Asian Canadian

Gracie Reed is doing just fine. Sure, she was fired by her overly “friendly” boss, and yes, she still hasn’t gotten her mother into the nursing home of their dreams, but she’s healthy, she’s (somewhat) happy, and she’s (mostly) holding it all together. But when a mysterious SUV pulls up beside her, revealing Chinese cinema's golden couple Wei Fangli and Sam Yao, Gracie’s world is turned on its head. The famous actress has a proposition: Due to their uncanny resemblance, Fangli wants Gracie to be her stand-in.

For Dee Kwan, every day is the perfect day. No, really. She has a house she loves, a job she adores, and a ridiculously attractive “nemesis” who never seems to mind when she wins their favorite online game. How can life possibly get better? (It can’t, obviously. It can only get much, much worse.) Soon Dee is forced to share her adorably cozy home with her parents and estranged grandmother. Then she’s tossed into the deep end at work, tasked with cleaning up a scandal for the intimidatingly chic luxury fashion firm Celeste. If that weren’t enough, she discovers her hot nemesis works there, too.

Mãn has three mothers: the one who gives birth to her in wartime, the nun who plucks her from a vegetable garden, and her beloved Maman, who becomes a spy to survive. Seeking security for her grown daughter, Maman finds Mãn a husband - a lonely Vietnamese restaurateur who lives in Montreal. Thrown into a new world, Mãn discovers her natural talent as a chef. Gracefully she practices her art, with food as her medium. She and her husband seem to drift along, respectfully and dutifully. But when she encounters a married chef in Paris, everything changes in the instant of a fleeting touch....

A young translator living in Toronto frequently travels abroad—to Hong Kong, Macau, Prague, Tokyo—often with his unnamed lover. In restaurants and hotel rooms, the couple begin telling folk tales to each other, perhaps as a way to fill the undefined space between them. Theirs is a comic and enigmatic relationship in which emotions are often muted and sometimes masked by verbal play and philosophical questions, and further complicated by the woman's frequent unexplained disappearances.

Actor Ryan Kwok is back in Toronto after the promotional tour for his latest film, a rom-com that is getting less-than-stellar reviews. After years of constant work and the sudden death of his mother, Ryan is taking some much-needed time off. But as he tries to be supportive to his family, he struggles with his loss and doesn't know how to talk to his dad — who now trolls him on Twitter instead of meeting him for dim sum.

On the eve of the new millennium, in a city in southern Japan that progress has forgotten, sixteen-year-old Anna Obata looks to the stars for solace. An outcast at school, and left to fend for herself and care for her increasingly senile grandfather at home, Anna copes with her loneliness by searching the night sky for answers. But everything changes the evening the Low Earth Orbit satellite (LEO for short) returns her gaze and sees her as no one else has before.

Hiromi Goto’s acclaimed debut novel is a feminist examination of the Japanese Canadian immigrant experience. Focusing on the lives of three generations of women in modern day Alberta, Goto uses their stories to examine the impacts of privilege and cultural identity on Asian Canadian immigrants.

Not every story has a happy ending. Since her brother's death, eight-year-old Egg Murakami has been living day-to-day on the family ostrich farm near Bittercreek, discovering life to be an ever-perplexing condition. Mama Murakami has curled up inside a bottle, and Papa has exiled himself to the barn with the birds. Big sister Kathy tells stories to Egg so that the world might not seem so awful.