Author Memoirs

Award-winning author James Brown gained a cult following after chronicling his turbulent childhood and spiraling drug addiction in The Los Angeles Diaries. This River picks up where Brown left off in his first memoir, describing his tenuous relationship with sobriety, telling of agonizing relapses, and tracking his attempts to become a better father. This is the heartbreaking and at times uplifting tale of Brown's battles, peeking into his former life as an addict and detailing his subsequent ascent to sobriety and fight for redemption.

The author of 18 spellbinding detective novels set on the Navajo Nation, Tony Hillerman simultaneously transformed a traditional genre and unlocked the mysteries of the Navajo culture to an audience of millions. His best-selling novels added Navajo Tribal Police detectives Joe Leaphorn and Jim Chee to the pantheon of American fictional detectives.

In this biography of Count Lev Nikolaevich Tolstoy, A. N. Wilson narrates the complex drama of the writer's life: his childhood of aristocratic privilege but emotional deprivation, his discovery of his literary genius after aimless years of gambling and womanizing, and his increasingly disastrous marriage. Wilson sweeps away the long-held belief that Tolstoy's works were the exact mirror of his life and instead traces the roots of Tolstoy's art to his relationship with God, with women, and with Russia.

In The Night of the Gun, David Carr redefines memoir with the revelatory story of his years as an addict and chronicles his journey from crack-house regular to regular columnist for The New York Times. Built on 60 videotaped interviews, legal and medical records, and three years of reporting, The Night of the Gun is a ferocious tale that uses the tools of journalism to fact-check the past.

In the Nłeʔkepmxcín language, spíləx̣m are remembered stories, often shared over tea in quiet hours between Elders. Rooted within the British Columbia landscape, and with an almost tactile representation of being on the land and water, Spíləx̣m explores resilience, reconnection, and narrative memory through stories. Captivating and deeply moving, this story basket of memories tells one Indigenous woman’s journey of overcoming adversity and colonial trauma to find strength through creative works and traditional perspectives of healing, transformation, and resurgence.

"Connaître mieux Hugo. Ou plutôt le connaître. Tel fut le propos de ma vie entière. Aller plus loin que le "témoin", voire à son encontre, plus loin que la légende du poète de la République, de la barbe blanche et de l'art d'être grand-père. Répudier Epinal. Retrouver le quotidien au-delà du génie. Admettre la sincérité du révolutionnaire et le comprendre bourgeois. Croire à sa générosité totale et constater son amour de l'argent. Le voir vivre en leur absolu ses passions amoureuses et asservir la meilleure des amantes.

James Boswell forever changed the genre of biography when he painstakingly transformed a scholarly profusion of detail into a perceptive, lifelike portrait of Dr. Samuel Johnson. James Boswell's Life of Samuel Johnson reveals a man of outsized appetites and private vulnerabilities and is the source of much of what we know about one of the towering figures of English literature.

A 1959 encounter brought reporter Valerie Danby-Smith face-to-face with Ernest Hemingway. The interview was brief, but before it ended something had clicked into place. For the next two years, Valerie was devoted to Hemingway and his wife, traveling with them through Spain and France and finally Cuba. Five years after his death, Valerie became a Hemingway when she married the writer's son Gregory. Now, she tells the story of the years she spent with this talented and doomed family.

Patricia Highsmith had more than her fair share of secrets. During her life, she felt uncomfortable about discussing the source of her fiction and refused to answer questions about her private life. Yet after her death in February 1995, Highsmith left behind a vast archive of personal documents which detail the links between her life and her work. Drawing on these intimate papers, together with material gleaned from her closest friends and lovers, Andrew Wilson has written the first biography of an author described by Graham Greene as the “poet of apprehension.”

Miranda Seymour’s biography reveals a proud and fiercely independent artist, one who experienced tragedy and extreme poverty, alcohol and drug dependency, romantic and sexual turmoil—and yet was never a victim. I Used to Live Here Once enables one of our most excitingly intuitive biographers to uncover the hidden truth about a fascinatingly elusive woman. Persuasive, surprising and compassionate, this unforgettable biography brings Jean Rhys to life as never before.

In his late 30s, Edward Parnell found himself trapped in the recurring nightmare of a family tragedy. For comfort, he turned to his bookshelves, back to the ghost stories that obsessed him as a boy, and to the writers through the ages who have attempted to confront what comes after death. In Ghostland, Parnell goes in search of the ‘sequestered places’ of the British Isles, our lonely moors, our moss-covered cemeteries, our stark shores and our folkloric woodlands.

Richard Blanco's childhood and adolescence were experienced between two imaginary worlds: his parents' nostalgic world of 1950s Cuba and his imagined America, the country he saw on reruns of The Brady Bunch and Leave it to Beaver—an "exotic" life he yearned for as much as he yearned to see "la patria." A prismatic and lyrical narrative rich with the colors, sounds, smells, and textures of Miami, Richard Blanco's personal narrative is a resonant account of how he discovered his authentic self and ultimately, a deeper understanding of what it means to be American.

Even the Stars Look Lonesome is Maya Angelou talking of the things she cares about most. In her unique, spellbinding way, she recreates intimate personal experiences and gives us her wisdom on a wide variety of subjects. She tells us how a house can both hurt its occupants and heal them. She talks about Africa. She gives us a profile of Oprah. She enlightens us about age and sexuality.

When Andrew Offutt died, his son, Chris, inherited a desk, a rifle, and 1,800 pounds of pornographic fiction. Andrew had been considered the "king of 20th-century smut", with a writing career that began as a strategy to pay for his son's orthodontic needs and soon took on a life of its own, peaking during the 1970s, when the commercial popularity of the erotic novel reached its height. With his dutiful wife serving as typist, Andrew wrote from their home in the Kentucky hills, locked away in an office no one dared intrude upon.

In A Girl's Story, Annie Ernaux revisits a night 50 years earlier when she found herself submerged and controlled by another person's desire and willpower. It was the summer of 1958, the year she turned 18, and the man she had given herself to had moved on. She'd submitted her will to his and then found that she was a slave without a master.

For Glory Edim, that “friend of my mind” is books. Edim, who grew up in Virginia to Nigerian immigrant parents, started the popular Well-Read Black Girl book club at age thirty, eventually reaching a community of half a million readers. But her own love of books stretches far back. Edim’s father moved back to Nigeria while she was still a child, marking the beginning of a series of traumatic changes and losses for her family. What became an escape, a safe space, and a second home for her and her brother was their local library.

Shirley Jackson is one of the most important American authors of the last hundred years and among our greatest chroniclers of the female experience. This extraordinary compilation of personal correspondence has all the hallmarks of Jackson’s beloved fiction: flashes of the uncanny in the domestic, sparks of horror in the quotidian, and the veins of humor that run through good times and bad.

Set in Provence, London, and New York, this is a daughter’s wonderfully evocative and witty memoir of her mother and stepfather—Dee Wells, the glamorous and rebellious American journalist, and A. J. Ayer, the celebrated and worldly Oxford philosopher—and the life they lived at the center of absolutely everything.

"La vie est une hécatombe. 59 millions de morts par an. 1,9 par seconde. 158.857 par jour. Depuis que vous lisez ce paragraphe, une vingtaine de personnes sont décédées dans le monde - davantage si vous lisez lentement. L'humanité est décimée dans l'indifférence générale. Pourquoi tolérons-nous ce carnage quotidien sous prétexte que c'est un processus naturel ? Avant je pensais à la mort une fois par jour. Depuis que j'ai franchi le cap du demi-siècle, j'y pense toutes les minutes."

Alle wollen alt werden, niemand will alt sein. Der Widerspruch ist absurd, das Leiden daran real. Wie lernen wir, so gut wie möglich damit zurechtzukommen? Geht das, alt werden und ein erfülltes Leben führen? Mit ihren über 80 Jahren hat sich Elke Heidenreich mit dem Altwerden beschäftigt. Herausgekommen ist dabei ein Buch, wie nur sie es schreiben kann. Persönlich, ehrlich, doch nie gnadenlos, mit einem Wort: lebensklug. Sie denkt über ihr eigenes Leben nach, und das heißt vor allem, über ihre Beziehungen zu anderen Menschen. Im Alter trägt man die Konsequenzen für alles, was man getan hat.