Art Study

Keith Hatschek tells the story of three determined artists: Louis Armstrong, Dave Brubeck, and Iola Brubeck and the stand they took against segregation by writing and performing a jazz musical titled The Real Ambassadors. First conceived by the Brubecks in 1956, the musical's journey to the stage for its 1962 premiere tracks extraordinary twists and turns across the backdrop of the civil rights movement.

Throughout history, Christians have pictured the relationships between Father, Son, and Holy Spirit through analogies. Such illustrations—some from the West but also from Latin America, Asia, Africa, and other places—come laden with theological ramifications that the church has rejected (heresies) or embraced (doctrines). In Three in One, William David Spencer shares a lifetime of insights from teaching within the global church, bringing fresh images and analogies of the Trinity to deepen our theological vocabulary.

Black Panther is one of the most financially successful and culturally impactful films to emerge from the American film industry in recent years. When it was released in 2018 it broke numerous records and resonated with audiences all around the world. In Black Panther: Interrogating a Cultural Phenomenon, author Terence McSweeney explores the film from a diverse range of perspectives, seeing it as not only a comic book adaptation and a superhero film, but also a dynamic contribution to the discourse of both African and African American studies.

Эта книга расскажет о том, как в христианской иконографии священное переплеталось с комичным, монструозным и непристойным. Многое из того, что сегодня кажется возмутительным святотатством, в Средневековье, эпоху почти всеобщей религиозности, было вполне в порядке вещей. Речь пойдёт об обезьянах на полях древних текстов, непристойных фигурах на стенах церквей и о святых в монструозном обличье.

In 2010—long before the release of Lemonade—Professor Kevin Allred created the university course "Politicizing Beyonce" to both wide acclaim and controversy. He outlines his pedagogical philosophy in Ain't I a Diva?, exploring the process of teaching Beyonce and what it means to use a superstar to blow up the canon. Allred brings his syllabus to life by pairing music videos and songs with historical and academic texts, and combines analysis with classroom anecdotes.

In Pop Masculinities, author Kai Arne Hansen investigates the performance and policing of masculinity in pop music as a starting point for grasping the broad complexity of gender and its politics in the early 21st century. Drawing together perspectives from critical musicology, gender studies, and adjacent scholarly fields, the book presents extended case studies of five well-known artists: Zayn, Lil Nas X, Justin Bieber, The Weeknd, and Take That.

Este es un audiolibro de investigación al que los autores han dedicado cerca de dos años. El resultado es este trabajo polémico compuesto por las biografías de once hombres y una mujer que controlan el 70 por 100 de la información mundial. Los autores nos cuentan como Silvio Berlusconi paso de vender aspiradoras a construir su imperio televisivo; esta es la primera biografía autorizada de Jesús de Polanco, así como los comienzos de El País, diario que en 1996 celebro sus veinte años de existencia.

"Red beef and strong beer" was how C. S. Lewis described his education under one of his early tutors. It was, in other words, a substantial education that engaged deeply with the intellectual tradition and challenged him to grow. Gary Selby sees Lewis' expression as an indication of the kind of transformation that is both possible and necessary for the Christian faith, and he contends that spiritual formation comes about not by retreating from the physical world, but through deeper engagement with it.

Frank Peretti is the ever-witty character Mr. Henry, telling some of the most popular and beloved stories from the Bible in his own unique style. Combining imaginative storytelling and absolute truth, Salvation follows Jesus through his last days on Earth, from his triumphal entry into Jerusalem and his stand before Pilate to Peter's denial and Jesus' appearance with Mary and the Disciples after the resurrection.

The Lives of Adam and Eve belongs to a class of Apocrypha that could be described as books written, or claimed to have been written, before the time of Christ, as part of the Old Testament, and which frequently contain prophecies. Jewish legends about Adam were numerous and very old, and the Jewish literary custom of writing ethical works in the form of a survey of history was well established.

Oh Heavenly Father, you are the King of Kings and the Lord of Lords - and at the name of Jesus every knee shall bow and every tongue confess to the glory of God the Father. Help us to understand what the kingdom of God is and the fact that we do serve the King of Kings. Therefore, if we are sons of God, we are therefore princes and princesses within the kingdom of God. Heavenly Father, help bring this revelation and this understanding into the hearts and minds of each of the purple belt students here within this martial arts ministry.

Las bellas artes folklóricas chinas son el arte de imágenes visuales creado para cubrir la propia necesidad de vida social del pueblo chino, que mezcla en la forma de la vida social tal como la vida productiva, los artículos de primera necesidad, el rito de vida y la convicción y tabú, etc. La connotación cultural y la forma de arte contienen tanto el sedimento de cultura e historia de China con siete u ocho mil años, desde la sociedad primitiva hasta hoy en día,como las ruinas de la cultura primitiva del culto a la naturaleza, al tótem, a los antepasados.

In Buffoon Men: Classic Hollywood Comedians and Queered Masculinity, Scott Balcerzak reads the performances of notable comedians such as W. C. Fields, Eddie Cantor, Jack Benny, Stan Laurel and Oliver Hardy, Bert Wheeler and Robert Woolsey, and Bud Abbott and Lou Costello through humor and queer theory to expose a problematic history of maleness in their personas.

The story of five best-selling novels beloved by evangelicals, the book industry they built, and the collective imagination they shaped. Who are evangelicals? And what is evangelicalism? Those attempting to answer these questions usually speak in terms of political and theological stances. But those stances emerge from an evangelical world with its own institutions - institutions that shape imagination as much as they shape ideology.

Conceived in the Gilded Age, the Ferry Building opened in 1898 as San Francisco's portal to the world—the terminus of the transcontinental railway and a showcase of civic ambition. In silent films and World's Fair postcards, nothing said "San Francisco" more than its soaring clock tower. But as acclaimed architectural critic John King recounts, the rise of the automobile and double-deck freeways severed the city from its beloved structure. King's narrative spans the rise and fall and rebirth of the Ferry Building, introducing colorful figures who fought to preserve its character.

Pensaban cubrir la misión de rescate durante una semana y estuvieron casi un mes en el mar. La periodista de TVE Yolanda Álvarez, junto al reportero gráfico Joaquín Relaño, vivieron en el verano de 2019 una odisea junto a decenas de personas ansiosas por alcanzar las costas de Europa. Este es el relato emocionante y crudo de aquella travesía a bordo del Open Arms, con 160 hombres, mujeres y niños en peligro de naufragio.

In this memoir of the craft, Ben Palpant unpacks a lifetime of wisdom gained through the long, hard work of learning to write and to live well. Delivered as a series of letters from father to daughter, he patiently and gracefully paints a vision of what it means to enter into one's creative work as an act of generative obedience - an act that blesses the writer, the work itself, and the world that receives it.

His sculptures have never been afraid of being seen. What I mean by this apparently paradoxical statement is that Pomodoro has never needed the shelter of the museum - defined by me here as "a space set apart for art" - in order to make his point as an artist. His sculptures have never been afraid of being seen. What I mean by this apparently paradoxical statement is that Pomodoro has never needed the shelter of the museum - defined by me here as "a space set apart for art" - in order to make his point as an artist.

Eco-art exhibitions are part of the trend of our times. Radical Nature, the show at the Barbican Art Gallery in London, demonstrated some of the possibilities and paradoxes of enterprises of this sort. Basically what the organizers had to do is to move the outside indoors. This set them both practical and, in their own terms at least, moral problems.

Britain’s Culture Minister, David Lammy, recently suggested that the history of slavery should be made a compulsory part of the nation’s school curriculum. Mick Hume, a columnist in The Times, promptly retorted, “Slavery and the Holocaust are now likely to be taught as little chunks of history, removed from any proper context. They become simplistic parables of good and evil, over which children are encouraged to emote and empathise...." How well founded was this criticism?