Art Research

Edward Lucie-Smith examines Hans Holbein's famous series of prints, The Dance of Death, together with associated works, such as various artistic variations on the theme of Death and the Maiden. In addition, Lucie-Smith looks at some famous images made on the theme of war, notably the prints of Jacques Callot and the bitter social studies of Goya y Lucientes.

Clare Lilley, head curator of Yorkshire Sculpture Park, gives an interview to Cv/VAR in which she describes her own career path to the YSP and gives a detailed description of the history, aims, and initiatives of Britain's largest environment for contemporary sculpture, with special projects involving artists such as David Nash, James Turrell, Jaume Plensa, and Anthony Caro.

This is an interview by Sarah Batiste with textile and ceramic artist Paramjit Takhar recorded in 1989. Here, Paramjit explains the spiritual aspects of colours, with essays on the history and influence of Mogul painting.

Cv/VAR 80 presents an interview by sculptor Tom Grimsey in 1991 with Spanish artist Glòria Ortega. She describes her work in various mediums from straw to steel. She credits the effect on her work of artists Miro, Chillida, and Ortéiza, and discusses her place in the community of Catalan artists.

Dr. Stephen Deuchar, director of the Art Fund, gives an interview to Cv/VAR, first published in Curators and Collections Volume Three 2010. He describes the history of the Art Fund, its foundation, aims and initiatives, and work as a major benefactor, enabling museums and galleries to preserve and develop their collections, including recently discovered treasure troves, and individual works saved for the future.

Cv/VAR 102 documents Leviathan, a commissioned sculpture by Anish Kapoor for the Monumenta series at the Grand Palais, Paris. It records a press presentation at his London studio. The artist describes the project, with reference to scale models, and discusses 120 metre high Orbit in construction for the 2012 London Olympics. It then visits Leviathan installed at the Grand Palais in May 2011.

A presentation by exhibition curator Catherine David in 1997 describes her plans for Documenta X Kassel; title 'Retroperspective', including works by Joseph Beuys and Walter de Maria. She proposes the ambitions of the projects, in linking strands of modern and progressive art, with aspirations of different nationalities and cultures.

Explores the structure and development of the Pre-Raphaelite movement in the mid-19th century and works that figure among the most enduring and generally popular in British art. Renowned writer and art critic Edward Lucie-Smith contributes a study of the brotherhood of seven artists and their interconnection and intricate links with the social establishment of the time. James Cahill has a special interest in the movement, having studied Dante Gabriel Rossetti and Holman Hunt. He reviews a major exhibition of 150 works at Tate Britain launched in September 2012.

Como dice Rosa Montero, las entrevistas añejas son como las fotos antiguas: tiempo remansado, detenido. Leyéndolas, uno no sólo recorre los tiempos vividos, sino que, además, inevitablemente piensa en la inocencia perdida. Con la característica intuición periodística, la inmensa capacidad de análisis y el talento narrativo extraordinario de la autora, este volumen recupera sus entrevistas más emblemáticas publicadas en El País.

Fatima Daoui is one of the Middle East’s most recognized business reporters, with over 15 years of experience in the industry. Known for her scoops and exclusive interviews, Fatima is based in the United Arab Emirates and travels wherever the story takes her, from Saudi Arabia, where she specializes in covering business stories, to the far reaches of the globe to moderate influential panels on global economic issues. Having been supported by other women throughout her life, Fatima has written this book for the next generation of female leaders in media.

August 21, 2013: A chemical weapons attack on the suburbs of Damascus reminds the world of the existence of the Syrian war. Hundreds of journalists from every corner of the world rush to the frontier only to leave disappointed when Obama decides not to bomb. They leave behind 200,000 estimated victims, and more than half of a population of 22 million people dispersed or refugeed in nearby countries: the worst humanitarian crisis since WWII according to the UN.

Throughout the 1990s, Prince feuded with his record label, Warner Bros., over his rights as an independent recording artist - and made some of the most brilliant music of his career. During that time, Jim Walsh covered Prince for the St. Paul Pioneer Press and wrote about him passionately, thoughtfully, exhaustively. Here, in real-time, is that coverage: a look back at Prince in the '90s. Walsh's newly unearthed interviews, essays, columns, and reviews make Gold Experience an essential slice of history.

In a set of essays entitled "Doubles" author, critic, curator, and traveller, Marina Vaizey explores pairings of artists drawn from the canonical cycle of Western art. She considers themes of engagement such as the portrait or figure, treated as stories of wider implication for society, that draw on the artist’s perception of the seen, combined with personal visions of dreams and imagination.

This audiobook is a review of David Hocking's Drawing from Life exhibition at the National Portrait Gallery in London. It explores early self-portraits from the 1950s and portraits of friends and associates, including Celia Birtwell, Gregory Evans, and Maurice Payne.

A review of Anselm Kiefer exhibition at White Cube Bermonday tours room by room, with analytic descriptions of the large scale works on view.

Daniel Graves is a man of many talents. He juggles his responsibilities of being a painter, a teacher, the director of The Florence Academy of Art, a husband, and a father remarkably well. He knew from the age of three or four who he wanted to be. His career launched when he was 11 years old. He studied with many artists including Richard Lack, Richard Serrin, and Signorina Simi, and received regular critiques from Pietro Annigoni.

How to Write Everything is the ultimate writer's handbook. It tells you about every aspect of writing, from having an idea to getting the idea out into the world and getting paid for it, too. It covers everything from journalism to screenwriting, from speeches to sketches, from sitcoms to novels. With thirty years' experience as an award-winning scriptwriter, journalist, author, and broadcaster, David Quantick is ideally suited, as a writer, to write this definitive writer's guide to writing...everything.

A Day Like Today charts John’s journey from the poverty of his post-war childhood in Cardiff, leaving school at 15, to the summits of broadcasting. Humphrys was the BBC’s youngest foreign correspondent, the first reporter at the catastrophe of Aberfan, an experience that marked him for ever; he was in the White House when Richard Nixon became the first American president to resign, in South Africa during the dying years of apartheid, and in war zones around the globe throughout his career. John was also the first journalist to present the Nine O’Clock News on television.

Hugh Riminton was a small-town New Zealand teenager with a possible drinking problem and a job cleaning rat cages when a chance meeting with a radio news director changed his life. The news man took a chance on him, and at 17 Riminton became a cadet reporter. Over nearly 40 years he has been shot at, blown up, threatened with deportation and thrown in jail. He has reported from nearly 50 countries, witnessed massacres in Africa, wars and conflicts on four continents, and every kind of natural disaster.

Newspaperman tells the story of how an immigrant's shy son from Queens, New York, rose to the top of his industry, powered by little more than passion, brains, and hard work. Phillips began his career working as a copyboy for the New York Herald Tribune for 16 dollars a week... and ended it as publisher of The Wall Street Journal and CEO of its parent corporation, Dow Jones & Company. The life story of Warren Phillips is the story of the American newspaper business.