Art Study

The operational framework of the biblical concepts and aspects of our martial arts ministry includes a multilayered system approach. Specifically we use a three-tiered system that incorporates what we call Colors of the Cross, Learning Through Creation, and Defending Your Faith. The three-tiered system approach works in harmony together to help solidify a solid operational framework of biblical principles covered for each belt level.

The purpose of this book is to assist those within the American Christian Defense Alliance, Inc. Martial Arts Ministry with a resource to help them better understand the operational framework of the biblical aspects of our Martial Arts Ministry system and style. In this book we hope to create unity throughout the Christian martial arts world by establishing a set standard to utilize while disciplining students in the faith.

Sun Tzu's iconic treatise, The Art of War, has been studied by military historians and strategists for centuries. The concepts he recommends remain as effective and his advice as perceptive today as it has ever been. However, The Art of War is certainly not only of use to individuals in the military. The principles he lays out are remarkably applicable to a wide variety of professions and situations, from business to politics to everyday interpersonal relationships.

Toni Morrison's Spiritual Vision unpacks this oft-ignored, but essential, element of Toni Morrison's work - her religion - and in so doing, gives listeners a deeper, richer understanding of her life and her writing.

Robert Altman and the Elaboration of Hollywood Storytelling reveals an Altman barely glimpsed in previous critical accounts of the filmmaker. This re-examination of his seminal work during the "Hollywood Renaissance" or "New Hollywood" period of the early 1970s (including M*A*S*H and Nashville) sheds new light on both the films and the filmmaker, reframing Altman as a complex, pragmatic innovator whose work exceeds, but is also grounded in, the norms of classical Hollywood storytelling rather than someone who rejected those norms in favor of modernist art cinema.

In How You Get Famous, journalist Nicole Pasulka raucously documents the rebirth of the New York drag scene, following a group of iconoclastic performers with undeniable charisma, talent, and a hell of a lot to prove. In the past decade, drag has become a place where edgy, competitive showoffs can find security in a callous and over priced city, a shot at real money, and a level of recognition queer people rarely achieve. But can drag keep its edge as it travels from the backroom to the main stage?

Get the main key insights from this summary of Steven Kotler’s The Art of Impossible in just a short listen.

In this fascinating and deeply researched book, Sharon Marcus challenges everything you thought you knew about our obsession with fame. Icons are not merely famous for being famous; the media alone cannot make or break stars; fans are not simply passive dupes. Instead, journalists, the public, and celebrities themselves all compete, passionately and expertly, to shape the stories we tell about celebrities and fans. The result: a high-stakes drama as endless as it is unpredictable.

Keith Hatschek tells the story of three determined artists: Louis Armstrong, Dave Brubeck, and Iola Brubeck and the stand they took against segregation by writing and performing a jazz musical titled The Real Ambassadors. First conceived by the Brubecks in 1956, the musical's journey to the stage for its 1962 premiere tracks extraordinary twists and turns across the backdrop of the civil rights movement.

The Life of the Author: William Shakespeare delivers a fresh and exciting new take on the life of William Shakespeare, offering listeners a biography that brings to the foreground his working life as a poet, playwright, and actor. It also explores the nature of his relationships with his friends, colleagues, and family and asks important questions about the stories we tell about Shakespeare based on the evidence we actually have about the man himself.

"Red beef and strong beer" was how C. S. Lewis described his education under one of his early tutors. It was, in other words, a substantial education that engaged deeply with the intellectual tradition and challenged him to grow. Gary Selby sees Lewis' expression as an indication of the kind of transformation that is both possible and necessary for the Christian faith, and he contends that spiritual formation comes about not by retreating from the physical world, but through deeper engagement with it.

A study of Aubrey Beardsley's work exhibited at Tate Britain until May 25, 2020. The author considers the darkly vigorous imagery of the short lived genius, his graphic work for the notorious Yellow Book, and sublimely erotic illustrations for Lysistrata by Aristophane and Salome by Oscar Wilde, which frank imagery even shocked the author.

The Vision of Enoch the Righteous is largely a forgotten first-century text, not being connected to any of the numbered versions of the Book of Enoch. It is part of a tradition referred to as Apocalyptic Literature. The content of The Vision of Enoch the Righteous alternates between the voice of Enoch and that of a chorus of cherubim, who have descended from heaven, in order to deliver a message to Enoch. Includes a prologue discussing the text.

The Musician Healer resurrects a long-forgotten role for musicians and provides clear guidance for preparation and self-development as a musician healer in order to reactivate this role for the modern world. It begins with the author’s personal musical story that draws upon her Mi’kmaq/Abenaki First Nations and French Canadian roots, followed by the history of musician healers from ancient Egypt and India. Runningdeer then explores the energetic aspects of music healing, especially the quality of personal energies that a musician channels through her music.

Pure Act tells the story of poet Robert Lax, whose quest to live a true life as both an artist and a spiritual seeker inspired Thomas Merton, Jack Kerouac, William Maxwell and a host of other writers, artists and ordinary people.

His sculptures have never been afraid of being seen. What I mean by this apparently paradoxical statement is that Pomodoro has never needed the shelter of the museum - defined by me here as "a space set apart for art" - in order to make his point as an artist. His sculptures have never been afraid of being seen. What I mean by this apparently paradoxical statement is that Pomodoro has never needed the shelter of the museum - defined by me here as "a space set apart for art" - in order to make his point as an artist.

Eco-art exhibitions are part of the trend of our times. Radical Nature, the show at the Barbican Art Gallery in London, demonstrated some of the possibilities and paradoxes of enterprises of this sort. Basically what the organizers had to do is to move the outside indoors. This set them both practical and, in their own terms at least, moral problems.

Lucio Fontana is rightly regarded as one of the most important Italian artists active in the 20 years after World War II, important not only in Italy, but in a pan-European sense. It is, however, also important to remember additionally that he was born in Argentina and spent quite important parts of his early career there, working first as an assistant to his father, Luigi, a sculptor, and then independently.

Britain’s Culture Minister, David Lammy, recently suggested that the history of slavery should be made a compulsory part of the nation’s school curriculum. Mick Hume, a columnist in The Times, promptly retorted, “Slavery and the Holocaust are now likely to be taught as little chunks of history, removed from any proper context. They become simplistic parables of good and evil, over which children are encouraged to emote and empathise...." How well founded was this criticism?

'Black British Style', the current costume show at the Victoria and Albert Museum in London, raises a lot of complex issues for someone like myself. I am not black, but I am undoubtedly West Indian. My family have lived in different parts of the West Indies for more than 300 years and in Jamaica for more than a century.