Art Research

Reed joined the New York Times in 1965 and was quickly thrust into the chaos of the Selma, Alabama protest movement and the historical interracial march to Montgomery. His story then moves from days of racial violence to the political combat of Washington. Reed covered the Johnson White House and the early days of the Nixon administration as it wrestled with the competing demands of Black voters and southern resistance to a new world.

Roger Mudd joined CBS in 1961 and rose to fame as the congressional correspondent, covering the historic Senate filibuster debate over the 1964 Civil Rights Act. Mudd was there to see Dan Rather going toe-to-toe with the Nixon White House, Marvin Kalb deciphering the State Department, Daniel Schorr bird-dogging Watergate, Lesley Stahl and Connie Chung staking out all the president's men, George Herman presiding over Face the Nation, Bob Schieffer covering the Pentagon like a police reporter.

You might not know Terry McDonell, but you certainly know his work. Among the magazines he has top-edited: Outside, Rolling Stone, Esquire, and Sports Illustrated. In this revealing memoir, McDonell talks about what really happens when editors and writers work with deadlines ticking (or drinks on the bar). His stories about the people and personalities he's known are both heartbreaking and bitingly funny.

Marina Vaizey and Anne Blood consider the historical impact of photography on the fine and interpretive arts, from pioneers such as Hill and Adamson, Fox Talbot and Louis Daguerre to Edward Steichen and Man Ray. The documentary power and graphic clarity of the medium challenged and persuaded artists such as Degas, Sickert, Warhol, and innumerable creative voices. In their essays Marina and Anne explore the conjunctions and variations where document and dream intermingle.

In the decades between the Great Depression and the advent of cable television, when daily newspapers set the conversational agenda in the United States, the best reporter in the business was a rumpled, hard-drinking figure named Homer Bigart. Despite two Pulitzers and a host of other prizes, he quickly faded from public view after retirement. Few today know the extent to which he was esteemed by his peers. Get the Damn Story is the first comprehensive biography to encompass all of Bigart's journalism, including both his war reporting and coverage of domestic events.

Cultures and Beyond - The Podcast Transcripts (The Art of World Building, Book 6) discusses techniques on inventing names, organizations for good and evil, and armed forces like the army, navy, and air (or space) force. An extensive look into creating cultures led to four detailed episodes on determining cultural vision, scope, origins, social classes, and the all-important customs that reveal culture. A similar deep dive into inventing magic systems examines the principles behind devising great ones and just what is meant by a law of magic and its applications.

Learning to create a unique, immersive place one podcast episode at a time. World building strategist Randy Ellefson turned his successful book series, The Art of World Building, into a popular podcast of the same name, with episodes loosely drawn from each book in the series...Ellefson breaks out in new directions while expanding on how to invent planets, continents, sovereign powers, settlements, history, maps, and more...Build better, faster.

In Bearing Witness, John Carpenter explores how across the world, those who experienced the war tried to make sense of it both during and in its immediate aftermath. The digestion of a cataclysmic event can take generations. But in this fascinating audiobook, Carpenter brings together all those who did their best to communicate what they saw in the moment so that it could never be lost.

For over 25 years, award-winning journalist Henry Bradsher reported stories from around the world. In this lively and engaging account, Bradsher recounts episodes from a distinguished career that took him to the Himalayas, the jungles of Bhutan, Kremlin caviar receptions, China's Forbidden City, and the battlefields of Vietnam. Throughout, Bradsher emphasizes the unpredictability of a correspondent's life and the strains, perils, and privileges of standing witness to momentous world events.

“I don’t want to be remembered for One Hundred Years of Solitude or for the Nobel Prize, but rather for my journalism,” Gabriel García Márquez said in the final years of his life. And while some of his journalistic writings have been made available over the years, this is the first volume to gather a representative selection from across the first four decades of his career - years during which he worked as a full-time, often muckraking, and controversial journalist, even as he penned the fiction that would bring him the Nobel Prize in 1982.

This book is a unique inquiry into the history and the ongoing moral significance of mass communication as an idea and social form. Organized around narrative accounts of individuals and their communicative worlds, it strives to refigure mass communication as a concept, illuminate significant but overlooked rhetorical episodes in its history, and call listeners to reconsider their own engagements with it today.

Join your favourite Indie Horror authors for some tales about their adventures navigating the industry. The highs, the lows, and everything in between. Some of them give some tips and advice and others share their funny and embarrassing stories. This is not a "How To" book, but there are many great lessons inside if you are looking to write or boost where you are at the moment.

«Estas conferencias se titulan Confesiones de un joven novelista, y cabría preguntarse por qué, teniendo en cuenta que ya he cumplido más de setenta años. Pero resulta que publiqué mi primera novela, El nombre de la rosa, en 1980, de modo que empecé mi carrera como novelista hace cosa de treinta años. Me considero, por lo tanto, un novelista muy joven y ciertamente prometedor».

In the haunting tradition of Joe McGinniss's Fatal Vision and Mikal Gilmore's Shot in the Heart, True Story: Murder, Memoir, Mea Culpa weaves a spellbinding tale of murder, love, and deceit with a deeply personal inquiry into the slippery nature of truth.

Turning Pages: The Adventures and Misadventures of a Publisher is the well-told story of forty years in the publishing business. For twenty-four of those years, John Sargent ran one of America’s largest publishing companies. Rather than a straight chronological narrative, Sargent uses the best stories of those years to give us an intimate look inside book publishing. In weaving these stories together, he brings the listener with him through triumph and despair, and a very interesting daily life.

Rodgers vividly recreates Mencken's era: the glittering tapestry of turn-of-the-century America, the roaring twenties, depressed thirties, and the home front during World War II. But the heart of the book is Mencken.

Cv/VAR 47 documents an interview with the the celebrated sculptor Arman (1928-2005), exploring his early connections with Yves Klein, Rosicrucianism, and the development of auto-formed sculptures of collected objects.

Selva Hernández creció entre libros y se ha dedicado a ellos toda su vida. Esta conocida bibliófila, librera y creadora de Ediciones Acapulco platica sobre su pasión por los libros en esta entrevista con Mónica Braun, directora de Nieve de Chamoy.

Rick Bragg closes his circle of family stories with an unforgettable tale about fathers and sons inspired by his own relationship with his 10-year-old stepson.

Meet the man behind the biggest persona either side of the Mississippi, in this audio companion to the Ken Burns film of the same name. Burns, Geoffrey Ward, and Dayton Duncan pull together a treasure trove of information on the man formerly known as Samuel Clemens, using published and unpublished sources. Also, browse all Mark Twain titles.