Art Horror

ستيفن كينج Stephen King والذي ولد بيوم 21 أيلول/سبتمبر 1947 يعد من أهم كاتب أدب الرعب. وقد حائز على ميدالية مؤسسة الكتاب القومية لإسهاماته البارزة في الأدب الأمريكي، وتقول الاحصائيات أنه قد باع أكثر من 350 مليون نسخه من كتبه حول العالم، وترجمت كتبه لمعظم اللغات.

New Orleans artist Kira McGovern paints tribute portraits of the dead by mixing their cremated ashes into her oil paints. This sends her into an altered state, reliving blissful moments of their lives. But a new commission jolts her into reliving grotesque, bloody murder scenes. Kira has a horrifying realization: She’s painting the portrait of a serial killer.

The St. Charles Players present multi-cast dramatizations of some of Edgar Allan Poe's greatest works, including The Black Cat, The System of Dr. Tarr and Prof. Fether, The Purloined Letter, and The Murders in the Rue Morgue.

This triumphant final volume of Spinechillers begins with Doug Bradley's personal guide to the writers and the history of the stories. M. R. James' classic "Number 13" starts off this volume with a mystery about a disappearing and reappearing hotel room, can you guess the room number? Story two is the tale of a cat that can not only talk, but spills secrets that should have been truly left behind. Next, we present one of the most famous stories by H.P. Lovecraft, "The Call of Cthulhu".

Volume ten launches with Doug Bradley's well-researched insight into the stories and their authors. This is followed by HP Lovecraft's evocative tale of exploration, "The Strange High House in the Mist". Next we hear Ambrose Bierce's truly chilling "A Diagnosis of Death", and Jeffery Combs reads Edgar Allan Poe's classic revenge tale, "The Cask of Amontillado".

Volume 12 begins with Doug Bradley's well-researched insight into the stories and their authors. This is followed by what H. P. Lovecraft considered to be one of his best stories, "The Music of Eric Zann". "The Tool" by W. F. Harvey is a horrifying tale narrated by an inmate of a mental institution. Next Edgar Allan Poe revisits his terrifying fear of being buried alive in "The Premature Burial". Then an eavesdropper overhears five creepy and scary ghost stories in Charles Dickens "To Be Read at Dusk".

Haunted by nightmares, Charlie begins seeing shadows lurking all around him. Are they real or just his imagination? Then suddenly, one by one, the students are attacked. As the finger beings to point to Charlie, he must act fast to prove his innocence. Together with his trusted friends, Howard, Gus, and Rick, they set out to find "the shadows in the dark". Charlie MacCready: Shadows in the Dark is the second book in the Charlie MacCready series.

In 1890's London the highest paid private detective is a woman - Rebecca Bowen. After the untimely death of her husband, Lady Montbury holds a series of séances. Unfortunately the spiritual communication she's looking for isn't what she's expecting. The creature that has taken up residence in the manor is described as being like a cage full of fluttering birds. It is accompanied by an overpowering, putrid smell reminiscent of an open grave.

Volume 9 launches with "The Ash Tree", M. R. James' insight into an enigmatic woman and her rituals around this mysterious tree. A condemned man and over zealous executioners generate shocking results, in Arthur Conan Doyle's "The Los Amigos Fiasco". An immoral wager leads to terror when the dead rise in Ambrose Bierce's "A Watcher by the Dead". Lovecraft takes us exploring through a lost world of ancient evil in "The Nameless City".

Volume 11 begins with Doug's well-researched insight into the stories and their authors. This is followed by Edgar Allan Poe’s highly acclaimed gothic romance "Ligeia", Ambrose Bierce's haunting "A Fruitless Assignment", H. P. Lovecraft's dark and disturbing "Pickman's Model", Sir Arthur Conan Doyle's sinister masterpiece "Blue John Gap", and more.

Life is a nightmare for Miranda Murphy. Without knowing when or why, blood oozes from her palms - an anomaly that makes her feel like a freak. But her abnormality is now the least of her worries. She's just enrolled at "Suicide High." Three deaths in three months - one occurring just days before her arrival. When she bumps into a cute boy named Jake, things don't appear so glum. Especially since Jake's a psychic who can predict the immediate future. But his gift of sight can't prepare her for the horrors that await.

Becca McAllister has always been different from other girls her age. Never part of the "in crowd", Becca never really fit in anywhere. When her mother dies and her father moves them to the small town of Corydon, Indiana, Becca didn't expect things to change. But things do change when Becca accidentally makes contact with a 160-year-old ghost. As the seductive spirit within Becca's home lures her closer and closer, she learns about her own past and starts to understand that some mistakes are meant to last.

Tasmyn Vaughn is not having the senior year she expected. Her boyfriend Michael leaves for college, she's being stalked by a suspicious preacher, pursued by the hot new boy at school and blackmailed by her chemistry teacher - who just might be a witch. Tas needs all of her many talents - and a little help from unexpected sources - just to keep her head above water - literally.

Keith's mother is dead, but that doesn't mean she's stopped trying to help him turn his life around. His dad, however, doesn't see any reason he or Keith should stop drinking or using drugs. Ashley and her two best friends have never known real love. When the girls make a road trip into a larger city near their home on the Oklahoma plains, they stumble upon a book at an estate sale that might be the answer to their romantic problems.

Something has awakened in the Badlands. Undying hunger and hatred for Man seethe in the darkness. While below the brooding pinnacles, the first talking Western is being filmed. The fledging director, John Ford, has inherited a troubled production and fights his own insecurity over filming his first movie with sound. Harry Carey, the star, and his wife worry about Ford's hostility to his former best friend.

He draws her close, envelops her as if with wings. She does not resist him or the kisses over her face when he tilts her chin up; she lets him, exposing the flesh of her throat. When she goes home that day she will wear the marks of the devil, the clinging smell of oil, the bruising of her neck.

For 13 years, Gracen Sullivan dreamed about a red-eyed demon named Hart Blackwell who tortured her every night. Her mother freaked when she found out about her daughter's "hallucinations" and forced Gracen to go to the doctor, who prescribed some very powerful medication, which kept Hart out of her head for five years. A week ago, Hart came back and brought a friend. But something has changed, and Gracen is seeing Hart when she's awake too. And the other "friends" in her dreams? They're dead.

Aisi Turay has it all under control. At least, she thinks she does. Forget that the most popular girl in school hates her guts and will stop at nothing to embarrass her. Forget that her little brother is tormented by the ghosts and demons she sees all the time. Forget that her mom is a con artist who pretends to be psychic to make some cash. Forget that her dad is hiding a secret than can destroy everything she knows about herself. Nope, she's got this one…until that one awful day when she nearly loses it all.

Manny O'Donnell revels in his status at the top of his high school food chain. He and his friends party in the mountains on a blustery night, sharing liquor and lame ghost stories around a campfire. The next morning, as a wild fire rages in those same mountains, Manny experiences doubt. He was the last of the drunken crew to leave the cave, and he's uncertain if he extinguished the flames. Within hours, he becomes the number one arson suspect.

Film historian David Thomson, leads us into this very delicate subject. While unpacking classics such as Seven, Strangers on a Train, The Conformist, The Godfather, and The Shining, he offers a disconcerting sense of how the form of movies makes us accomplices in this sinister narrative process. Murder and the Movies admits us into what Thomson calls "a warped triangle": the creator working out a compelling death; the killer doing his and her best; and the entranced spectator trying to cling to life and a proper sense of decency.