Art Study

On November 22, 1963, three great men died within a few hours of each other: C. S. Lewis, John F. Kennedy, and Aldous Huxley. All three believed, in different ways, that death is not the end of human life. Suppose they were right, and suppose they met after death. How might the conversation go? Peter Kreeft imagines their discussion as a part of The Great Conversation that has been going on for centuries. Does human life have meaning? Is it possible to know about life after death? What if one could prove that Jesus was God?

Playwright, author, and activist Eve Ensler has devoted her life to the female body - how to talk about it, how to protect and value it. Yet she spent much of her life disassociated from her own body - a disconnection brought on by her father’s sexual abuse and her mother’s remoteness. “Because I did not, could not inhabit my body or the Earth,” she writes, “I could not feel or know their pain.” But Ensler is shocked out of her distance.

Seven years ago, Christian Wiman, a well-known poet and the editor of Poetry magazine, wrote a now-famous essay about having faith in the face of death. My Bright Abyss, composed in the difficult years since and completed in the wake of a bone marrow transplant, is a moving meditation on what a viable contemporary faith - responsive not only to modern thought and science but also to religious tradition - might look like.

Drawing on the diaries of one woman in 18th-century Maine, this intimate history illuminates the medical practices, household economies, religious rivalries, and sexual mores of the New England frontier. Between 1785 and 1812, a midwife and healer named Martha Ballard kept a diary that recorded her arduous work (in 27 years she attended 816 births) as well as her domestic life in Hallowell, Maine.

An all-time best seller, this timeless classic, written at the turn of the century, has blessed millions of people who have asked the vital question, "What does it really mean to be a Christian?" As a young minister, and before becoming editor of the Christian Herald, Sheldon disguised himself as an unemployed printer and tramped the city streets with others in that same plight. He was shocked by the indifference of the Christian community. From that experience he wrote this novel.

In 1954, Joyce Johnson’s Barnard professor told his class that most women could never have the kinds of experiences that would be worth writing about. Attitudes like that were not at all unusual at a time when “good” women didn’t leave home or have sex before they married; even those who broke the rules could merely expect to be minor characters in the dramas played by men. But secret rebels, like Joyce and her classmate Elise Cowen, refused to accept things as they were.

Published during a literary era marked by the ascendance of Black writers such as Richard Wright, Ralph Ellison, James Baldwin, and Alex Haley, this thinly fictionalized account of Claude Brown’s childhood as a hardened, streetwise criminal trying to survive the toughest streets of Harlem has been heralded as the definitive account of everyday life for the first generation of African Americans raised in the Northern ghettos of the 1940s and 1950s.

Part history, part cultural biography, and part literary mystery, The Orientalist traces the life of Lev Nussimbaum, a Jew who transformed himself into a Muslim prince and became a best-selling author in Nazi Germany. Born in 1905 to a wealthy family in the oil-boom city of Baku, Lev escaped the Russian Revolution in a camel caravan. He found refuge in Germany, where, writing under the names Essad Bey and Kurban Said, his remarkable books about Islam, desert adventures, and global revolution became celebrated across fascist Europe.

Every little girl has dreams of being swept up into a great adventure, of being the beautiful princess. Sadly, when women grow up, they are often swept up into a life filled merely with duty and demands. Many Christian women are tired, struggling under the weight of the pressure to be a "good servant", a nurturing caregiver, or a capable home manager.

Most Christians know the name Martin Luther. Less familiar, however, are his words. This audio compilation of many of Luther's most important writings serves as an excellent introduction for those new to Luther. It also provides a fresh medium for people familiar with his writing.

In recent decades, Americans in Rome have revived an ancient Christian custom: the daily pilgrimage to dozens of Rome's most striking churches during Lent and Easter Week. Along this historical and spiritual pathway, pilgrims encounter hidden artistic wonders and treasured Christian commentaries while also confronting the great mysteries of the Christian faith through a program of biblical and early Christian readings. The itinerary of the Roman station church pilgrimage offers Christians an opportunity to reflect on their religion and ponder the quality of their discipleship.

G. K. Chesterton was a journalist, playwright, poet, biographer, novelist, essayist, literary commentator, editor, orator, artist, and theologian. Orthodoxy is his great apologia for the Christian faith, which was prompted by a serious attack in 1903 against Christianity by well-known newspaper editor Robert Blatchford.

Like every other superhero, Wonder Woman has a secret identity. Unlike every other superhero, she has also has a secret history. Harvard historian and New Yorker staff writer Jill Lepore has uncovered an astonishing trove of documents, including the never-before-seen private papers of William Moulton Marston, Wonder Woman's creator.

At the center of The Dark Night of the Soul (La noche oscura del alma) is a poem written by the 16th century Spanish poet and mystic St John of the Cross. Consisting of eight stanzas, each of five lines, the poem outlines the journey in pursuit of divine union, within which the only source of light comes from the soul. This recording in English includes the poem itself and St John's two accompanying treatises (1584-1585), essentially commentaries, which offer line-by-line explanations of the poem. Many modern listeners have found guidance and consolation in this work.

The Wisdom of the Desert was one of Thomas Merton's favorites among his own books, surely because he had hoped to spend his last years as a hermit. The personal tones of the translations and the blend of reverence and humor so characteristic of him show how deeply Merton identified with the legendary authors of these sayings and parables, the fourth-century Christian fathers who sought solitude and contemplation in the deserts of the Near East.

Join professional comedy writer Joel Morris on a hilarious journey into the hidden world of shared laughter, where he reveals the mechanisms that make jokes work and what comedy can teach us about ourselves. Offering astute analysis of everything from stand-up to slapstick and sitcom to spoof, Morris examines comedic patterns, rhythms, and dynamics to uncover the algorithms that secretly underpin comedy.

C. S. Lewis wrote of George MacDonald: "I know hardly any other writer who seems to be closer, or more continually close, to the Spirit of Christ Himself." Lewis also claimed that everything he wrote was influenced by this Scottish pastor and novelist who lived a century before Lewis. George MacDonald serves as an act of appreciation, with Lewis gathering 365 of the best and most profound lines from his mentor as well as providing a preface detailing the impact MacDonald had on Lewis' own literary and spiritual career.

Fascinating facts and first-person accounts highlight some of the most interesting jobs that take place behind the scenes in the entertainment industry. Get a glimpse at what it takes to make it as a talent agent, location scout, casting director, and more and find out what goes on behind the glamour

Fascinating facts and first-person accounts highlight some of the most interesting jobs that take place behind the scenes in the music industry. Get a glimpse at what it takes to make it as a songwriter, producer, manager, and more and find out what goes on behind the glamour.

Claire Wilcox has been a curator of fashion at the Victoria and Albert Museum for most of her working life. In Patch Work, she steps into the archive of memory, deftly stitching together her dedicated study of fashion with the story of her own life lived in and through clothes. From her mother's black wedding suit to the swirling patterns of her own silk kimono, her memoir unfolds in spare, luminous prose the spellbinding power of the things we wear.