Asian American Memoirs

Part memoir, part cultural criticism, part history, Anne Anlin Cheng’s original essays focus on art, politics, and popular culture. Through personal stories woven with a keen eye and an open heart, Cheng summons up the grief, love, anger, and humor in negotiating the realities of being a scholar, an immigrant Asian American woman, a cancer patient, a wife of a white man, and a mother of biracial children . . . all in the midst of the (extra)ordinary stresses of recent years.

This is the story of a woman who wielded imagination and hope in the face of intolerance and who transformed everything she touched into art. In this compelling biography, author Marilyn Chase brings Ruth Asawa's story to vivid life. She draws on Asawa's extensive archives and weaves together many voices to offer a complex and fascinating portrait of the artist.

Identical twins Isabella and Hà were born in Vietnam and raised on opposite sides of the world, each knowing little about the other’s existence, until they were reunited as teenagers, against all odds. Award-winning journalist Erika Hayasaki spent years and hundreds of hours interviewing each of the birth and adoptive family members and tells the girls’ incredible story from their perspectives, challenging conceptions about adoption and what it means to give a child a good life.

It’s 1996, and Jeremy Atherton Lin has met the boy of his dreams — a mumbling, starry-eyed Brit — just as, amid a media frenzy, US Congress prepares the Defense of Marriage Act, denying same-sex couples federal rights including immigration. The pair steals away to remote forests and vast deserts, London fashion shows and Berlin sex clubs, dinner parties, back alleys, East Village hotel rooms, and San Francisco dives. Finding no other way to stay together, they shack up illicitly among unlikely allies in a “city of refuge.”

Part memoir, part business book, part brazen showboating, theCoderBros Go to White Castle is the enlightening story of Hansel and Wayne, two best friends who transformed their passion for coding into a thriving lifestyle business. Growing up as Asian-Americans in white America, they each navigated cultural challenges before eventually meeting in San Francisco. There, they began their up-and-down adventures that culminated in theCoderSchool, a national franchise business that teaches kids to code.

Islam is often associated with and limited to the worst of the world—extremism, obscurantism, misogyny, bigotry. So why would so many people associate with such a fundamentalist faith? Two Billion Caliphs advocates for a way of being Muslim in the world, ready for today and prepared for tomorrow.

A daughter of Korean immigrants, Hyeseung Song spends her earliest years in the cane fields of Texas where her loyalties are divided between a restless father in search of Big Money, and a beautiful yet domineering mother whose resentments about her own life compromises her relationship with her daughter. With her parents at constant odds, Song learns more words in Korean for hatred than for love. When the family’s fake Gucci business lands them in bankruptcy, Song moves to a new elementary school. On her first day, a girl asks the teacher: “Can she speak English?”

Asian Americans have often been described as the "model minority", a stereotype that unfairly characterizes a diverse group of people's experiences as one monolithic experience. In this book, I describe my own transformation from a self-hating Asian to one who takes pride in his background. It is my hope that listeners of this book will find it to be relatable.

If Crazy Rich Asians and a Greek tragedy had a literary offspring, it would be the spitting image of Why Should Guys Have All the Fun? The true story of resolute immigration lawyer and activist Loida Lewis, Why Should Guys Have All the Fun? begins with Loida's adventure-packed Philippine upbringing. A torrid love affair with brilliant, irascible financier Reginald Lewis follows, as does regal living in Manhattan and Paris, and gut-wrenching loss, all before Loida shockingly commandeers a multibillion-dollar, multinational conglomerate and leads it with aplomb.

One of America's best-known rock and entertainment journalists describes his journey from his childhood, cooped up in the "rice room" of his family's restaurant in Oakland's Chinatown, where he did chores, to the major role he played as a writer and editor at Rolling Stone. It is a story of teen worship of Elvis, but also of Chinese customs and the tragic murder of his brother, and of the '60s scene in San Francisco, where he found freedom - and his career.

When Simon Tam started an Asian American dance rock band called The Slants, he didn't realize that he was starting an entire movement around freedom of expression and discussions on identity. The band flipped stereotypes with their bombastic live shows and community activism. But when Simon applied to register a trademark on the band's name, the government dragged him all the way to the Supreme Court of the United States.

Carlos Bulosan’s idealism and ambition would seem to position him for certain success in America, even given how young he is when he first makes the journey from the Philippines. However, after arriving in Seattle, employers are far more concerned with his Filipino background than they are with his character. Low-paying jobs - and an uncertain future - remain his daily reality.

Mazie Hirono is one of the most fiercely outspoken Democrats in Congress, but her journey to the U.S. Senate was far from likely. Raised on a rice farm in rural Japan, she was seven years old when her mother, Laura, left her abusive husband and sailed with her two elder children to Hawaii, crossing the Pacific in steerage in search of a better life. Though the girl then known as "Keiko" did not speak or read English when she entered first grade, she would go on to serve as a state representative and as Hawaii's lieutenant governor before winning election to Congress in 2006.

A luminous memoir-in-essays exploring place, identity, and what it means to grow up queer and Asian in the American South.

Helena Rho was six years old when her family left Seoul, Korea, for America and its opportunities. Years later, her Korean-ness behind her, Helena had everything a model minority was supposed to want: she was married to a white American doctor and had a beautiful home, two children, and a career as an assistant professor of pediatrics. For decades she fulfilled the expectations of others. All the while Helena kept silent about the traumas - both professional and personal - that left her anxious yet determined to escape.

Alexandra Chan thinks she has life figured out until, in the Year of the Ram, the death of her father—her last parent—brings her to her knees, an event seemingly foretold in Chinese mythology. A left-brained archaeologist and successful tiger daughter, Chan finds her logical approach to life utterly fails her in the face of this profound grief. Unable to find a way forward, she must either burn to ash or forge herself anew.

A deeply personal and shocking look at how China is coming to terms with its conflicted past as it emerges into a modern, cutting-edge superpower.

Modern Shanghai: a global city in the midst of a renaissance, where dreamers arrive each day to partake in a mad torrent of capital, ideas, and opportunity. Marketplace's Rob Schmitz is one of them. He immerses himself in his neighborhood, forging deep relationships with ordinary people who see in the city's sleek skyline a brighter future, and a chance to rewrite their destinies.

An epic saga of hubris, cruelty, and redemption, Now the Hell Will Start tells the remarkable tale of the greatest manhunt of World War II. Herman Perry, besieged by the hardships of the Indo-Burmese jungle and the racism meted out by his white commanding officers, found solace in opium and marijuana. But on one fateful day, Perry shot his unarmed white lieutenant in the throes of an emotional collapse and fled into the jungle. Brendan I. Koerner spent nearly five years chasing Perry's ghost to the most remote corners of India and Burma.

Pioneering Chinese American actress Anna May Wong made more than 60 films, headlined theater and vaudeville productions, and even starred in her own television show. Her work helped shape racial modernity, as she embodied the dominant image of Chinese, and more generally, “Oriental” women between 1925 and 1940. In Anna May Wong, Shirley Jennifer Lim re-evaluates Wong’s life and work as a consummate artist, and positions the actress as a historical and cultural entrepreneur who rewrote categories of representation.