Art Essays

From the beloved host and creator of NPR's All Songs Considered and Tiny Desk Concerts comes an essential oral history of modern music, told in the voices of iconic and up-and-coming musicians, including Dave Grohl, Jimmy Page, Michael Stipe, Carrie Brownstein, Smokey Robinson, and Jeff Tweedy, among others - published in association with NPR Music.

Leo Tolstoy wrote prolifically in a series of essays and polemics on issues of morality, social justice and religion. These culminated in What Is Art?, published in 1898. Although Tolstoy perceived the question of art to be a religious one, he considered and rejected the idea that art reveals and reinvents through beauty. The works of Dante, Michelangelo, Shakespeare, Beethoven, Baudelaire, and even his own novels are condemned in the course of Tolstoy's impassioned and iconoclastic redefinition of art as a force for good; for the improvement of humankind.

As a young woman, Kate Betts nursed a dream of striking out on her own in a faraway place and becoming a glamorous foreign correspondent. After college—and not without trepidation—she took off for Paris, renting a room in the apartment of a young BCBG (bon chic, bon genre) family and throwing herself into the local culture. She was determined to master French slang, style, and savoir faire, and to find a job that would give her a reason to stay.

Chesterton's Gateway was made for the person who has always loved Chesterton quotes, but has never been able to finish - or perhaps even start - a Chesterton book. This is because there really is no really good "first" Chesterton book. They are all hard the first time around. Chesterton was an essayist, and it is through his essays he is best discovered. Ethan Nicolle has put together this assortment of essays, a list he often gives to people who ask him where to start with Chesterton. Included are chapter introductions to help with context.

It happens to us all: We think we’ve settled into an identity, a self, and then out of nowhere and with great force, the traces of our parents appear to us, in us - in mirrors, in gestures, in reaction and reactivity, at weddings and funerals, and in troubled thoughts that crouch in dark corners of our minds. In this masterful collection of new essays, the apple looks at the tree.

Ever since he joined the sports department of the Boston Globe in 1968, sports enthusiasts have been blessed with the writing and reporting of Bob Ryan. Tony Kornheiser calls him the "quintessential American sportswriter". For the past 25 years, he has also been a regular on various ESPN shows, especially The Sports Reporters, spreading his knowledge and enthusiasm for sports of all kinds.

“I don’t want to be remembered for One Hundred Years of Solitude or for the Nobel Prize, but rather for my journalism,” Gabriel García Márquez said in the final years of his life. And while some of his journalistic writings have been made available over the years, this is the first volume to gather a representative selection from across the first four decades of his career - years during which he worked as a full-time, often muckraking, and controversial journalist, even as he penned the fiction that would bring him the Nobel Prize in 1982.

Throughout his 25-year journalistic career, David Carr was noted for his sharp and fearless observations, his uncanny sense of fairness and justice, and his remarkable compassion and wit. His writing was informed both by his own hardships as an addict, and his intense love of the journalist's craft. His range - from media politics to national politics, from rock-n-roll celebrities to the unknown civil servants who make our daily lives function - was broad and often timeless.

Amanda ha tenido siempre una mirada aguda e irónica acerca de sí misma y de quienes la rodean: sabe estar sola y acompañada. Sin embargo, en este libro nos revela dos aspectos de su ser menos conocido: su destreza informal para la fabulación: sabe relatar historias breves por medio de un ritmo más seductor que acosador. Y, por otra parte, abandona la guerra cotidiana que libra a cada momento de su vida como artista popular y nos propone a un ser menos glamuroso, pero más humano.

Beginning students in Japanese martial arts, such as karate, judo, aikido, iaido, kyudo, and kendo, learn that when they are in the dojo (the practice space), they must don their practice garb with ritual precision, address their teacher and senior students in a specific way, and follow certain unwritten but deeply held codes of behavior. But very soon they begin to wonder about the meaning behind the traditions, gear, and relationships in the dojo.

This combination of serious artistic engagement with warmth and clarity of prose revels in the experiences and pleasures of art and the body, identity, and community.

Critical Mass is a treasure trove of sparkling, spiky prose and a fascinating portrait of our lives and cultural times over the past decades. In an age where a great deal of back scratching and softball pitching pass for criticism, James Wolcott’s fearless essays and reviews offer a bracing taste of the real critical thing.

For decades, Janet Malcolm's books and dispatches for the New Yorker and the New York Review of Books poked and prodded at reportorial and biographical convention, gesturing toward the artifice that underpins both public and private selves. In Still Pictures, she turns her gimlet eye on her own life—a task demanding a writer just as peerlessly skillful as she was widely known to be. Still Pictures, then, is not the story of a life but an event on its own terms, an encounter with identity and family photographs as poignant and original as anything since Roland Barthes's Camera Lucida.

Pop Song is a book about love and about falling in love - with a place, or a painting, or a person - and the joy and terror inherent in the experience of that love. Plumbing the well of culture for clues and patterns about love and loss - from Agnes Martin's abstract paintings to James Turrell's transcendent light works, and Anne Carson's Eros the Bittersweet to Frank Ocean's Blonde - Larissa Pham writes of her youthful attempts to find meaning in travel, sex, drugs, and art, before sensing that she might need to turn her gaze upon herself.

Begun in 1797, when William was at the height of his poetic powers, The Grasmere and Alfoxden Journals provide invaluable insight into the daily lives of Dorothy and William Wordsworth, William’s friendship with Samuel Taylor Coleridge and the incidents that inspired some of his greatest poems. Richly immersive and intimately domestic, the Journals transport the listener to life in the Lake District 200 years ago as Dorothy describes the Lake District countryside, her garden and neighbours, keeping house, going on walks, and the people she meets along the way

Wendy Cope has long been one of the nation's best-loved poets, with her sharp eye for human foibles and wry sense of humour. For the first time, Life, Love, and the Archers brings together the best of her prose - recollections, reviews, and essays from the light-hearted to the serious, taken from a lifetime of published and unpublished work, and all with Cope's lightness of touch.

Parkour, the art of displacement, or freerunning—whatever the name, this new discipline born in the Paris suburbs is rapidly being adopted by people throughout the world. Not satisfied to suffer through urban life, these athletic artists or artistic athletes want to thrive in it, all the while earning dignity by daringly reappropriating three motor skills: running, jumping, and climbing. Vincent Thibault explores the philosophical and spiritual aspects of the art of movement and offers ideas on health, sports, urban living, and the relationship between the body and the environment.

Lost in Language & Sound is a vibrant and vital collection that celebrates the three most important muses in the life and work of Ntozake Shange - language, music, and dance. In this deeply personal book, the celebrated writer reflects on what it means to be an artist, a woman, and a woman of color through a beautiful combination of memoir and essay. She describes where her love for creative forces began - in her childhood home, a place where imagination reigned and boredom wasn't allowed.

An essay from Things I've Learned From the Women Who've Dumped Me.

In 1987, when Hilary Mantel was first published in the London Review of Books, she wrote to the editor, Karl Miller, ‘I have no critical training whatsoever, so I am forced to be more brisk and breezy than scholarly.’ This collection of 20 reviews, essays and pieces of memoir from the next three decades tells the story of what happened next.