Art Study

With humor and honesty, Girls on Film looks at the good, the bad, and the unfairly written women in film. A celebration of the power of cinema and the hidden messages within media and culture, this collection of personal essays explores the women who inspired and confused a young film enthusiast.

Toni Morrison's Spiritual Vision unpacks this oft-ignored, but essential, element of Toni Morrison's work - her religion - and in so doing, gives listeners a deeper, richer understanding of her life and her writing.

In How You Get Famous, journalist Nicole Pasulka raucously documents the rebirth of the New York drag scene, following a group of iconoclastic performers with undeniable charisma, talent, and a hell of a lot to prove. In the past decade, drag has become a place where edgy, competitive showoffs can find security in a callous and over priced city, a shot at real money, and a level of recognition queer people rarely achieve. But can drag keep its edge as it travels from the backroom to the main stage?

In this fascinating and deeply researched book, Sharon Marcus challenges everything you thought you knew about our obsession with fame. Icons are not merely famous for being famous; the media alone cannot make or break stars; fans are not simply passive dupes. Instead, journalists, the public, and celebrities themselves all compete, passionately and expertly, to shape the stories we tell about celebrities and fans. The result: a high-stakes drama as endless as it is unpredictable.

Keith Hatschek tells the story of three determined artists: Louis Armstrong, Dave Brubeck, and Iola Brubeck and the stand they took against segregation by writing and performing a jazz musical titled The Real Ambassadors. First conceived by the Brubecks in 1956, the musical's journey to the stage for its 1962 premiere tracks extraordinary twists and turns across the backdrop of the civil rights movement.

Paul Bowles, the acclaimed author of The Sheltering Sky, offers moving, powerful, subtle, and fascinating insights into his life, his writing, and his world.

Throughout history, Christians have pictured the relationships between Father, Son, and Holy Spirit through analogies. Such illustrations—some from the West but also from Latin America, Asia, Africa, and other places—come laden with theological ramifications that the church has rejected (heresies) or embraced (doctrines). In Three in One, William David Spencer shares a lifetime of insights from teaching within the global church, bringing fresh images and analogies of the Trinity to deepen our theological vocabulary.

Black Panther is one of the most financially successful and culturally impactful films to emerge from the American film industry in recent years. When it was released in 2018 it broke numerous records and resonated with audiences all around the world. In Black Panther: Interrogating a Cultural Phenomenon, author Terence McSweeney explores the film from a diverse range of perspectives, seeing it as not only a comic book adaptation and a superhero film, but also a dynamic contribution to the discourse of both African and African American studies.

The world’s skyscrapers have brought us awe and wonder, and yet they remain controversial—for their high costs, shadows, and overt grandiosity. But, decade by decade, they keep getting higher and higher. What is driving this global building spree of epic proportions? In Cities in the Sky, author Jason Barr explains all: why they appeal to cities and nations, how they get financed, why they succeed economically, and how they change a city’s skyline and enable the world’s greatest metropolises to thrive in the 21st century.

Эта книга расскажет о том, как в христианской иконографии священное переплеталось с комичным, монструозным и непристойным. Многое из того, что сегодня кажется возмутительным святотатством, в Средневековье, эпоху почти всеобщей религиозности, было вполне в порядке вещей. Речь пойдёт об обезьянах на полях древних текстов, непристойных фигурах на стенах церквей и о святых в монструозном обличье.

In 2010—long before the release of Lemonade—Professor Kevin Allred created the university course "Politicizing Beyonce" to both wide acclaim and controversy. He outlines his pedagogical philosophy in Ain't I a Diva?, exploring the process of teaching Beyonce and what it means to use a superstar to blow up the canon. Allred brings his syllabus to life by pairing music videos and songs with historical and academic texts, and combines analysis with classroom anecdotes.

The Life of the Author: William Shakespeare delivers a fresh and exciting new take on the life of William Shakespeare, offering listeners a biography that brings to the foreground his working life as a poet, playwright, and actor. It also explores the nature of his relationships with his friends, colleagues, and family and asks important questions about the stories we tell about Shakespeare based on the evidence we actually have about the man himself.

"Red beef and strong beer" was how C. S. Lewis described his education under one of his early tutors. It was, in other words, a substantial education that engaged deeply with the intellectual tradition and challenged him to grow. Gary Selby sees Lewis' expression as an indication of the kind of transformation that is both possible and necessary for the Christian faith, and he contends that spiritual formation comes about not by retreating from the physical world, but through deeper engagement with it.

The Lives of Adam and Eve belongs to a class of Apocrypha that could be described as books written, or claimed to have been written, before the time of Christ, as part of the Old Testament, and which frequently contain prophecies. Jewish legends about Adam were numerous and very old, and the Jewish literary custom of writing ethical works in the form of a survey of history was well established.

The Musician Healer resurrects a long-forgotten role for musicians and provides clear guidance for preparation and self-development as a musician healer in order to reactivate this role for the modern world. It begins with the author’s personal musical story that draws upon her Mi’kmaq/Abenaki First Nations and French Canadian roots, followed by the history of musician healers from ancient Egypt and India. Runningdeer then explores the energetic aspects of music healing, especially the quality of personal energies that a musician channels through her music.

His sculptures have never been afraid of being seen. What I mean by this apparently paradoxical statement is that Pomodoro has never needed the shelter of the museum - defined by me here as "a space set apart for art" - in order to make his point as an artist. His sculptures have never been afraid of being seen. What I mean by this apparently paradoxical statement is that Pomodoro has never needed the shelter of the museum - defined by me here as "a space set apart for art" - in order to make his point as an artist.

Eco-art exhibitions are part of the trend of our times. Radical Nature, the show at the Barbican Art Gallery in London, demonstrated some of the possibilities and paradoxes of enterprises of this sort. Basically what the organizers had to do is to move the outside indoors. This set them both practical and, in their own terms at least, moral problems.

Britain’s Culture Minister, David Lammy, recently suggested that the history of slavery should be made a compulsory part of the nation’s school curriculum. Mick Hume, a columnist in The Times, promptly retorted, “Slavery and the Holocaust are now likely to be taught as little chunks of history, removed from any proper context. They become simplistic parables of good and evil, over which children are encouraged to emote and empathise...." How well founded was this criticism?

'Black British Style', the current costume show at the Victoria and Albert Museum in London, raises a lot of complex issues for someone like myself. I am not black, but I am undoubtedly West Indian. My family have lived in different parts of the West Indies for more than 300 years and in Jamaica for more than a century.

We live at a time when there is great confusion, certainly here in the West, about contemporary art in Russia. It is now nearly a quarter of a century since the Soviet Union fell. No convincing narrative has emerged concerning the development of Russian art during that period.