Author Memoirs

For a time, Nelson Algren was America's most famous author, lauded by the likes of Richard Wright and Ernest Hemingway. Millions bought his books. Algren's third novel, The Man with the Golden Arm, won the first National Book Award, and Frank Sinatra starred in the movie. But despite Algren's talent, he abandoned fiction and fell into obscurity. The cause of his decline was never clear. Some said he drank his talent away; others cited writer's block. The truth, hidden in the pages of his books, is far more complicated and tragic.

Sylvia Plath is an object of enduring cultural fascination―the troubled patron saint of confessional poetry, a writer whose genius is buried under the weight of her status as the quintessential literary sad girl. Emily Van Duyne―a superfan and scholar―radically reimagines the last years of Plath’s life, confronts her suicide and the construction of her legacy.

The long-awaited memoir from one of the most acclaimed radical writers in American literature. Gary Indiana is a true radical whose caustic voice has by turns haunted and influenced the literary and artistic establishments. With I Can Give You Anything but Love, Gary has composed literary and revealing montage of excursions into his life and work—from his early days growing up gay in rural New Hampshire to his escape to Haight-Ashbury in the post-summer-of-love era, the sweltering 1970s in Los Angeles, and ultimately his existence in New York in the 1980s as a bona fide downtown personality.

In the bitter winds of autumn 1963, Tove Jansson, helped by Brunström, a maverick fisherman, raced to build a cabin on a treeless island in the Gulf of Finland. The island was Klovharun, where for thirty summers Tove and her beloved partner, the visual artist, Tuulikki “Tooti” Pietilä, lived, painted, and wrote, energized by the solitude and shifting seascapes. The island's flora, fauna, and weather patterns provided deep inspiration which can be seen reflected in all of Jansson's work, most famously in her novel The Summer Book and her longstanding comic strip and novels for children, Moomin.

Published in time for the 250th anniversary of William Wordsworth's birth, this is the biography of a great poetic genius, a revolutionary who changed the world. Wordsworth rejoiced in the French Revolution and played a central role in the cultural upheaval that we call the Romantic Revolution. He and his fellow Romantics changed forever the way we think about childhood, the sense of the self, our connection to the natural environment, and the purpose of poetry.

An initiation signals a beginning: a door opens and you step through. Traditional Wiccan initiates are usually brought into the craft through a ceremony with a High Priestess. But even though Amanda Yates Garcia's mother, a practicing witch herself, initiated her into the earth-centered practice of witchcraft when she was 13 years old, Amanda's real life as a witch only began when she underwent a series of spontaneous initiations of her own.

As someone who studied under Edward Said and remained a friend until his death in 2003, Timothy Brennan had unprecedented access to his thesis adviser's ideas and legacy. In this authoritative work, Said, the pioneer of postcolonial studies, a tireless champion for his native Palestine, and an erudite literary critic, emerges as a self-doubting, tender, eloquent advocate of literature's dramatic effects on politics and civic life.

Torn between the stirring example of his mother and the lurid romance of the bar, J.R. tried to forge a self somewhere in the center. But when it was time for J.R. to leave home, the bar became an increasingly seductive sanctuary, a place to return and regroup during his picaresque journeys. Time and again, the bar offered shelter from failure, rejection, heartbreak, and eventually from reality.

In the years leading up to 1606, since the death of Queen Elizabeth and the arrival in England of her successor, King James of Scotland, Shakespeare's great productivity had ebbed, and it may have seemed to some that his prolific genius was a thing of the past. But that year, at age 42, he found his footing again, finishing a play he had begun the previous autumn - King Lear - then writing two other great tragedies, Macbeth and Antony and Cleopatra.

Ann Wroe, obituaries editor for The Economist, reflects on the art and impossibility of capturing life on the page. Through her experiences and through people she has known, studied, or merely glimpsed in windows, she movingly explores what makes a life and how that life lingers after in this breathtaking combination of poetry, memoir, and observation.

Oscar Wilde's life – like his wit – was alive with paradox. He was both an early exponent and a victim of 'celebrity culture': famous for being famous, he was lauded and ridiculed in equal measure. His achievements were frequently downplayed, his successes resented. He had a genius for comedy but strove to write tragedies. Matthew Sturgis draws on a wealth of new material and fresh research, bringing alive the distinctive mood and characters of the fin de siècle in the richest and most compelling portrait of Oscar Wilde to date.

As the Roaring Twenties wind down, Jean-Paul Sartre waits in a Paris café for a first date with Simone de Beauvoir, who never shows. Marlene Dietrich slips away from a loveless marriage to cruise the dive bars of Berlin. The fledgling writer Vladimir Nabokov places a freshly netted butterfly at the end of his wife’s bed. Hannah Arendt, Walter Benjamin, Zelda and Scott, Dalí and Gala, Picasso and his many muses, Henry and June and Anaïs Nin, the entire extended family of Thomas Mann, and a host of other fascinating and famous figures make art and love, write and row, bed and wed and betray.

In her mid-thirties, Marian Evans transformed herself into George Eliot—an author celebrated for her genius as soon as she published her debut novel. During those years she also found her life partner, George Lewes-writer, philosopher, and married father of three. After "eloping" to Berlin in 1854, they lived together for twenty-four years: Eliot asked people to call her "Mrs Lewes" and dedicated each novel to her "Husband." Though they could not legally marry, she felt herself initiated into the "great experience" of marriage.

A revelatory narrative of the intersecting lives and works of revered authors Virginia Woolf, T. S. Eliot, E. M. Forster, and D. H. Lawrence during 1922, the birth year of modernism.

Almost There begins at that moment when Nuala O'Faolain's life began to change. It tells the story of a life in subtle, radical, and unforeseen renewal. It is a tale of good fortune chasing out bad - of an accidental harvest of happiness. But it is also a provocative examination of one woman's experience of the "crucible of middle age."

An award-winning historian and author, Paul Hendrickson here turns his attention to one of America’s most cherished literary icons, Ernest Hemingway. Drawing on previously unpublished material, Hendrickson focuses on Hemingway’s life in its twilight, just prior to his suicide, and the seemingly singular constant in the man’s life: his boat, Pilar. On this vessel, Hemingway would entertain and travel, but it would also be the scene of some of his greatest tragedies.

Confined in a cell four meters long, imprisoned on absurd, Kafkaesque charges, novelist Ahmet Altan is one of many writers persecuted by Recep Tayyip Erdogan's oppressive regime. In this extraordinary memoir, written from his prison cell, Altan reflects upon his sentence, on a life whittled down to a courtyard covered by bars, and on the hope and solace a writer's mind can provide, even in the darkest places.

Each working day from January 29 to November 1, 1951, John Steinbeck warmed up to the work of writing East of Eden with a letter to the late Pascal Covici, his friend and editor at The Viking Press. It was his way, he said, of "getting my mental arm in shape to pitch a good game". Part autobiography, part writer's workshop, these letters offer an illuminating perspective on Steinbeck's creative process, and a fascinating glimpse of Steinbeck, the private man.

Laurie Lee left his childhood home in the Cotswolds when he was 19, but it remained with him throughout his life until, many years later, he returned for good. This collection brings to life the sights, sounds, landscapes and traditions of his home - from centuries-old May Day rituals to his own patch of garden, from carol singing in crunching snow to pub conversations and songs. Here, too, he writes about the mysteries of love, living in wartime Chelsea, Winston Churchill's wintry funeral and his battle, in old age, to save his beloved Slad Valley from developers.

En 2014, Vika regresa a su Ucrania natal para investigar un misterio familiar: cómo murió su tío bisabuelo Nikodim en la década de 1930 y por qué su historia sigue siendo tabú casi un siglo después. Aunque desentrañar viejas incógnitas siempre resulta complicado, no había previsto que la resistencia más fuerte la encontraría en su abuela Valentina, que le prohíbe remover el pasado. No en vano, Ucrania es «tierra de sangre», como sus vecinos Polonia, Bielorrusia, Rusia y los países bálticos.