Art Research

Newspaperman tells the story of how an immigrant's shy son from Queens, New York, rose to the top of his industry, powered by little more than passion, brains, and hard work. Phillips began his career working as a copyboy for the New York Herald Tribune for 16 dollars a week... and ended it as publisher of The Wall Street Journal and CEO of its parent corporation, Dow Jones & Company. The life story of Warren Phillips is the story of the American newspaper business.

Kling's autobiographical tales are as enchanting as they are true to life: hopping freight trains, getting hit by lightning, performing his banned play in Czechoslovakia, growing up in Minnesota, and eating things before knowing what they are. In the comical yet poignant title story, Kling straddles the world of the ordinary and one rivaling Dante's inferno as he learns how to use voice-recognition software after a life-threatening motorcycle accident.

In the haunting tradition of Joe McGinniss's Fatal Vision and Mikal Gilmore's Shot in the Heart, True Story: Murder, Memoir, Mea Culpa weaves a spellbinding tale of murder, love, and deceit with a deeply personal inquiry into the slippery nature of truth.

In the decades between the Great Depression and the advent of cable television, when daily newspapers set the conversational agenda in the United States, the best reporter in the business was a rumpled, hard-drinking figure named Homer Bigart. Despite two Pulitzers and a host of other prizes, he quickly faded from public view after retirement. Few today know the extent to which he was esteemed by his peers. Get the Damn Story is the first comprehensive biography to encompass all of Bigart's journalism, including both his war reporting and coverage of domestic events.

«Estas conferencias se titulan Confesiones de un joven novelista, y cabría preguntarse por qué, teniendo en cuenta que ya he cumplido más de setenta años. Pero resulta que publiqué mi primera novela, El nombre de la rosa, en 1980, de modo que empecé mi carrera como novelista hace cosa de treinta años. Me considero, por lo tanto, un novelista muy joven y ciertamente prometedor».

Mario Vargas Llosa dirige a todos aquellos que tienen la ilusión de llegar a ser escritores unas magníficas reflexiones en forma epistolar acerca del arte de narrar. Cómo comenzar a cristalizar esa vocación en obras literarias, por dónde empezar esa aventura, de dónde salen las historias que cuentan las novelas... son algunas de las preguntas a las que el Premio Nobel de Literatura da respuesta en este libro, que se convierte así en una lección magistral del oficio de escribidor.

"Un jour, ils sont là. Un jour, sans aucun souci de l'heure. On ne sait pas d'où ils viennent, ni pourquoi ni comment ils sont entrés. Ils entrent toujours ainsi, à l'improviste et par effraction. Et cela sans faire de bruit, sans dégâts apparents. Ils ont une stupéfiante discrétion de passe-muraille. Ils : les personnages. On ignore tout d'eux, mais d'emblée on sent qu'ils vont durablement imposer leur présence." S. G. D'où viennent les personnages des romans et quel chemin suivent-ils dans l'esprit de l'écrivaine ?

Аудиокнига, записанная на студии Ардис, увлекательно и доступно рассказывает о восьми интереснейших типологиях - соционике, психософии, МВТI, Теории уровней абстрактного интеллекта, типологии Лиз Бурбо и других. Простым и понятным языком изложена их суть и наиболее яркие и оригинальные особенности.

The Fleet Street Girls is the inspiring story of the female journalists who broke down barriers in the 1970s as women arrived on Fleet Street for the first time. Julie Welch was the first ever female football reporter. To achieve this role at the Observer, she had to battle the National Union of Journalists nearly calling a strike when she dared to write an article as a mere secretary; an entire room of men falling silent to listen to her give her first football report over the phone, before pronouncing it passable; and many other battles in-between.

Es war der größte Fälschungsskandal seit Jahrzehnten: Ein Reporter des "Spiegel" hatte Reportagen und Interviews aus dem In- und Ausland geliefert, bewegend und oftmals mit dem Anstrich des Besonderen. Sie alle wurden vom "Spiegel" und seiner legendären Dokumentation geprüft und abgenommen, sie wurden gedruckt, und der Autor Claas Relotius wurde mit Preisen geradezu überhäuft. Aber: Sie waren - ganz oder zum Teil - frei erfunden. Juan Moreno hat, eher unfreiwillig und gegen heftigen Widerstand im "Spiegel", die Fälschungen aufgedeckt.

At a time when people must work harder than ever to stand out from the crowd, the word creativity can seem vague and overused. But what exactly is creativity? Adrian McKerracher travels from Vancouver to Havana to Buenos Aires, leading listeners on a journey to discover poignant new insights into a life of letters.

Intended for aspiring screenwriters, this is a surprisingly refreshing and entertaining how-to audiobook that tackles the medium of film. A long-time educator and respected expert in the field, Achtenberg approaches his topic from a position of deep understanding, producing a guide that at times reads like a philosophical treatise but for the healthy dose of wit and humor throughout. Indispensable for serious students of film and screenwriting, this audiobook will also prove a pleasingly insightful listen for movie aficionados and enthusiasts alike.

A Day Like Today charts John’s journey from the poverty of his post-war childhood in Cardiff, leaving school at 15, to the summits of broadcasting. Humphrys was the BBC’s youngest foreign correspondent, the first reporter at the catastrophe of Aberfan, an experience that marked him for ever; he was in the White House when Richard Nixon became the first American president to resign, in South Africa during the dying years of apartheid, and in war zones around the globe throughout his career. John was also the first journalist to present the Nine O’Clock News on television.

Previously published as A Private War, Marie Brenner’s Richard Jewell tells a gripping true story of heroism and injustice. In the early morning hours of July 27, 1996, three pipe bombs exploded at the Summer Olympics in Atlanta, Georgia, killing one person and injuring 111 others. Hundreds more potential casualties were prevented by the vigilance and quick actions of security guard Richard Jewell, who uncovered the bombs and began evacuating the area. But no good deed goes unpunished. Investigators and journalists pursued Jewell as a potential suspect.

From his bid to become Eudora Welty's lawn boy to the time George Plimpton offered to punch him in the nose, lineage has always been important to Rick Bass. Now at a turning point - in his midfifties, with his long marriage dissolved and his grown daughters out of the house - Bass strikes out on a journey of thanksgiving. His aim: to make a memorable meal for each of his mentors, to express his gratitude for the way they have shaped not only his writing but his life.

Hugh Riminton was a small-town New Zealand teenager with a possible drinking problem and a job cleaning rat cages when a chance meeting with a radio news director changed his life. The news man took a chance on him, and at 17 Riminton became a cadet reporter. Over nearly 40 years he has been shot at, blown up, threatened with deportation and thrown in jail. He has reported from nearly 50 countries, witnessed massacres in Africa, wars and conflicts on four continents, and every kind of natural disaster.

Verschiedene literarische Genres bedürfen entsprechender Voraussetzungen und Formen. Das Genre, das in unserem Fokus steht, ist das Drehbuch-Genre und - man wird es kaum für möglich halten - auch dieses Genre bedarf theoretischen Grundwissens. Wie alle anderen literarischen Gattungen folgt auch das Drehbuch festen Regeln in Bezug auf inhaltliche und formale Gestaltungsaspekte.

In this fascinating audiobook, Alice Pung writes about one of her deep influences - the much-loved and hugely successful John Marsden. Alice writes: 'I keep coming back to John Marsden. What makes him so fascinating to me is that as a young adult writer, he comes at it with a whole philosophy of what it means to be a teenager - it is embedded in his two schools, but also his early experiences with mental illness and hospitalisation.'

This dazzling short book plunges the listener into the world of acclaimed novelist, memoirist, poet and pioneering feminist Kate Jennings. Award-winning writer Erik Jensen explores the crisp, pungent prose of the novel Snake, as well as the painful history behind it. Weaving in his interviews with Jennings in New York, he shows how poetry, politics and family were transmuted into a work of art that depicts rural Australia in a funny, cutting and unforgettable way.

How to Write Everything is the ultimate writer's handbook. It tells you about every aspect of writing, from having an idea to getting the idea out into the world and getting paid for it, too. It covers everything from journalism to screenwriting, from speeches to sketches, from sitcoms to novels. With thirty years' experience as an award-winning scriptwriter, journalist, author, and broadcaster, David Quantick is ideally suited, as a writer, to write this definitive writer's guide to writing...everything.