Art Museum

The Art of Relevance is your guide to mattering more to more people. You'll find inspiring examples, rags-to-relevance case studies, research-based frameworks, and practical advice on how your work can be more vital to your community. Whether you work in museums or libraries, parks or theaters, churches or afterschool programs, relevance can work for you. Break through shallow connection. Unlock meaning for yourself and others. Find true relevance and shine.

Millions of people climb the grand marble staircase to visit the Metropolitan Museum of Art every year. But only a select few have unrestricted access to every nook and cranny. They’re the guards who roam unobtrusively in dark blue suits, keeping a watchful eye on the two million square foot treasure house. Caught up in his glamourous fledgling career at The New Yorker, Patrick Bringley never thought that he’d be one of them.

Shortly after the turn of the twentieth century, the Metropolitan Museum of Art began an ambitious program of collection building and physical expansion that transformed it into one of the world’s foremost museums, an eminence that it has maintained ever since. Two men of singular qualities and accomplishments played key roles in the Met’s transformation—J. P. Morgan, America’s leading financier and a prominent art collector, and Roger Fry, the headstrong English expert in art history who served as the Met’s curator of painting.

The Metropolitan Museum of Art: The History and Legacy of America’s Largest Art Museum chronicles the remarkable history of the museum and highlights some of its most important pieces. You will learn about the Met like never before.

Where can you find Ancient Greek and Roman artefacts sitting with twentieth century French impressionist masterpieces? Where can shining suits of armour be compared with traditional Korean dresses? One of the world’s largest and most encyclopaedic collections of art lies in New York’s Metropolitan Museum of Art. Affectionately known as The ‘Met’, it is the largest art museum in the Western Hemisphere, housing over 2 million artefacts.

To Christina Olson, the entire world was her family's remote farm in the small coastal town of Cushing, Maine. Born in the home her family had lived in for generations, and increasingly incapacitated by illness, Christina seemed destined for a small life. Instead, for more than 20 years, she was host to and inspiration for the artist Andrew Wyeth and became the subject of one of the best known American paintings of the 20th century.

Art looting is commonly recognized as a central feature of Nazi expropriation. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories. Well-publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners?

How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter provides a guide for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon. A much-needed provocation to look more critically at the accepted narratives about art and rethink and disrupt the way we interact with the museums and galleries that display it.

American Libraries editor in chief Leonard Kniffel offers a compelling collection of interviews with prominent figures--all of whom have special connections to libraries. From President Barack Obama to actress Julie Andrews; from basketball star Kareem Abdul-Jabbar to former First Lady and librarian Laura Bush and many others, stars of literature, politics, entertainment, and the public arena speak with Kniffel about the ways libraries have been critical in their lives.

Over his 30-year career at Condé Nast, Nicholas Coleridge has witnessed it all. From the anxieties of the Princess of Wales to the blazing fury of Mohamed Al-Fayed, his story is also the story of the people who populate the glamorous world of glossy magazines. With relish and astonishing candour, he offers the inside scoop on Tina Brown and Anna Wintour, David Bowie and Philip Green, Kate Moss and Beyonce and a surreal weekend away with Bob Geldof and William Hague.

Librarians spend their lives weeding - not weeds, but books - books that have reached the end of their shelf life both literally and figuratively. They remove books that patrons no longer check out, and they put back books they treasure. Annie Spence, who has a decade of experience as a Midwestern librarian, does this not only at her Michigan library but also at home, for her neighbors, at cocktail parties - everywhere. In Dear Fahrenheit 451, she addresses those books directly.

The fascinating and little-known story of the Louvre, from its inception as a humble fortress to its transformation into the palatial residence of the kings of France and then into the world's greatest art museum.

When he retired as the chief security officer of New York City's Metropolitan Museum of Art, John Barelli had spent the better part of 40 years responsible not only for one of the richest treasure troves on the planet, but the museum's staff, the millions of visitors, as well as American presidents, royalty, and heads of state from around the world. For the first time, John Barelli shares his experiences of the crimes that occurred on his watch, the investigations that captured thieves and recovered artwork....

A never-before-published Dr. Seuss work about creating and looking at art! Based on a manuscript and sketches discovered in 2013, this audiobook is like a visit to a museum - with a horse as your guide! Explore how different artists - including Picasso, George Stubbs, Rosa Bonheur, Alexander Calder, Jacob Lawrence, Deborah Butterfield, Franz Marc, Jackson Pollock - have seen horses and maybe even find a new way of looking at them yourself.

The Louvre. The very name conjures up scenes of art and elegance, and of long halls filled with beauty and people strolling through them whispering quietly among themselves about the glories they are witnessing. Even those who have never been to the Louvre know some of its most prized possessions, from ancient statues to Leonardo Da Vinci's Mona Lisa. As the world's largest museum, the Louvre is the cultural highpoint of Paris, a city that has long been considered the cultural center of Europe.

For years her explorer father promised Dr. Lauren Westlake she'd accompany him on one of his Egyptian expeditions. But as the empty promises mounted, Lauren determined to earn her own way. Now the assistant curator of Egyptology for the Metropolitan Museum of Art, Lauren receives two unexpected invitations. The first is her repentant father's offer to finally bring her to Egypt as his colleague on a new expedition. The second is a chance to enter the world of New York's wealthiest patrons who have been victims of art fraud.

At the same time Adolf Hitler was attempting to take over the Western world, his armies were seeking and hoarding the finest art treasures in Europe. He had begun cataloguing the art he planned to collect as well as the art he would destroy: "degenerate" works he despised. A special force of American and British museum directors, curators, art historians, and others, called the Monuments Men, risked their lives scouring Europe to prevent the destruction of thousands of years of culture.

When Theodora Tenpenny spills a bottle of rubbing alcohol on her late grandfather's painting, she discovers what seems to be an old Renaissance masterpiece underneath. That's great news for Theo, who's struggling to hang on to her family's 200-year-old townhouse and support her unstable mother on her grandfather's legacy of $463. There's just one problem: Theo's grandfather was a security guard at the Metropolitan Museum of Art, and she worries the painting may be stolen.

Located in Ueno Park, which is also known as "Ueno no Mori," the National Museum of Western Art is t

The days when museums were dusty, stuffy institutions displaying their wealth and wisdom to a reverential public are over. Museums today are a cultural battleground. Who should decide what is put on display and how it is presented? Who gets to set the narrative? In this passionately argued book, Jon Sleigh maintains that museums must be for all people and inclusion must be at the heart of everything they do.