Author Memoirs

Despite being a winner of the Pulitzer Prize for Poetry in 2008, Philip Schultz could never shake the feeling of being exiled to the “dummy class” in school, where he was largely ignored by his teachers and peers and not expected to succeed. Not until many years later, when his oldest son was diagnosed with dyslexia, did Schultz realize that he suffered from the same condition.

A highly sensitive and intelligent child, Virginia Woolf grew up in a large family prone to psychological instability. Throughout her life, she was subject to periods of mental breakdown, yet when she was lucid she was capable of a uniquely perceptive and frank introspection. Under the influence of the Bloomsbury Group and their progressive social attitudes, she became experimental in her life and art, breaking with convention to produce some of the finest and most unique literary works of the 20th century.

André Gide, a towering figure in French letters, draws upon his friendship with Oscar Wilde to sketch a compelling portrait of the tragic, doomed author, both celebrated and shunned in his time. Rather than compile a complete biography, Gide invites us to discover Wilde as he did - from their first meeting in 1891 to their final parting just two years before Wilde’s death - all told through Gide’s sensitive, incomparable prose. Using his notes, recollections, and conversations, Gide illuminates Wilde as a man whose true art was not writing, but living.

Over 60 years after Virginia Woolf drowned in the River Ouse, Olivia Laing set out one midsummer morning to walk its banks, from source to sea. Along the way, she explores the roles that rivers play in human lives, tracing their intricate flow through literature, mythology, and folklore. Lyrical and stirring, To the River is a passionate investigation into how history resides in a landscape - and how ghosts never quite leave the places they love.

Running with Scissors is the true story of a boy whose mother (a poet with delusions of being Anne Sexton) gave him away to be raised by her psychiatrist, a dead ringer for Santa and a lunatic in the bargain.

Wendy Fairey grew up among books. As the shy and studious daughter of famed Hollywood columnist Sheilah Graham - F. Scott Fitzgerald's lover during the last years of his life - she began as a child reading her way through the library Fitzgerald had assembled for her mother and escaped into the landscape of classic English novels. Their protagonists became her intimates, starting with David Copperfield, whose sensibility and aspirations seemed so akin to her own.

Everyone thinks about running away from home sometime. Most people don't venture that when they are 51. Sammi did. When the world got too small and being part of it got too unbearable she ran. Mostly west. On the way she bumped into her past and found some reconcile with her present. Filled with memories common to us all, too familiar demons, the longing, the searching, the betrayal and brokenness—the beauty of it all.

Moss Hart's Act One, which Lincoln Center Theater presented in 2014 as a play written and directed by James Lapine, is one of the greatest American memoirs - a glorious memorial to a bygone age filled with all the wonder, drama, and heartbreak that surrounded Broadway in the early 20th century.

After their parents divorced in the 1970s, Andre Dubus III and his three siblings grew up with their exhausted working mother in a depressed Massachusetts mill town saturated with drugs and crime. To protect himself and those he loved from street violence, Andre learned to use his fists so well that he was even scared of himself. He was on a fast track to getting killed—or killing someone else—or to beatings-for-pay as a boxer.

Archetypal wild man Edward Abbey and proper, dedicated Wallace Stegner left their footprints all over the western landscape. Now, the award-winning nature writer David Gessner follows the ghosts of these two remarkable writer-environmentalists - from Stegner's birthplace in Saskatchewan to the site of Abbey's pilgrimages to Arches - braiding their stories and asking how they speak to the lives of all those who care about the West. What is the future of a region beset by droughts and fires, by fracking and drilling?

Snyder was eight years old when her mother died, and her distraught father thrust the family into an evangelical, cult-like existence halfway across the country. Furiously rebellious, she was expelled from school and home at age sixteen. Living out of her car and relying on strangers, Rachel found herself masquerading as an adult, talking her way into college, and eventually traveling the globe.

In this close-up look at the ardent love affair between the author and her painting teacher, which began in the 1970s, when she was seventeen and he was forty-seven and married with two children, Ciment not only reflects on how their love ignited (who leaned in first for that kiss?) but interrogates her 1990s memoir on the subject, Half a Life. She asks herself if she told the whole truth when she wrote about their passion back then, and what truth looked like to her in the even longer-ago era of love-bead curtains when she fell in love.

Thoreau's classic account of the solitary life, describing his attempts to simplify his life and sort out his priorities by living alone in a cabin beside Walden Pond for nearly two years, is one of the most influential books ever written. The bible of the environmental movement, Walden vividly portrays Thoreau's reverence for nature, and his understanding of the idea that nature is made up of crucially interrelated parts.

The Liars’ Club took the world by storm and raised the art of the memoir to an entirely new level, bringing about a dramatic revival of the form. Karr’s comic childhood in an east Texas oil town brings us characters as darkly hilarious as any of J. D. Salinger’s—a hard-drinking daddy, a sister who can talk down the sheriff at age twelve, and an oft-married mother whose accumulated secrets threaten to destroy them all.

In 1857, a woman escaped enslavement on a North Carolina plantation and fled to a farm in New York. In hiding, she worked on a manuscript that would make her famous long after her death. The novel, The Bondwoman’s Narrative, was first published in 2002 to great acclaim, but the author’s identity remained unknown. Over a decade later, Professor Gregg Hecimovich unraveled the mystery of the author’s name and, in The Life and Times of Hannah Crafts, he finally tells her story.

When the first volume of Mark Twain's uncensored autobiography was published in 2010, it was hailed as an essential addition to the shelf of his works and a crucial document for our understanding of the great humorist's life and times. This third and final volume crowns and completes his life's work. Like its companion volumes, it chronicles Twain's inner and outer life through a series of daily dictations that go wherever his fancy leads.

There was entertainment at the Republican Gala on Sunday night. The climax was a full marching band of bagpipers. They must have been hired for the week since one kept hearing them on the following days, and at all odd times, heard them even in my hotel room at four am for a few were marching in the streets of San Francisco, sounding through the night, giving off the barbaric evocation of the Scots, all valor, wrath, firmitude, and treachery - the wild complete treachery of the Scots finding its way into the sound of the pipes.

Every writer's origin story is different. In How I Became a Writer, Gloria Steinem charts her unlikely journey from restless teen in Toledo, Ohio, to professional magazine writer in Manhattan - with sage advice and "random directives" for getting started.

"Bunny told me there were secrets about me that she would take to the grave, secrets that no one would ever hear, including me...." Tom Wilson always felt something wasn't quite right. His parents, Bunny and George, were much older than other kids' parents. There were no baby photos of him in the house. At school, classmates called him Indian, despite his parents' Irish-Quebecois background. And as he got older, friends, lovers and even family members remarked on his uncanny resemblance to Bunny's closest relative, her niece Janie Lazare....

Why did Agatha Christie spend her career pretending that she was 'just' an ordinary housewife, when clearly she wasn't? As Lucy Worsley says, 'She was thrillingly, scintillatingly modern'. Her life was 'modern' too: she went surfing in Hawaii, she loved fast cars, and she was intrigued by the new science of psychology, which helped her through devastating mental illness. So why—despite all the evidence to the contrary—did Agatha present herself as a retiring Edwardian lady of leisure?