Author Memoirs

In 2020, Olivia Laing began to restore an eighteenth century walled garden in Suffolk, an overgrown Eden of unusual plants. The work brought to light a crucial question for our age: Who gets to live in paradise, and how can we share it while there's still time? Moving between real and imagined gardens, from Milton's Paradise Lost to John Clare's enclosure elegies, from a wartime sanctuary in Italy to a grotesque aristocratic pleasure ground funded by slavery, Laing interrogates the sometimes shocking cost of making paradise on earth.

In her midforties and settled into the responsibilities and routines of adulthood, Dani Shapiro found herself with more questions than answers. Was this all life was - a hodgepodge of errands, dinner dates, e-mails, meetings, to-do lists? What did it all mean? Having grown up in a deeply religious and traditional family, Shapiro had no personal sense of faith, despite repeated attempts to create a connection to something greater.

The never-before-seen correspondence of John le Carré, one of the most important novelists of our generation, are collected in this beautiful volume. During his lifetime, le Carré wrote numerous letters to writers, spies, politicians, artists, actors, and public figures. This collection is a treasure trove, revealing the late author's humor, generosity, and wit—a side of him many listeners have not previously seen.

We remember Audre Lorde as an iconic writer, a quotable teacher whose words and face grace T-shirts, nonprofit annual reports, and campus diversity-center walls. But even those who are inspired by Lorde’s teachings on “the creative power of difference” may be missing something fundamental about her life and work, and what they can mean for us today. Lorde’s understanding of survival was not simply about getting through to the other side of oppression or being resilient in the face of cancer. It was about the total stakes of what it means to be in relationship with a planet in transformation.

An illuminating, insider's journey through the world of Little House on the Prairie and beyond, from Dean Butler, who starred as Almanzo Wilder on the iconic show still beloved by millions of fans as it reaches its fiftieth anniversary.

When Donna Morrissey left the only home she had ever known, an isolated Newfoundland settlement, at age 16, she was ready for adventure. She had grown up without television or telephones but had absorbed the tragic stories and comic yarns of her close-knit family and community. The death of her infant brother marked the family, and years later, Morrissey suffers devastating guilt about the accidental death of her teenage brother, whom she'd enticed to join her in the oilfields.

In Roman Year, André Aciman captures the period of his adolescence that began when he and his family first set foot in Rome, after being expelled from Egypt. Though Aciman’s family had been well-off in Alexandria, all vestiges of their status vanished when they fled, and the author, his younger brother, and his deaf mother moved into a rented apartment in Rome’s Via Clelia. Though dejected, Aciman’s mother and brother found their way into life in Rome, while Aciman, still unmoored, burrowed into his bedroom to read one book after the other.

With a wealth of never-before-accessed materials, Heather Clark brings to life the brilliant Sylvia Plath, who had precocious poetic ambition and was an accomplished published writer even before she became a star at Smith College. Refusing to read Plath’s work as if her every act was a harbinger of her tragic fate, Clark considers the sociopolitical context as she thoroughly explores Plath’s world.

Paret lay on the ground, quivering gently, a small froth on his mouth. The house doctor jumped into the ring. He knelt. He pried Paret's eyelid open. He looked at the eyeball staring out. He let the lid snap shut. He reached into his satchel, took out a needle, jabbed Paret with a stimulant. Paret's back rose in a high arch. He writhed in real agony. They were calling him back from death. One wanted to cry out, "Leave the man alone. Let him die."

In five years, Jesmyn Ward lost five young men in her life - to drugs, accidents, suicide, and the bad luck that can follow people who live in poverty, particularly Black men. Dealing with these losses, one after another, made Jesmyn ask the question: Why? And as she began to write, she realized the truth - and it took her breath away. Her brother and her friends all died because of who they were and where they were from, because they lived with a history of racism and economic struggle that fostered drug addiction and the dissolution of family and relationships.

In 1845 Henry David Thoreau, one of the principal New England Transcendentalists, left the small town of Concord for the country. Beside the lake of Walden he built himself a log cabin and returned to nature, to observe and reflect – while surviving on eight dollars a year. From this experience emerged Walden, one of the great classics of American literature.

André Gide, a towering figure in French letters, draws upon his friendship with Oscar Wilde to sketch a compelling portrait of the tragic, doomed author, both celebrated and shunned in his time. Rather than compile a complete biography, Gide invites us to discover Wilde as he did - from their first meeting in 1891 to their final parting just two years before Wilde’s death - all told through Gide’s sensitive, incomparable prose. Using his notes, recollections, and conversations, Gide illuminates Wilde as a man whose true art was not writing, but living.

The life of Emperor Charles V (1500-1558), ruler of Spain, Germany, the Netherlands, and much of Italy and Central and South America, has long intrigued biographers. But the elusive nature of the man (despite an abundance of documentation), his relentless travel and the control of his own image, together with the complexity of governing the world's first transatlantic empire, complicate the task.

The theory that Shakespeare may not have written the works that bear his name is the most horrible, unspeakable subject in the history of English literature. Scholars admit that the Bard’s biography is a “black hole,” yet to publicly question the identity of the god of English literature is unacceptable, even (some say) “immoral.” In Shakespeare Was a Woman and Other Heresies, journalist and literary critic Elizabeth Winkler sets out to probe the origins of this literary taboo.

His second major venture into nonfiction (after Death in the Afternoon, 1932), Green Hills of Africa is Ernest Hemingway's lyrical journal of a month on safari in the great game country of East Africa, where he and his wife, Pauline, journeyed in December of 1933. Hemingway's well-known interest in - and fascination with - big-game hunting is magnificently captured in this evocative account of his trip.

In Doc Holliday: The Life and Legend, the historian Gary Roberts takes aim at the most complex, perplexing, and paradoxical gunfighter of the Old West, drawing on more than 20 years of research - including new primary sources - in his quest to separate the life from the legend. Doc Holliday was a study in contrasts: the legendary gunslinger who made his living as a dentist; the emaciated consumptive whose very name struck fear in the hearts of his enemies

From the voice of a generation: The most highly anticipated autobiography of the year, and the story of a man who...is a Londoner and a Mod...wanted The Who to be called The Hair...loved The Everly Brothers, but not that "drawling dope" Elvis...wanted to be a sculptor, a journalist, a dancer and a graphic designer...became a musician, composer, librettist, fiction writer, literary editor, sailor...smashed his first guitar onstage, in 1964, by accident...heard the voice of God on a vibrating bed in rural Illinois...and much more.

Throughout her childhood, Marion Farrant heard exotic stories of the sophisticated life her mother, Nancy, led aboard cruise ships and in Australia. Nancy’s world of furs, jewels, cigarette holders, and handsome men seemed miles away from the west-coast hamlet of Cordova Bay, where Marion lived with her aunt and uncle, running wild on the beach with her friends and enjoying weekend visits with her devoted father. But things changed the year she entered her teens. First, a package from Nancy arrived in the maila gift of sexy lingerie.

Au travers de photos et de souvenirs laissés par les événements, les mots et les choses, Annie Ernaux nous fait ressentir le passage des années, de l'après-guerre à aujourd'hui. En même temps, elle inscrit l'existence dans une forme nouvelle d'autobiographie, impersonnelle et collective. Marina Moncade est la voix sensible et délicate d'Annie Ernaux qui regarde en elle-même pour retrouver le monde, la mémoire et l'imaginaire des jours passés.

Why did Agatha Christie spend her career pretending that she was 'just' an ordinary housewife, when clearly she wasn't? As Lucy Worsley says, 'She was thrillingly, scintillatingly modern'. Her life was 'modern' too: she went surfing in Hawaii, she loved fast cars, and she was intrigued by the new science of psychology, which helped her through devastating mental illness. So why—despite all the evidence to the contrary—did Agatha present herself as a retiring Edwardian lady of leisure?