Art Horror

Lady Sophia Kendall, 32nd in line to the throne of Anglion, is only days away from finding out if she will be blessed - or perhaps cursed - with magic. When a vicious attack by Anglion's ancient enemies leaves the kingdom in chaos, Sophia is forced to flee the court. Her protector by happenstance is Lieutenant Cameron Mackenzie, a member of the royal guard, raised all his life to be fiercely loyal to the Crown.

From scream queens to femmes fatale, horror isn’t just for the boys. Gothic media moguls Meg Hafdahl and Kelly Florence, authors of The Science of Monsters, and cohosts of the Horror Rewind podcast called “the best horror film podcast out there” by Film Daddy, present a guide to the feminist horror movies, TV shows, and characters we all know and love. Through interviews, film analysis, and bone-chilling discoveries, The Science of Women in Horror uncovers the theories behind women’s most iconic roles of the genre.

I was a “Monster Kid” and “The Weird Kid, The Horror Movie Kid.” I found out early…horror is always personal. Now I make horror for a living. It shouldn’t just be WATCHED. Horror should be ENJOYED. This isn’t some stuffy analysis telling you what’s good or bad. Instead, it’s a tour of the 1930s through the 1980s—a personal account of how the best and worst of this era gave us so many memories and experiences that impacted our own lives. It’s fun…just how horror should always be.

Being a vampire isn't as glamorous as it sounds.... Jack Fleming, Anerican journalist, was bitten by the wrong girl - and Jack joined the living dead. Eccentric detective Charles Escott helps Jack solve any strange cases that happen along...and now Jack and Charles investigate the case of the talented young artist whose life is suddenly cut short.

Welcome to Volume Five of one of the world's largest collections of high quality, classic horror short-story audiobooks. If you're at home, then get some logs ready and put on your most comfortable slippers, as we kick things off with Doug Bradley's well-researched introduction to the authors and stories featured in this volume....

Doug Bradley's Spinechillers takes you into the world of classic short horror stories read by Hollywood horror icons. We get underway with H. P. Lovecraft, who explores dark deception in "The Terrible Old Man". An unearthed, long-forgotten artifact, is protected by powers intent on punishing those who would remove it, in M. R. James' "A Warning to the Curious".

When businessman Thomas Peterson is killed outside a football ground in the Highlands, there are several witnesses. Yet the hunt for the killer is proving as futile as the search for a motive. Possible connections to Russian money and an eerie retirement home are soon thrown into the mix. To further complicate things, DI Westphall's MI6 past is coming back to haunt him. Guilt stalks his dreams, but could there be a message in these nightmares? Westphall is in danger of losing his head just when he needs it the most. He must find answers, and fast, before the murderer strikes again.

Once a year, a group of friends meet to hunt humans. After the hunt, they each partake in a pain competition, where they are each given one minute to hurt their victim. Finally, they each get a chance to turn their victim into a work of art.

Volume 9 launches with "The Ash Tree", M. R. James' insight into an enigmatic woman and her rituals around this mysterious tree. A condemned man and over zealous executioners generate shocking results, in Arthur Conan Doyle's "The Los Amigos Fiasco". An immoral wager leads to terror when the dead rise in Ambrose Bierce's "A Watcher by the Dead". Lovecraft takes us exploring through a lost world of ancient evil in "The Nameless City".

The Turn of the Screw is an 1898 horror novella by Henry James which first appeared in serial format in Collier's Weekly. In October 1898, it was collected in The Two Magics, published by Macmillan in New York City and Heinemann in London.

Volume ten launches with Doug Bradley's well-researched insight into the stories and their authors. This is followed by HP Lovecraft's evocative tale of exploration, "The Strange High House in the Mist". Next we hear Ambrose Bierce's truly chilling "A Diagnosis of Death", and Jeffery Combs reads Edgar Allan Poe's classic revenge tale, "The Cask of Amontillado".

Volume 11 begins with Doug's well-researched insight into the stories and their authors. This is followed by Edgar Allan Poe’s highly acclaimed gothic romance "Ligeia", Ambrose Bierce's haunting "A Fruitless Assignment", H. P. Lovecraft's dark and disturbing "Pickman's Model", Sir Arthur Conan Doyle's sinister masterpiece "Blue John Gap", and more.

This triumphant final volume of Spinechillers begins with Doug Bradley's personal guide to the writers and the history of the stories. M. R. James' classic "Number 13" starts off this volume with a mystery about a disappearing and reappearing hotel room, can you guess the room number? Story two is the tale of a cat that can not only talk, but spills secrets that should have been truly left behind. Next, we present one of the most famous stories by H.P. Lovecraft, "The Call of Cthulhu".

Volume 12 begins with Doug Bradley's well-researched insight into the stories and their authors. This is followed by what H. P. Lovecraft considered to be one of his best stories, "The Music of Eric Zann". "The Tool" by W. F. Harvey is a horrifying tale narrated by an inmate of a mental institution. Next Edgar Allan Poe revisits his terrifying fear of being buried alive in "The Premature Burial". Then an eavesdropper overhears five creepy and scary ghost stories in Charles Dickens "To Be Read at Dusk".

The Horror of It All is a memoir from the front lines of the industry that dissects (and occasionally defends) the hugely popular phenomenon of scary movies. Author Adam Rockoff traces the highs and lows of the horror genre through the lens of his own obsessive fandom, born in the aisles of his local video store and nurtured with a steady diet of cable trash.

Ever since horror leapt from popular fiction to the silver screen in the late 1890s, viewers have experienced fear and pleasure in exquisite combination. Wheeler Winston Dixon's A History of Horror is the only book to offer a comprehensive survey of this ever-popular film genre. Arranged by decades, with outliers and franchise films overlapping some years, this one-stop sourcebook unearths the historical origins of characters such as Dracula, Frankenstein, and the Wolfman and their various incarnations in film from the silent era to comedic sequels.

To his neighbors, Anthony Sowell was a friendly and helpful former Marine. But they didn't know about his dark side - or the gruesome secret inside his house. Sowell's secret life was revealed to the nation on October 29, 2009, when a Cleveland Police SWAT team entered his house to arrest him for an alleged rape. They didn't find Sowell, but they encountered a nightmarish scene: two decomposed bodies in his third-floor living room. Eight more bodies were hidden throughout the house and buried in the back yard.

Jenny's friends are lost one by one to a ghostly wolf and a phantom snake, instruments of the sinister but attractive Shadow Man, who has returned from the Shadow World with a deadly game called "Lambs and Monsters."

The Black Guy Dies First explores the Black journey in modern horror cinema, from the fodder epitomized by Spider Baby to the Oscar-​winning cinematic heights of Get Out and beyond. This eye-opening book delves into the themes, tropes, and traits that have come to characterize Black roles in horror since 1968, a year in which race made national headlines in iconic moments from the enactment of the 1968 Civil Rights Act and Martin Luther King Jr.’s assassination in April. This timely book is a must-listen for cinema and horror fans alike.

At 14, Bronislaw Huberman played the Brahms "Violin Concerto" in Vienna, winning high praise from the composer himself. Instantly famous, Huberman began touring all over the world and received invitations to play for royalty across Europe. But after witnessing the tragedy of World War I, he committed his phenomenal talent and celebrity to aid humanity. After studying at the Sorbonne in Paris, Huberman joined the ranks of Sigmund Freud and Albert Einstein in calling for peace through the Pan European Movement.