Art Genre

Notes from Underground is an 1864 novella by Fyodor Dostoyevsky. Notes is considered by many to be the first existentialist novel. It presents itself as an excerpt from the rambling memoirs of a bitter, isolated unnamed narrator (generally referred to by critics as the Underground Man), who is a retired civil servant living in St. Petersburg. The first part of the story is told in monologue form or the underground man's diary, and attacks emerging Western philosophy

Casey Banks is a devoutly anorexic man who discovers he can see the future by binge-eating. His new plan? Perform visions for cash while staying thin by any means necessary. Reading futures proves to be lucrative, but when he ignores a vision of his girlfriend committing a grisly murder, it sets Casey on a dangerous path toward a destiny he'll do anything to avoid.

The year is 1975. Bill and Bob are two American friends on leave from their foreign study programs in Germany. They plan to drive across Europe and into the Balkans, with their sights set on visiting Istanbul and exploring the Turkish coast. Their plans take a sudden detour when they meet George—a renowned Armenian-Iraqi competitive bicycle racer with an irresistible personality and a flair for the dramatic. George says he is driving to Beirut with his girlfriend and her mother to sell his car, but in reality, he has a deeper plan.

What do Sherlock Holmes, Star Wars, A Christmas Carol, and Charlotte's Web have in common? Seven identical and profound themes. Actually we use only these four stories as examples of seven inescapable themes, found in whole or in part in every story in every medium from books to movies. I believe these themes are inescapable, not because our culture imposes them upon creators but because they reflect our deepest longings.

En las siguientes líneas encontrarás historias verídicas, mucho dolor y un trauma generacional trabajado. Lo que leerás aquí obedece a una realidad histórica y geográfica, una realidad matizada por la imaginación, porque nací al otro lado del río Arauca, en el corazón del Amazonas venezolano, muy cerca del punto geográfico donde la realidad se recrea en la fantasía.

Two years after her husband's death, kindergarten teacher Brooklyn Harvey is leaving Hope Springs for her in-laws' vineyard in Italy - with no plans of coming back. That is, until she meets a disarmingly sexy biker-turned-chocolatier. He might be the man of her dreams, but he's also the father of one of her students; as such, he's strictly off-limits.

Emmis Tod bringt die vier Schulfreunde wieder zusammen. Viel ist inzwischen geschehen, und noch mehr wird sich ereignen, wenn sie herausfinden...

This is a gentle Christmas story, whose message is that if we didn't already have Christmas, we'd find a way to invent it. It's hard times in Old Trail Town as the Season of Giving approaches. The factory that employs most of the town is closed and not likely to re-open, and town merchants fear that people will try to shop on credit. Unwilling to carry the debt, the merchants work out a scheme to get everybody in town to agree not to have Christmas that year. What happens next proves that Christmas can't be banned from the hearts of those who truly believe in it.

Wild Bill Hickok and Calamity Jane team up to find the kidnappers of the mayor's grandson. This wonderful western tale will capture the heart of everyone in your entire family. High adventure and drama done in the style of the radio play of the 1940's.

Since the 1970s, the name Stephen King has been synonymous with horror. His vast number of books has spawned a similar number of feature films and TV shows, and together they offer a rich opportunity to consider how one writer's work has been adapted over a long period within a single genre and across a variety of media - and what that can tell us about King, about adaptation, and about film and TV horror. Starting from the premise that King has transcended authorship, Screening Stephen King explores the impact and legacy of over 40 years of King film and television adaptations.

Henriette Liebling ist unzufrieden mit ihrem Leben. Sie hat sich eingerichtet in der Ereignislosigkeit mit einem sicheren, aber langweiligen Job, einer schönen, aber sterilen Wohnung und einer netten, aber monotonen Beziehung. Ganz klar: Das ist nicht ihr "Lieblingsleben". Das ist höchstens Plan B. Und so steht sie vor der Frage: Wie wird man eigentlich erwachsen, ohne sich selbst aufzugeben? Und: Muss sie ihr Leben ändern - oder sogar sich selbst?

Two young ladies, born in the shadow of the siege of Metz and the annexation of Alsace-Lorraine by the Prussians, are swept up in the changing cultural, industrial, medical, scientific, and geo-political tides of the late 19th century in France; they act without hesitation on the new empowerment of women, in business and in love. Against this background and the art nouveau of the École de Nancy, a solitary sculptor is drawn into the girls’ lives.

Isabella is a young émigré from the USSR who discovers her artistic talent as a way to cope with culture shock and escape from her traditional criticizing Jewish mother. Lost in America, Isabella searches for a true home all over the world. She lives in Paris and Rome, ventures out to Australia, returns to Russia in search for her tribe, all the while recording these new locales and her feelings about them with her brush. It is only after losing her passion under the strains of money, romance, and indulgence that she realizes that her painting practice has always been her home base.

"Wildflower" McAllister's daughter, Lily, now 14, struggles with her mother's reluctance to tell her who her father is. When a stranger appears on the family doorstep, drunk and evoking ghosts from the past, it threatens to break the close-knit McAllister family apart. Meanwhile, Wildflower has a deep secret of her own. When Lily discovers it by accident, it changes everything she thought she knew about her mother. The events that follow silence the singing she dreamed of sharing with the world.

When a black boy named Paris saves Trudy from being crushed by a runaway Sunbeam Bread truck, they become friends. Navigating a multi-racial friendship in 1964 is no easy thing, however. The racism they encounter inspires them to go on an audacious adventure: to take down the Confederate flag that flies atop the South Carolina State House. And they can't do it without the help of Trudy's grandmother, Ida.

King Richard, his Nightshade, and the legions of mudged dragons it controls are coming to take the Mainland throne from the Dragoneers, using powerful teardrops they extracted from the lesser wyrms via torture. Meanwhile Crimzon, Clover, and 9-year-old Princess Amelia, Zahrellion and Jenka De Swasso's strange daughter, accidentally release something far worse than a sky full of inbred wyrms.

Spring break of 1990 is over. Richard Bowman has resigned to keep his head down and finish his sophomore year at Grafton High School the way he started it - academically fair to middling, socially mediocre, and romantically very much well below average. When the opportunity to befriend a group of senior guys lands in Rich's lap practically overnight, he steps out of his comfort zone.

Freya and Kalev are the newest members of an elite warrior clan, the Recondos. They are a unique reconnaissance team. They are true telepaths who can link their minds and communicate silently, over extended distances.On their initiation recon, they see the enemies of their civilization for their first time: The Deciders and Protectors. They also witness a brutal execution ordered by the Deciders.From that day, their courage and faith will be put to severe tests.

Featuring a preface by C. S. Lewis biographer and editor Walter Hooper, Richard Platt’s As One Devil to Another takes up where the legendary Narnia author’s Screwtape Letters left off. In this gripping work, senior devil Slashreap corresponds with his protégé Scardagger. As Satan’s underlings exchange dark musings, light is shed on human failings, the nature of evil, and God’s divine intent.

What would happen if every follower of Jesus twisted the Great Commandment into only loving our neighbors? Is it possible we can create world peace by ignoring that whole subjective "loving God" part and throwing a block party instead?