Author Memoirs

What is it like to be old? Diana Athill, born in 1917, made her reputation as a writer with the candour of her memoirs. In Somewhere Towards the End she reflects frankly on the losses and occasionally the gains that old age brings, and on the wisdom and fortitude required to face death. This is a lively narrative of events, lovers and friendships: the people and experiences that have taight her to regret very little, to resist despondency and to question the beliefs and customs of her own generation.

Integrating Faulkner’s screenplays, fiction, and life, Rollyson argues that the novelist deserves to be reread not just as a literary figure but as a still-relevant force, especially in relation to issues of race, sexuality, and equality. The culmination of years of research in archives that have been largely ignored by previous biographers, The Life of William Faulkner offers a significant challenge and an essential contribution to Faulkner scholarship.

Alexandra Styron's parents—the Pulitzer Prize-winning author of Sophie’s Choice and his political activist wife, Rose—were, for half a century, leading players on the world’s cultural stage. Alexandra was raised under both the halo of her father’s brilliance and the long shadow of his troubled mind. Reading My Father portrays the epic sweep of an American artist’s life. It is also a tale of filial love, beautifully written with humor, compassion, and grace.

In the New York of the 1970s, in the wake of Stonewall and in the midst of economic collapse, you might find the likes of Jasper Johns and William Burroughs at the next cocktail party, and you were as likely to be caught arguing Marx at the New York City Ballet as cruising for sex in the warehouses and parked trucks along the Hudson. This is the New York that Edmund White portrays in City Boy: a place of enormous intrigue and artistic tumult.

في هذا الكتاب سنقترب أكثر من درويش الإنسان..درويش المواطن الفلسطيني..درويش شاعر الأرض المحتلة في ثمانية عشر فصلًا وهي: العرب فى إسرائيل، كفر قاسم، شعراء وشهداء، المهزومون، الشاعر الجديد، ملامح شخصية، ملامح فنية، الغموض والتصوف، مع الطبيعة، الحب والمرأة، المسيح يصلب فى القرن العشرين، الدين والثورة، إنسانيون لا متعصبون، بدلا من الحب القاسى، اتهامات ظالمة، لماذا خرج من إسرائيل، شيوعيون وقوميون، وماذا نتعلم منه ومن رفاقه.

1984 isn't just a novel; it's a key to understanding the modern world. George Orwell's final work is a treasure chest of ideas and memes - Big Brother, the Thought Police, Doublethink, Newspeak, 2+2=5 - that gain potency with every year. Particularly in 2016, when the election of Donald Trump made it a best seller ("Ministry of Alternative Facts", anyone?).

After 22 years, spent across four continents, with two children - Louis and Marcel - in 1990, Anne and Paul Theroux decided to separate. For that year, Anne - later a professional relationship therapist herself - kept a diary, noting not only her day-to day experiences as a busy freelance journalist and broadcaster but the contrasts in her feelings between despairing grief and hope for a new future.

Prisoner FF8282 gazes out from confinement on what he deems must be a glorious summer’s day, rays of sunlight bursting through the barred windows of his cell. Within the thick prison walls separating society from its dangerous criminals, a multitude of harrowing fates unfold, seldomly explored by the public. First-time offenders thrown in cells with hardened criminals, several inmates becoming heroin addicts and a system riddled with flaws. However, even in prison the sunlight cannot be kept out.

Drawing together a fascinating body of writing from over 14 years of work, Figures in a Landscape ranges from profiles of cultural icons (Oliver Sacks, Elizabeth Taylor, Robin Williams) to intimate personal remembrances, from thrilling adventures in Africa to literary writings from Theroux's rich and expansive personal reading. Collectively these pieces offer a fascinating portrait of the author himself, his extraordinary life and his restless and ever-curious mind.

"I don't want you to rehabilitate me," Philip Roth said to his only authorized biographer, Blake Bailey. "Just make me interesting." Granted complete independence and access, Bailey spent almost 10 years poring over Roth's personal archive, interviewing his friends, lovers, and colleagues, and listening to Roth's own breathtakingly candid confessions. Tracing Roth's path from realism to farce to metafiction to the tragic masterpieces of the American Trilogy, Bailey explores Roth's engagement with nearly every aspect of postwar American culture.

This is Annie Ernaux’s account of her passionate love affair with A., a man some thirty years younger, when she was in her fifties. The relationship pulls her back to memories of her own youth and, at the same time, leaves her feeling ageless, outside of time—together with a sense that she is living her life backwards. Amidst talk of having a child together, she feels time running its course and menopause approaching. The Young Man recalls Ernaux as the “scandalous girl” she once was but is composed with the mastery and the self-assurance she has achieved across decades of writing.

1963, Mexico, Maine. The Wood family is much like its close, Catholic, immigrant neighbors, all dependent on a father's wages from the Oxford Paper Company. Until the sudden death of Dad, when Mum and the four closely connected Wood girls are set adrift. Funny and to-the-bone moving, When We Were the Kennedys is the story of how this family saves itself, at first by depending on Father Bob, Mum's youngest brother, a charismatic Catholic priest who feels his new responsibilities deeply.

Will Self is one of Britain's best-known contemporary writers, a public intellectual whose novels have been shortlisted for the Booker Prize and translated into over 20 languages. In Will, his first-ever memoir, he turns his attention fully to his own self, and in particular his addictions as a young man. An addiction memoir like no other, Will echoes the best of Self's psychedelic fiction, and is one of the most eloquent depictions of the allure of hard drugs ever written.

More than any other canonical English writer, Geoffrey Chaucer lived and worked at the center of political life - yet his poems are anything but conventional. Edgy, complicated, and often dark, they reflect a conflicted world, and their astonishing diversity and innovative language earned Chaucer renown as the father of English literature. Marion Turner, however, reveals him as a great European writer and thinker.

This narrative charts Annie Ernaux's teenage awakening and then the parallel progression of her desire to be desirable and her ambition to fulfill herself in her chosen profession - with the inevitable conflict between the two. And then she is 30 years old, a teacher married to an executive, a mother of two infant sons.

Au tournant des années 1980, Marguerite Yourcenar est la première femme à entrer à l’Académie française. Tous les yeux sont rivés sur celle qui fait désormais figure de symbole. Pourtant, que sait-on d’elle ? Qu’elle vit sédentaire sur une île de la Côte Nord-Est des États-Unis. Et qu’elle vient de perdre sa compagne de quatre décennies, Grace Frick, traductrice en langue anglaise de Mémoires d’Hadrien. À près de soixante-seize ans, Yourcenar semble ne plus rien avoir à attendre de la vie.

Patricia Highsmith had more than her fair share of secrets. During her life, she felt uncomfortable about discussing the source of her fiction and refused to answer questions about her private life. Yet after her death in February 1995, Highsmith left behind a vast archive of personal documents which detail the links between her life and her work. Drawing on these intimate papers, together with material gleaned from her closest friends and lovers, Andrew Wilson has written the first biography of an author described by Graham Greene as the “poet of apprehension.”

Upon her mother’s death from Alzheimer’s, Annie Ernaux embarks on a daunting journey back through time, as she seeks to “capture the real woman, the one who existed independently from me, born on the outskirts of a small Normandy town, and who died in the geriatric ward of a hospital in the suburbs of Paris.” She explores the bond between mother and daughter, tenuous and unshakable at once, the alienating worlds that separate them, and the inescapable truth that we must lose the ones we love.

When the first volume of Mark Twain's uncensored autobiography was published in 2010, it was hailed as an essential addition to the shelf of his works and a crucial document for our understanding of the great humorist's life and times. This third and final volume crowns and completes his life's work. Like its companion volumes, it chronicles Twain's inner and outer life through a series of daily dictations that go wherever his fancy leads.

Dark, deviant, and deliriously funny, Jude Angelini writes in the colloquial vein of Charles Bukowski, using his unique, natural voice to tell stories from his life. He writes about his sexual encounters - both strange and intimate - alongside stories from his childhood and his tell-all experiences with "science drugs". Throughout it all, Jude is critical of himself and his actions, proving himself to be vulnerable, lonely, and extremely relatable. A stellar follow-up to Hyena.