Art Horror

On the eve of World War Two, Nazi sorcerers come gunning for Cade but kill his family instead. His one path of vengeance is to become an apprentice of The Midnight Front—the Allies’ top-secret magickal warfare program—and become a sorcerer himself. Unsure who will kill him first—his allies, his enemies, or the demons he has to use to wield magick—Cade fights his way through occupied Europe and enemy lines.

Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart—the eccentric'—the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.

Four horror stories, over 30 hours of audio entertainment. Horror stories are intended to frighten, startle, and even disgust the listener. The tales of blood-sucking vampires, headless horsemen, hideous creatures, and transformed humans will leave you terrified yet compelled to listen to the next.

Sixteen-year-old Juliet Moreau has built a life for herself in London - working as a maid, attending church on Sundays, and trying not to think about the scandal that ruined her life. After all, no one ever proved the rumors about her father's gruesome experiments. But when she learns he is alive and continuing his work on a remote tropical island, she is determined to find out if the accusations are true. Accompanied by her father's handsome young assistant, Montgomery, and an enigmatic castaway, Edward - both of whom she is deeply drawn to - Juliet travels to the island, only to discover the depths of her father's madness.

Nearly escaping from the evil Mr. Zetes, Kaitlyn Fairchild and her psychic team are dismayed when Gabriel defects to the Institute, and Kaitlyn pretends to betray the group as well in an effort to save her friend.

When paramedic, Michael Perry, loses his father, he finds himself in a downward spiral. His depression threatens to end him and so does his addiction. In an attempt to quit smoking with hypnotherapy, he is left with disturbing side effects. How far must he go to kill this disease?

On December 26, 1973, The Exorcist was released. Within days it had become legend. Moviegoers braved hours-long lines in winter weather to see it. Some audience members famously fainted or vomited. Half a century later, the movie that both inspired and transcends the modern horror genre has lost none of its power to terrify and unsettle. The Exorcist Legacy reveals the complete story of this cultural phenomenon, from the real-life exorcism in 1949 Maryland that inspired William Peter Blatty's bestselling novel on which the movie is based, to its many sequels, prequels, TV series, and homages.

For the first time since moving to New Salem, Cassie Blake feels normal. She's dating her soul mate, Adam, and making new friends in town. But between the secret coven of witches she belongs to and the incredible power she holds within her, Cassie is leading a far from ordinary life. When tragedy strikes the Circle, Cassie realizes being extraordinary can be a curse. The Circle is being hunted by an unknown enemy - and anyone could be the next victim.

For 16-year-old Dan Crawford, a summer program for gifted students is the chance of a lifetime. No one else at his high school gets his weird fascinations with history and science, but at the New Hampshire College Prep program, such quirks are all but required. Dan arrives to find that the usual summer housing has been closed, forcing students to stay in the crumbling Brookline dorm - formerly a psychiatric hospital.

When businessman Thomas Peterson is killed outside a football ground in the Highlands, there are several witnesses. Yet the hunt for the killer is proving as futile as the search for a motive. Possible connections to Russian money and an eerie retirement home are soon thrown into the mix. To further complicate things, DI Westphall's MI6 past is coming back to haunt him. Guilt stalks his dreams, but could there be a message in these nightmares? Westphall is in danger of losing his head just when he needs it the most. He must find answers, and fast, before the murderer strikes again.

To his neighbors, Anthony Sowell was a friendly and helpful former Marine. But they didn't know about his dark side - or the gruesome secret inside his house. Sowell's secret life was revealed to the nation on October 29, 2009, when a Cleveland Police SWAT team entered his house to arrest him for an alleged rape. They didn't find Sowell, but they encountered a nightmarish scene: two decomposed bodies in his third-floor living room. Eight more bodies were hidden throughout the house and buried in the back yard.

Much has been written about the storied New Hollywood of the 1970s, but while Martin Scorsese, Steven Spielberg, and Francis Ford Coppola were making their first classic movies, a parallel universe of directors gave birth to the modern horror film - aggressive, raw, and utterly original. Based on unprecedented access to the genre's major players, New York Times critic Jason Zinoman's Shock Value delivers the first definitive account of horror's golden age.

Jenny's friends are lost one by one to a ghostly wolf and a phantom snake, instruments of the sinister but attractive Shadow Man, who has returned from the Shadow World with a deadly game called "Lambs and Monsters."

Tom Ward is now spook of the county, and with his apprentice, Jenny, he continues the fight against boggarts, witches, and terrifying new creatures of the dark. Together with the witch assassin Grimalkin, Tom and Jenny lead an army into battle against a dangerous enemy - but it all goes catastrophically wrong. The situation seems hopeless until Alice - Tom's lost love and a powerful witch - appears. But Alice had turned to the dark: Can Tom trust her now?

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Marshall Seaver is being haunted. In the first installment of this chillingly compelling trilogy, sixteen-year-old Marshall discovers that something beyond our world is after him. The eerie clues pile up quickly, and when people start dying, it's clear whatever this is - it's huge. Marshall has no idea what's happening to him, but he's soon convinced that it has something to do with his best friend, Cooper, who's been missing for over a week.

Daemiana shifts rampantly each night in proportion to the phase of the moon. And during the day, she is on a frantic quest for a cure. Out of nowhere, a brooding and self-loathing loser, Caelin, stumbles into and narrowly survives her situation. Oblivious to what is happening and what he's getting into, a fiery passion for Daemiana and her quest ignites in Caelin. Knowing that she will only devour him, Daemiana refuses to get too attached since Caelin's days are certainly numbered if he remains with her due to her accurst fix.

Something is terrorizing the villages of the county. People are dying - covered in blood, their faces frozen in fear. But with not a wound on their bodies. Battling creatures of the dark is the job of the local spook, but 17-year-old Thomas Ward never finished his apprenticeship. It will be no easy task to earn the trust of the villagers and to defeat a monster that no one has ever seen. Yet Jenny - a seventh daughter of a seventh daughter - knows an awful lot about this new evil. And she's willing to share what she's learned with Tom…if he takes her on as his apprentice.

In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.

The Sandman ha sido definida por la revista Los Angeles Times como “la mejor epopeya de la historia del cómic” y ha conseguido revolucionar el formato al adaptar su lúgubre universo literario de fantasía y horror para convertirse en un fenómeno cultural de talla mundial. Por fin ha llegado el momento: Audible y DC presentan The Sandman, la primera producción sonora del cómic superventas del New York Times, escrita por el afamado autor Neil Gaiman que además es coproductor ejecutivo de esta adaptación.