Beauty History

Neil Gaiman is one of the most widely known writers of the twentieth and twenty-first centuries. He often attributes this eclecticism to his "compost heap" approach to writing, gathering inspiration from life, religion, literature, and mythology. Readers and listeners love to sink into Gaiman's medieval worlds—but what makes them "medieval"? Shiloh Carroll offers an introduction to the idea of medievalism, how the literature and culture of the Middle Ages have been reinterpreted and repurposed, and how the layers of interpretation have impacted Gaiman's own use of medieval material.

As historian Tony Lane once noted, without the King James Version of the Bible, it can be speculated that, there would be no Paradise Lost... no Pilgrim's Progress... no negro spirituals... no Gettysburg Address. And even though today there are more accurate and contemporary translations of the Bible, the KJV reigns supreme in the English-speaking world. It is printed and circulated more widely than any other version. But how did this remarkable work originate?

Michael Klein details the careers of these fascinating women and explores how many important events they were instrumental in. With thorough research, Cleopatra and Nefertiti: Beyond Their Beauty and Seduction will open your eyes to the strength and audacity of these two queens.

Una buena fiesta, una buena fiesta de verdad, no cabe en una sola noche. (Ni en un solo libro.) Digamos: una fiesta a la queasisten Frida Kahlo y Diego Rivera, Rigo Tovar y Aurora Reyes, Enriqueta Ochoa y Cantinflas, Vicente Rojo y Olga Breeskin, todo el exilio español y todo el elenco de Avándaro. Entre pulques y cocteles, la plática se pone buena y el chisme es mejor.

It goes without saying that Eleanor of Aquitaine was a force of nature. She was the wife of kings, the mother of kings, a duchess in her own right, and a tool of no man. She was headstrong and independent in an age when women were essentially to be seen and not heard.

Before there even was modern era medications and its pharmacopoeia of artificial medications, there were medicinal plants. Prehistoric civilizations have widely used them for the strategic treatment of common illnesses as well as life-threatening ailments. More recently, the information about medicinal plants was handed over from one generation to the next.

Christy was the most famous American painter of the Jazz Age, a time when an elite brotherhood of New York artists dominated the publishing world. Christy had eclipsed all of them with his "Christy Girl", an idealized woman who redefined beauty, influenced fashion, and inspired generations of women. In Romantic Illusions, Christy once again comes to life through the eyes of Nancy Palmer. Christy, his wife and former model, as she recounts her first Christmas with Howard and his family at his Ohio mansion, the Barracks, in 1912.

With each sensational chapter, A Dangerous Woman documents the life of Florence Gould, a fabulously wealthy socialite and patron of the arts, who hid her dark past as a Nazi collaborator in 1940s Paris. Born in turn-of-the-century San Francisco to French parents, Florence moved to Paris, aged 11. Believing that only money brought respectability and happiness, she became the third wife of Frank Jay Gould, son of the railway millionaire Jay Gould.

Movie stars establish themselves as brands - and Taylor's brand, in its most memorable outings, repeatedly introduced a broad audience to feminist ideas. Drawing on unpublished letters and scripts as well as interviews with Kate Burton, Gore Vidal, Austin Pendleton, Kevin McCarthy, Liz Smith, and others, The Accidental Feminist will surprise Taylor and film fans with its originality and will add a startling dimension to the star's enduring mystique.

The sash. The tears. The glittering crown. And of course, that soaring song. For all of its pomp and kitsch, the Miss America pageant is indelibly written into the American story of the past century. From its giddy origins as a summer’s-end tourist draw in Prohibition-era Atlantic City, it blossomed into a televised extravaganza that drew tens of millions of viewers in its heyday and was once considered the highest honor that a young woman could achieve.

Un retrato poderoso, moderno, íntimo y profundamente humano de una era de destrucción extrema y creatividad excepcional, el renacimiento italiano, un periodo que moldeó la cultura occidental y que fue mucho más extraño, oscuro y fascinante de lo que nos han enseñado.

El itinerario de Sergio Rodríguez Blanco nos recuerda a las mejores páginas de sus dos modelos del viajero intelectual: José Vasconcelos y Sergio Pitol. El autor nació en España, pero desde hace años habita en México en un mundo fluido: sale a caminar por el centro de la Ciudad de México y de pronto lo acompañamos a una lección de arte contemporáneo en la bienal de Venecia. Desentraña el misterio de una película que Federico Fellini jamás rodó y páginas después, Sergio comprende que volver a México es una forma más de reiniciar el viaje.