Asian American Memoirs

An epic saga of hubris, cruelty, and redemption, Now the Hell Will Start tells the remarkable tale of the greatest manhunt of World War II. Herman Perry, besieged by the hardships of the Indo-Burmese jungle and the racism meted out by his white commanding officers, found solace in opium and marijuana. But on one fateful day, Perry shot his unarmed white lieutenant in the throes of an emotional collapse and fled into the jungle. Brendan I. Koerner spent nearly five years chasing Perry's ghost to the most remote corners of India and Burma.

Forced Out: A Nikkei Woman’s Search for a Home in America offers insight into “voluntary evacuation,” a little-known Japanese American experience during World War II, and the lasting effects of cultural trauma. Of the roughly 120,000 people forced from their homes by Executive Order 9066, around 5,000 were able to escape incarceration beforehand by fleeing inland.

Identical twins Isabella and Hà were born in Vietnam and raised on opposite sides of the world, each knowing little about the other’s existence, until they were reunited as teenagers, against all odds. Award-winning journalist Erika Hayasaki spent years and hundreds of hours interviewing each of the birth and adoptive family members and tells the girls’ incredible story from their perspectives, challenging conceptions about adoption and what it means to give a child a good life.

Pioneering Chinese American actress Anna May Wong made more than 60 films, headlined theater and vaudeville productions, and even starred in her own television show. Her work helped shape racial modernity, as she embodied the dominant image of Chinese, and more generally, “Oriental” women between 1925 and 1940. In Anna May Wong, Shirley Jennifer Lim re-evaluates Wong’s life and work as a consummate artist, and positions the actress as a historical and cultural entrepreneur who rewrote categories of representation.

In Gift of Gratitude, author Claire E. Hallinan shares her gratitude for the gifts that she was given by her past: the ability to think of all experiences as positive, the strengths that she determined to be resilient, and the future that she believed to be hopeful through her unique learning experiences. It is these gifts that she is able to share in her very own classroom as a teacher today.

If you're Irish American or African American or Eastern European Jewish American, there's a rich literature to give you a sense of your family's arrival-in-America story. Until now, that hasn't been the case for Chinese Americans. From noted historian Mae Ngai, The Lucky Ones uncovers the three-generational saga of the Tape family. It's a sweeping story centered on patriarch Jeu Dips' (Joseph Tapes') self-invention as an immigration broker in post-gold rush San Francisco, and the extraordinary rise it enables.

In public life and in Shih's own, "Asian Americanness" has changed shape constantly, directed by the needs of the country's racial imaginary. A memoir in essays, Chinese Prodigal examines the emergence of "Asian American" identity in a post-Civil Rights America in the wake of Vincent Chin's death. Shih guides us through the roles offered to Asian Americans to play, illuminating what these issues have to teach us about American values and about the vexed place Asians and Asian Americans inhabit today. Shih masterfully captures the intimate costs of becoming an American.

A memoir of a South Vietnamese colonel's daughter, chronicling the tumultuous years growing up in the war-torn country of Vietnam and the abrupt and brutal regime change that forced her disruptive and disorienting coming of age between two vastly different cultures.

Author Lauren Hilgers captures the joys and indignities of building a life in a new country - and the stubborn allure of the American dream - in this deeply reported story of one indelible family transplanted from rural China to New York City.

A journey back in time, The Golden Mountain is the gripping tale of four generations of Chinese women who live and die under the restrictions of their culture, except for one, the author. Her story tells of growing up in Hong Kong and of her transition to New York City where she struggled to meld the American dream with her ethnic background. Finally, at age 50, she dares to move into the present and understand the true nature of dreams and what it means to live.

Kimi’s Obaachan, her grandmother, had always been a silent presence throughout her youth. Sipping tea by the fire, preparing sushi for the family, or indulgently listening to Ojichan’s (grandfather’s) stories for the thousandth time, Obaachan was a missing link to Kimi’s Japanese heritage, something she had had a mixed relationship with all her life. Growing up in rural Pennsylvania, all Kimi ever wanted to do was fit in, spurning traditional Japanese cuisine and her grandfather’s attempts to teach her the language.

Sam Louie grew up torn between cultures as part of a first-generation Chinese immigrant family from Hong Kong living in a predominantly African American neighborhood in the United States. He experienced the duality of existence with the tension of two vastly different worldviews, his identity intertwined with the country he lives in and his ancestral ties. What traditions and cultural beliefs get preserved, what gets discarded, and what gets lost in translation? Beneath it all was the presence of three generations of addiction, trauma, and shame.

Nearly a decade after his triumphant Charlie Chan biography, Yunte Huang returns with this long-awaited portrait of Chang and Eng Bunker (1811-1874), twins conjoined at the sternum by a band of cartilage and a fused liver, who were "discovered" in Siam by a British merchant in 1824. Bringing an Asian American perspective to this almost implausible story, Huang depicts the twins, arriving in Boston in 1829, first as museum exhibits but later as financially savvy showmen who gained their freedom and traveled the backroads of rural America to bring "entertainment" to the Jacksonian mobs.

Yunte Huang ingeniously traces Charlie Chan from his real beginnings as a bullwhip-wielding detective in territorial Hawaii to his reinvention as a literary sleuth and Hollywood film icon. Huang finally resurrects the "honorable detective" from the graveyard of detested postmodern symbols and reclaims him as the embodiment of America’s rich cultural diversity. The result is one of the most critically acclaimed books of the year and a "deeply personal...voyage into racial stereotyping and the humanizing force of storytelling" (Donna Seaman, Los Angeles Times).

This book contains autobiographies by 12 individuals of Korean descent. However, their background experiences are vastly different. The editor of the book, Ariel Raimundo Choi, was born in Argentina and is still a citizen of Argentina; therefore, he considers himself a Hispanic-Korean-American. Ye One Chung grew up most of her life in Israel, so she considers Israel as her home. She writes a part of her autobiography in modern Hebrew, a language Ye One Chung is fluent at.

This audiobook contains touching accounts of struggles and achievements of Korean Americans and serves an important primary source material for understanding the Korean teenage experience in the United States. This audiobook contains biographical accounts of a diverse group Korean Americans. Kenny Yoon, a junior at Horace Mann School in New York, is a part of the gifted music program at The Julliard School. Kenny describes how he came to play violin and how he hopes to bring joy to people through music.

This book of autobiographies by Korean middle-school students is something that is needed for Korean studies and Korean-American studies, in my opinion. Because this book contains our voices, this book is very powerful. In a sense, we are documenting our own history. Because our lives are like the lives of other middle-school students who are Koreans, I believe that this book contains an important history for everyone who listens to this book.