Art Horror

Death deals no mercy to one man who rises in a SoHo alleyway to find his lover dead and his own body ghastly transformed. Straining to overcome his murderous instincts through Zen meditation and blood deprivation, he is reclaimed by The Ministry, an underground society waging war against the undead. Time and time again his will to resist is tested by the killers who demand his allegiance and the Zen masters who will burn him down at his first missed step. He strives to walk a tightrope between the living and the dead...to master himself, his hunger, and the way of the wooden stake.

What makes Horror literature horrifying? What primordial fears resonate within (and attract us to) stories of the macabre? In this insightful volume, W.J. Renehan explores the complex interrelated traditions of Horror fiction, and the human psychology that fuels them. In the course of his analysis, Renehan puts everything from the ancient vampire legends to Lovecraft's cosmic Horror of the unknown into compelling cultural context.

Tom Sutherland, a young doctor, goes to London where he becomes involved with the mysterious Dr. Nordhagen and his seductive assistant, Lina Ravachol. Obsessed, he follows Lina deeper into dark fantasies and forbidden pleasures. But fantasy turns to nightmare when Tom discovers Nordhagen's basement laboratory. A secret chamber where cruelty, desire, and madness combine to form the ultimate terror.

Through three different timelines, this paranormal historical novel weaves a story of Galveston’s past, underscoring its danger and isolation, as well as its remarkable resilience, its capacity for both nostalgia and reinvention. Full of contradictions, at once insular and open to the world, magical but stifling, stuck in the past yet determined to overcome, Galveston Island is as much a character of the novel as Suzanne, Betty, Katie, their lovers, and their confidantes.

A strange illness ravages the countryside while Dr. Anna Roberts struggles to recover from her own near-death experience. She's falling in love with Jedediah, a three-thousand-year-old ghost, but his guarded alliance with a council of ancient spirits frightens her. Can Jed's allegiance be trusted?

A Nightmare on Elm Street. Halloween. Night of the Living Dead. These films have been indelibly stamped on moviegoers' psyches and are now considered seminal works of horror. Guiding readers along the twisted paths between audience, auteur, and cultural history, author Kendall R. Phillips reveals the macabre visions of these films' directors in Dark Directions: Romero, Craven, Carpenter, and the Modern Horror Film.

I was a “Monster Kid” and “The Weird Kid, The Horror Movie Kid.” I found out early…horror is always personal. Now I make horror for a living. It shouldn’t just be WATCHED. Horror should be ENJOYED. This isn’t some stuffy analysis telling you what’s good or bad. Instead, it’s a tour of the 1930s through the 1980s—a personal account of how the best and worst of this era gave us so many memories and experiences that impacted our own lives. It’s fun…just how horror should always be.

"The House on the Borderland," tells the story of an unnamed protagonist who discovers a manuscript written by a previous occupant of a remote and decaying house on the edge of a vast and mysterious abyss. The manuscript details the strange and terrifying experiences of the previous occupant, who is drawn into a world of cosmic horror and ancient evil.

Since the 1970s, the name Stephen King has been synonymous with horror. His vast number of books has spawned a similar number of feature films and TV shows, and together they offer a rich opportunity to consider how one writer's work has been adapted over a long period within a single genre and across a variety of media - and what that can tell us about King, about adaptation, and about film and TV horror. Starting from the premise that King has transcended authorship, Screening Stephen King explores the impact and legacy of over 40 years of King film and television adaptations.

#31Days features 65 essays and reviews covering everything from Don Coscarelli's Phantasm series to the anthology horror show Masters of Horror. This nonfiction collection follows the spirit of Sketching Details, Robert's long-running entertainment media criticism website. Horror deserves the same level of respect and analysis as any other genre.

The Art of Gaslighting has been shrouded in mystery, judgement, disdain, hatred and confusion for thousands of years. After decades of research into how Gaslighting is such an effective tool to control human beings, why it seemed to work on everyone and why. John Leonard Smith has discovered the gold behind Gaslighting, he has discovered the key to the minds of people and he has discovered the words, not to give you more examples of Gaslighting but to have you see Gaslighting, harness its power and be free of it.

1954: In South East Asia, Cade Martin, hero of the Midnight Front during World War II, chases ghosts and flees his past. In the United States, Briet Segfrunsdóttir heads the Pentagon’s top-secret magickal warfare program. And in South America, Anja Kernova hunts fugitive Nazi sorcerers with the help of a powerful magickal tome known as the Iron Codex. In an ever-more dangerous world, a chance encounter sparks an international race to find Anja and steal the Iron Codex.

November 1963. Cade and Anja have lived in hiding for a decade, training new mages. Then the assassination of President John F. Kennedy triggers a series of murders whose victims are all magicians - with Cade, Anja, and their allies as its prime targets. Their only hope of survival: learning how to fight back against the sinister cabal known as the Shadow Commission.

Hot & Horrifying: The First Ladies of Horror is a must-hear for all fans of the "Scream Queen" and fans of independent horror as well. The term "Scream Queen" has at times been associated with negative comments from film critics who find the term - and the films it is associated with - to be demeaning, exploitive of women in horror films. Then again, some of these critics have admittedly never seen a horror film, let alone met the actresses they seem so intent on stereotyping.

"El arte de amar la vida" explica la manera de elaborar con sencillez una conciencia sabia y valiosa, una sensibilidad divertida, elegante y única que nos ayude a vivir mejor, enriqueciendo nuestro espíritu y mejorando nuestro carácter. Aquí no se dan recetas para cumplir con la "obligación" de ser felices, sino que se muestra el camino que siguen aquellos que desean convertirse en poetas de la vida, usando las mismas claves que se utilizan para aprender a leer.

At 14, Bronislaw Huberman played the Brahms "Violin Concerto" in Vienna, winning high praise from the composer himself. Instantly famous, Huberman began touring all over the world and received invitations to play for royalty across Europe. But after witnessing the tragedy of World War I, he committed his phenomenal talent and celebrity to aid humanity. After studying at the Sorbonne in Paris, Huberman joined the ranks of Sigmund Freud and Albert Einstein in calling for peace through the Pan European Movement.

Katherine O'Donnell was born with a disfiguring strawberry birthmark across the bottom of her face. In 1880s London, that was enough to discourage suitors. Love was something for which she yearned, but never found within her reach. Out of necessity, she became adept at hiding inside her home and behind makeups she formulated and applied herself. When tragedy upended her modest life and dumped her out onto the streets, she was bereft of options. She answered an advertisement for a mortuary assistant.

Drive-in dreams and terror at the show, stories and poetry as well. There are still plenty of spaces for you to pull your car into and the concession stand is serving dishes of fear, cotten cravings, fresh hot barbecued ravens and all sorts of delights. It's a triple show at twilight, bring your best girl and watch as the lights go dim. Drive-In Horrors will take you to the other side and back.

不条理に、酔い痴れよ――！だってあれ、脚だけなんだもん…良くないものをいっぱい引き連れてこっちに向かってくる…泣きながら自分の歯を1本1本引き抜いて…

不夜城の懐に開いた異次元空間。ここはヒトコワと怪異の交叉点…店のコーナーにあるソファの奥から…あれは絶対に生きている人体じゃない。それに…