British Crime Fiction

Driving back through Wales in a fierce winter storm, forensic anthropologist David Hunter is forced to seek shelter at a remote village in Eryri mountains. But a one-night stop-over becomes something very different after a gruesome discovery in depths of the local forest. With communications down and the only road washed out by the storm, Hunter is unsure who - if anyone - he can trust. And as long buried secrets begin to emerge, he knows that, whatever dark past the isolated community might be hiding, there's no one he can call on for help. This time he's on his own.

DI Kate Young is on leave. She’s the force’s best detective, but her bosses know she’s under pressure, on medication and overcoming trauma. So after her bad judgement call leads to a narrowly averted public disaster, they’re sure all she needs is a rest. But when Staffordshire Police summon her back to work on a murder case, it’s a harder, more suspicious Kate Young who returns. With a new ruthlessness, she sets about tracking down a clinical, calculating serial killer who is torturing victims and leaving clues to taunt the police.

DI Bliss attends the aftermath of an apparent murder-suicide—but the scene tells him and his colleagues something very different occurred. Now the Peterborough Major Crimes Unit face an adversary like no other. They have no idea why his victims had to die. They have no idea who he is. They have no idea where he might strike next—only that he will. But while the killer is cunning, leaving no evidence for them to find, his biggest mistake might be in underestimating the team now hunting him. Because when Jimmy Bliss is on the case, all bets are off.

Will's a nice guy. So when he takes a shortcut to the tube station after a few beers with his mates from work, he steps out of the way of the fellow who's staggering towards him. But he—deliberately—moves back into his path. They knock each other as they pass. Moments later, one man is dead and another's life is changed forever. Or is it? There are no CCTV cameras. There was no one else in the out-of-the-way alley. Maybe the world doesn't have to end for Will after all. But there's always someone watching, and Will's life is about to implode.

When a promising local artist disappears, the victim's brother begs Detective Tara Thorpe to take the case. It seems there's no evidence of foul play...he simply disappeared without a trace. Tara agrees to do some digging...never mind that her unorthodox approach to policing has got a few of her colleagues' backs up. Amongst them is her former supervisor Detective Patrick Wilkins...he's had enough of Tara calling the shots and will do anything to knock her down. She must be careful.

Penelope Parish has hit a streak of bad luck, including a severe case of writer's block that is threatening her sophomore book. Hoping a writer in residence position at The Open Book bookstore in Upper Chumley-on-Stoke, England, will shake the cobwebs loose, Pen, as she's affectionately known, packs her typewriter and heads across the pond. Unfortunately, life in Chumley is far from quiet, and when the chairwoman of the local Worthington Fest is found dead, fingers are pointed at Charlotte Davenport, an American romance novelist and the future duchess of Worthington.

When human remains are discovered under Bradford’s derelict Odeon car park, DS Nikita Parekh and her team are immediately called to the scene. Distracted by keeping her young nephew out of trouble, Nikki is relieved when the investigation is transferred to the Cold Case Unit, and she can finally focus on her family. But after the identity of the victim is revealed, she’s soon drawn back into the case. The dead man is a direct link to her painful past. As the body count begins to rise, Nikki must do everything she can to stop the killer in their tracks before anyone else gets hurt.

She looked like she’d drifted off to sleep, curled up in her white dress, blonde hair floating in the breeze. They called it the Angel Murder. Eighteen-year-old Angelica Brock is found dead at a local beauty spot, dressed in a pure white nightgown, her white-blonde hair arranged around her. For years her death is a mystery, her killer the one who got away for a whole generation of police.

There's a secret, that much is certain, but who knows? The missing actress? The executive producer, his eavesdropping assistant? Or the actor who portrayed her fictional brother on the Soap Opera? DCI Isaac Cook of the Murder Investigation Team at Challis Street Police Station in London is searching for the missing woman. Why has he been taken away from more important crimes to search for the woman? It's not the first time she's gone missing, and why does everyone assume she's been murdered?

As a family liaison offer, DC Maggie Neville has seen parents crumble under the weight of their child’s death. Imogen Tyler is no different. Her son’s fall was witnessed by the school caretaker, and another pupil is under suspicion/being questioned, but Imogen is paralysed by questions. Why was he at the school so early? Why was he with a girl who wasn’t a friend?

There's a new man in charge at Bow Street Magistrates' Court and all is not well. His ambition is to split up Lavender and Woods—and to add to Lavender's woes, someone is leaking exaggerated stories about his investigations to The Times. Lavender is tasked with solving the theft of an aristocrat's precious jewels, while Woods is instructed to track down a libeler. But after a series of vicious murders and surprising coincidences, they discover that these apparently unconnected crimes have more in common than they could ever have imagined.

Melissa Craig is struggling with her new novel, so when the invitation arrives to visit a nearby country house for some writing time, she decides a bit of peace and quiet is just what she needs. The house is everything she could have hoped for, even if the staff do seem rather unsettled. She has barely unpacked when the owner of the house persuades Melissa to investigate some threatening notes he has received. But before she can do any digging, he is found murdered in his own orchard.

CASE FILE #18–June 2008. Katherine Alford was found dead in her car at a local beauty spot. The devoted mother had received an urgent phone call late in the evening, and asked a neighbor to babysit for ten minutes. She never returned. Gus Freeman and his team uncover failings in the initial police investigation, but every eyewitness they re-interview can’t offer fresh clues, they only add to the mystery. Who did Katherine dash out of the house to meet?

MI6 operative Duncan Grant has been officially missing in action for the last six months. Going on deep-cover to hunt down those responsible for the death of a close ally. Half a world away, enjoying sedate retirement under new identities, former Albion agents are being murdered. And now there's only one left. Given an ultimatum to save the last Albion or face expulsion from the agency he's sacrificed so much for, Grant has no choice but to pursue both missions at the same time.

When the police are unable to find a body, they are forced to dismiss a homeless veteran’s claim that he witnessed a homicide. But after he is found murdered in the same spot two days later, DI Bliss and the Major Crime Unit set their sights on catching a ruthless killer. Elsewhere, when the daughter of a cuckooed family is reported to have attempted suicide, Jimmy Bliss and DC Penny Chandler have their doubts and vow to uncover the truth. But the situation is about to get much worse, and violence is certain to erupt on the city streets.

If Alison Girling, former principal of England's Holm Coultram College, died in an avalanche in Austria, why has her skeleton been unearthed on campus? While no love is lost between conservative detective Andrew Dalziel and the entirety of Liberal Arts, his attention to the grim discovery must be paid. But when he and Peter Pascoe scour the ivory tower for answers, they discover that the shady faculty and creepy student body have more to bury than just one corpse. Try two-and counting.

1956: In a quiet English village, the smoldering ruins of Rosemont Abbey have set the residents’ tongues wagging, and everyone is quick to accuse troublemaker Paul Everly of the crime of arson. Paul has vanished without a trace, leaving only his plucky twin sister, Louisa, certain of his innocence. Fueling her conviction is an inexplicable connection—she felt her twin’s death an hour before the abbey went up in flames.

Fresh from solving a spate of murder mysteries, Diana Bakewell and Zaf Williams are separated when Zaf goes on a course to gain his qualification as a tour guide. The course is at London's iconic St Paul's Cathedral, which Zaf is expected to get to know so he can be tested on his tour guide abilities. Meanwhile, Diana is forced from her wonderful London home by her unscrupulous landlord. But all this has to be put aside when a resident at a local hostel is found dead, apparently poisoned.

A routine missing person enquiry takes a grisly turn when a young couple drag a box containing human remains out of a Somerset river. The victim was a surveillance expert investigating an exaggerated injury claim—a murder with an obvious motive, until a police officer is implicated and suspended. Still brooding after his recent brush with police Professional Standards, Detective Chief Inspector Nick Dixon is on extended leave, helping his pregnant fiancée, Detective Sergeant Jane Winter, fight for her place on the major investigation team.

Struggling with his new role as a detective chief inspector, John Tanner is warned of a convicted psychopath’s early release. When a couple is found later that day; the man stabbed to death, the woman with her throat cut, he's forced to assume the convict is responsible. But when the male victim turns out to be heir to a global pharmaceutical company, and his twelve-year-old son is nowhere to be found, he has to start looking closer at the victim’s family, and their sprawling stately ancestral home.