Author Memoirs

aking George Orwell's famous essay, "Why I Write", as a jumping-off point, Deborah Levy offers her own indispensable reflections of the writing life. With wit, clarity, and calm brilliance, she considers how the writer must stake claim to that contested territory as a young woman and shape it to her need. Things I Don't Want to Know is a work of dazzling insight and deep psychological succor, from one of our most vital contemporary writers.

Set in Paris and Kotelnich, a small post-Soviet town, My Life as a Russian Novel traces Carrere's pursuit of two obsessions: the disappearance of his Russian grandfather and his erotic fascination with a woman he loves but cannot keep from destroying. In prose that is elegant and passionate, Carrere weaves the strands of his story into a travelogue of a journey inward.

Okey Ndibe's funny, charming, and penetrating memoir tells of his move from Nigeria to America, where he came to edit the influential - but forever teetering on the verge of insolvency - African Commentary magazine. It recounts stories of Ndibe's relationships with Chinua Achebe, Wole Soyinka, and other literary figures; examines the differences between Nigerian and American etiquette and politics; and recalls an incident of racial profiling just 13 days after he arrived in the US, in which he was mistaken for a bank robber.

Draft No. 4 is an elucidation of the writer's craft by a master practitioner. In a series of playful but expertly wrought essays, John McPhee shares insights he's gathered over his career and refined during his long-running course at Princeton University, where he has launched some of the most esteemed writers of several generations. McPhee offers a definitive guide to the crucial decisions regarding structure, diction, and tone that shape nonfiction pieces and presents extracts from some of his best-loved work, subjecting them to wry scrutiny.

Thomas's recording of this holiday classic is considered the first official audiobook. You'll hear the author's recollection of a holiday in the seaside town of his youth as well as some of his most celebrated poems, including "Do Not Go Gentle into That Good Night."

Mokhtar Alkhanshali grew up in San Francisco, one of seven siblings raised by Yemeni immigrants in a tiny apartment. At age 24, unable to pay for college, he works as a doorman. Until: a statue of an Arab raising a cup of coffee awakens something in him. He sets out to learn the rich history of coffee in Yemen and the complex art of tasting and identifying varietals. He travels to Yemen, collects samples of beans, eager to bring improved cultivation methods to the farmers. And he is on the verge of success when civil war engulfs Yemen in 2015 and he is trapped in Sana'a.

In his poetry, Walt Whitman set out to encompass all of America, and in so doing, heal its deepening divisions. This magisterial biography demonstrates the epic scale of his achievement, as well as the dreams and anxieties that impelled it, for it places the poet securely within the political and cultural context of his age.

An initiation signals a beginning: a door opens and you step through. Traditional Wiccan initiates are usually brought into the craft through a ceremony with a High Priestess. But even though Amanda Yates Garcia's mother, a practicing witch herself, initiated her into the earth-centered practice of witchcraft when she was 13 years old, Amanda's real life as a witch only began when she underwent a series of spontaneous initiations of her own.

Maya Angelou, one of the best-loved authors of our time, shares the wisdom of a remarkable life in this best-selling spiritual classic. This is Maya Angelou talking from the heart, down to earth and real, but also inspiring. This is a book to be treasured, a book about being in all ways a woman, about living well, about the power of the word, and about the power of spirituality to move and shape your life. Passionate, lively, and lyrical, Maya Angelou’s latest unforgettable work offers a gem of truth in every minute.

How did a boy from small-town New York become the world’s most successful writer? How does he do it? He has always wanted to write the kind of novel that would be read and reread so many times that the binding breaks and the book literally falls apart. As he says, “I’m still working on that one.”

The Unquiet Englishman braids the narratives of Greene's extraordinary life. It portrays a man who was traumatized as an adolescent and later suffered a mental illness that brought him to the point of suicide on several occasions; it tells the story of a restless traveler and unfailing advocate for human rights exploring troubled places around the world, a man who struggled to believe in God and found himself described as a great Catholic writer; it reveals a private life in which love almost always ended in ruin, alongside a larger story of politicians, battlefields, and spies.

C. S. Lewis had one of the great minds of the 20th century. Many know Lewis as an author of fiction and fantasy literature, including the Chronicles of Narnia and the Space Trilogy. Others know him for his books in apologetics, including Mere Christianity and The Problem of Pain. But few know him for his scholarly work as a professor of medieval and Renaissance literature. What shaped the mind of this great thinker?

A memoir of self-discovery and the dilemma of connection in our time, The Odd Woman and the City explores the rhythms, chance encounters, and ever-changing friendships of urban life that forge the sensibility of a fiercely independent woman who has lived out her conflicts, not her fantasies, in a city (New York) that has done the same.

In this biography of Count Lev Nikolaevich Tolstoy, A. N. Wilson narrates the complex drama of the writer's life: his childhood of aristocratic privilege but emotional deprivation, his discovery of his literary genius after aimless years of gambling and womanizing, and his increasingly disastrous marriage. Wilson sweeps away the long-held belief that Tolstoy's works were the exact mirror of his life and instead traces the roots of Tolstoy's art to his relationship with God, with women, and with Russia.

Jonathan Rogers follows the roots of Flannery O’Connor’s fervent Catholicism and traces the outlines of a life marked by illness and suffering, but ultimately defined by an irrepressible joy. In her stories, and in her life story, Flannery O’Connor extends a hand in the dark, warning and reassuring us of the terrible speed of mercy.

Dust Tracks on a Road is the bold, poignant, and funny autobiography of novelist, folklorist, and anthropologist Zora Neale Hurston, one of American literature's most compelling and influential authors. Hurston's powerful novels of the South - including Jonah's Gourd Vine and, most famously, Their Eyes Were Watching God - continue to enthrall readers with their lyrical grace, sharp detail, and captivating emotionality.

Vladimir Nabokov's Lolita is one of the most beloved and notorious novels of all time, selling over 60 million copies worldwide to date. Yet very few of its readers know that the subject of the novel was derived from a real-life case: the 1948 abduction of 11-year-old Sally Horner. Weaving together suspenseful crime narrative, cultural and social history, and literary investigation, The Real Lolita tells Sally Horner's full story for the very first time.

Following one woman's journey from a troubled girlhood in working-class Copenhagen through her struggle to live on her own terms, The Copenhagen Trilogy is a searingly honest, utterly immersive portrayal of love, friendship, art, ambition and the terrible lure of addiction, from one of Denmark's most celebrated 20th-century writers.

A famous autobiographical account of life as a young soldier in the first World War trenches. Robert Graves, who went on to write I, Claudius, has given to posterity here one of the all-time great insights into the experience of war.

Beginning with her experience as a medical actor who was paid to act out symptoms for medical students to diagnose, Leslie Jamison's visceral and revealing essays ask essential questions about our basic understanding of others: How should we care about each other? How can we feel another's pain, especially when pain can be assumed, distorted, or performed? Is empathy a tool by which to test or even grade each other?