for his international chart-topping single "Apologize" has been viewed more than 100 million times on YouTube.

Begun in 1797, when William was at the height of his poetic powers, The Grasmere and Alfoxden Journals provide invaluable insight into the daily lives of Dorothy and William Wordsworth, William’s friendship with Samuel Taylor Coleridge and the incidents that inspired some of his greatest poems. Richly immersive and intimately domestic, the Journals transport the listener to life in the Lake District 200 years ago as Dorothy describes the Lake District countryside, her garden and neighbours, keeping house, going on walks, and the people she meets along the way

Wendy Cope has long been one of the nation's best-loved poets, with her sharp eye for human foibles and wry sense of humour. For the first time, Life, Love, and the Archers brings together the best of her prose - recollections, reviews, and essays from the light-hearted to the serious, taken from a lifetime of published and unpublished work, and all with Cope's lightness of touch.

Lost in Language & Sound is a vibrant and vital collection that celebrates the three most important muses in the life and work of Ntozake Shange - language, music, and dance. In this deeply personal book, the celebrated writer reflects on what it means to be an artist, a woman, and a woman of color through a beautiful combination of memoir and essay. She describes where her love for creative forces began - in her childhood home, a place where imagination reigned and boredom wasn't allowed.

An essay from Things I've Learned From the Women Who've Dumped Me.

Ghalib's poetic trajectory begins from Urdu, then moves to composing almost entirely in Persian and finally swings back to Urdu. It is nearly as complex as his poetry. However, his poetic output in Persian is far more than what he wrote in Urdu. More important is that he gave precedence to Persian over Urdu. Ghalib's voice presents us with a double bind, a linguistic paradox. Exploring his life, works and philosophy, this authoritative critical biography of Ghalib opens a window to many shades of India and the subcontinent's cultural and literary tradition.