Australian Thrillers

Photographer Isla Wilson is thrilled she's landed her dream job, but the clients who hired her are getting stranger by the day. It sounded so perfect—a month's assignment at the lush Scottish Highlands property of architect Alban McGregor, and his wife, Jessica. But in the woods, there's a playhouse with a chilling history. Two years ago, the McGregors' daughter Elodie was abducted and then died in that playhouse. The townspeople insist her abductor had to be a stranger in their town. Alban refuses to knock the playhouse down, even keeping a picture of it on his wall.

In 1998, the American Jorgenson family had been on a year-long road trip in Australia. One humid, storming night, the mother - Elsa Jorgenson - vanished in an isolated stretch of Australian everglades. Elsa was never seen again. That night, twelve-year-old Lily Jorgenson was left alone and terrified in the family camper—even her teenage sister Iris is missing. When Iris comes racing back through the rain, she refuses to tell where she’s been. Lily is certain her sister is hiding a dark secret.

It's a blindingly hot summer. International visitors surge into Sydney's Darling Harbour. Two-year-old Tommy is sailing his toy boat in the park there with his mother Phoebe. Tommy vanishes into thin air. The following winter, taunting notes written as nursery rhymes begin arriving at his parents' home. Little Boy Blue, where did you go? Who led you away? Only I know.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

As the third wave of the virus hits, all inhabitants of Melbourne are given until 8pm to get to their homes. Wherever they are when the curfew hits, they must live for four weeks and stay within a 5km radius. When Lou’s son Samuel doesn’t arrive home by nightfall she begins to panic. He doesn’t answer his phone. He doesn’t message. His social media channels are inactive. Lou is out of her mind with worry, but she can’t go to the police, because she has secrets of her own. Secrets that Samuel just can’t find out about. Lou must find her son herself and bring him home.

Jackie and Pete King have lived in Dunmore for years, running one of the two local pubs in the sleepy little town. Money has been tight after the bushfires, and it’s about to get tighter if they can’t find a way to pay their suppliers to keep their business going and keep the bank from foreclosing on their property. So when Jackie receives a mysterious phone call offering them $100,000 to let someone bury a body on their land, the answer isn’t as simple as they thought it would be.

Emma and Ariella, neighbours in one of Sydney’s most exclusive suburbs, appear to have it all—perfect homes, perfect husbands, perfect lives. But they both know dark secrets lurk beneath the surface and shallow waters can’t hide Ariella’s. Now she has been found murdered. Her daughter filmed the killing. Not knowing what she’s filmed, Emma’s daughter Kiki innocently uploads footage of Ariella’s brutal death. Emma fears the worst—the killer will know what she and Kiki have seen. Their safe suburban lives no longer exist.

Seven strangers are invited to compete to win a clifftop mansion. The rules are simple: each contestant must have at least one hand in contact with one part of the house at all times. The last one to take their hand off, wins the house.

Lenny has always known that his wife, Claire, is the love of his life. But somehow his marriage is in shambles, he’s struggling with the kids, and a string of anonymous text messages are tormenting him, insisting that Claire is a liar. Claire knows Lenny is a good man, but there’s a lot she hasn’t told him about her past. Now she’s terrified that the horrors that haunt her are about to put her entire family in danger. Strange new neighbours, insidious clients and schoolyard scandal begin to fracture Claire and Lenny’s happy families façade.

Stan Weir is mourning a tragic loss when he meets a mysterious nine-year-old girl, who claims to be the reincarnated spirit of his late wife. Marcy Keef is a single mother trying to make ends meet when her daughter Erin starts describing ‘past life memories’. Neither wants to believe Erin, but as violent secrets are revealed, the truth becomes harder to deny.

When a simple mix-up leaves their father Joe’s estate to Eden, their long-absent mother, Clare and Aaron decide it’s finally time to track Eden down. But it’s been over thirty years since she left their remote outback mining town, and they’ve never heard from her again. Aaron is dealing with a new marriage that’s currently trapped in immigration limbo, and his teenage daughter Cady is clearly going through a personal crisis of her own.

On the eve of the global lockdown, Don Barlow opens the door of his old beachside cottage to find a pretty girl with pink-tipped hair, claiming to have nowhere to go. He allows her entry, and so begins a mystery set in unprecedented times: with the virus raging outside their home, the girl cannot be asked to leave, but what does he risk by having her stay?

Stacey and Laney are twins—mirror images of each other—and yet they’re as different as the sun and the moon. Stacey works hard at school, determined to get out of their small town. Laney skips school and sneaks out of the house to meet her boyfriend. But when Laney disappears one night, Stacey can’t believe she’s just run off without telling her. As the days pass and Laney doesn’t return, Stacey starts dreaming of her twin. The dreams are dark and terrifying, difficult to understand and hard to shake, but at least they tell Stacey one key thing—Laney is alive.

Two brothers meet at the remote fence line separating their cattle ranches in the lonely outback. In an isolated belt of Western Australia, they are each other’s nearest neighbor, their homes a four-hour drive apart. The third brother lies dead at their feet. Something caused Cam, the middle child who had been in charge of the family homestead, to die alone in the middle of nowhere. So the eldest brother returns with his younger sibling to the family property and those left behind. But the fragile balance of the ranch is threatened.

After getting a note demanding his presence, Federal Agent Aaron Falk arrives in his hometown for the first time in decades to attend the funeral of his best friend, Luke. Twenty years ago when Falk was accused of murder, Luke was his alibi. Falk and his father fled under a cloud of suspicion, saved from prosecution only because of Luke’s steadfast claim that the boys had been together at the time of the crime. But now, more than one person knows they didn’t tell the truth back then, and Luke is dead.

Flynn was only a teenager when her parents were killed in a terrible accident. Too young to lose her parents, too young to take on responsibility for her younger sister Kaiya, too young to protect Kaiya from the harshness of their new lives in the following years. Desperate to help her sister, Flynn reaches out to Willa Tomlinson, a grief counsellor renowned for helping her patients cope with profound loss. Under Willa’s influence and care, Kaiya finally seems to turn a corner, joining the climate action collective that Willa leads.

On winter solstice, the birds disappeared, and the mist arrived. The inhabitants of Nebulah quickly learn not to venture out after dark. But it is hard to stay indoors: Cabin fever sets in, and the mist can be beguiling too. Eventually only six remain. Like the rest of the townspeople, Pete has nowhere else to go. After he rescues a stranded psychic from a terrible fate, he’s given a warning: He will be dead by solstice unless he leaves town - soon.

Four young boys are left alone in a hotel room while their parents dine downstairs. When Sara Farrow checks on the children at midnight, her son is missing. Distrustful of the police, Sara turns to Crimson Lake’s unlikeliest private investigators - disgraced cop Ted Conkaffey and convicted killer Amanda Pharrell. For Ted, the case couldn’t have come at a worse time. Two years ago, a false accusation robbed him of his career, his reputation, and most importantly, his family. But now, Lillian, the daughter he barely knows, is coming to stay in his ramshackle cottage by the lake.

Most homicide detective teams run on trust, loyalty, and the shared desire to put killers behind bars. Frank Bennett's partner, Eden Archer, thrives on darkness and danger. She has a rare talent for catching killers - but her idea of justice has little to do with courtrooms. Now three girls are missing, and Eden is going undercover to a remote farm where the troubled hide and blood falls more often than rain. Frank’s job is to keep an eye on his partner while she's there - but is it for Eden's protection, or to protect others from her?

Six minutes in the wrong place at the wrong time—that’s all it took to ruin Sydney detective Ted Conkaffey’s life. Accused but not convicted of a brutal abduction, Ted is now a free man—and public enemy number one. Maintaining his innocence, he flees north to keep a low profile amidst the steamy, croc-infested wetlands of Crimson Lake. There, Ted’s lawyer introduces him to eccentric private investigator Amanda Pharrell, herself a convicted murderer.