British Crime Mystery

DI Kate Young is on leave. She’s the force’s best detective, but her bosses know she’s under pressure, on medication and overcoming trauma. So after her bad judgement call leads to a narrowly averted public disaster, they’re sure all she needs is a rest. But when Staffordshire Police summon her back to work on a murder case, it’s a harder, more suspicious Kate Young who returns. With a new ruthlessness, she sets about tracking down a clinical, calculating serial killer who is torturing victims and leaving clues to taunt the police.

Meet DCI Lesley Clarke. She’s a straight-talking city copper who doesn’t suffer fools gladly… and she’s been transferred to rural Dorset. After being injured in a bomb attack, Lesley is presented with a choice — early retirement, or a period of respite in a calmer location. But things don’t stay calm for long. Before she’s even started her new job, Lesley is dragged into investigating a murder at one of England’s most iconic landmarks, the imposing Corfe Castle.

Ex-detective superintendent Brandt has turned against society. The first kill was a stab in the dark, but now he's got a real taste for it. But his pursuer, DCI Stella Johnson, has rankled him. She has leaked to the press the idea he is impotent, and it has taken hold. Brandt wants to prove himself. Who better a victim than the woman who has embarrassed him? Johnson's strategy backfires, and she is in trouble with her superiors. Yet she now has a very personal reason to hunt down Brandt. Will going solo put her at even greater risk than before? And just what has he in mind for her?

Detective Harry Grimm can’t catch a break. When his much-needed vacation is interrupted by a call reporting a decomposed corpse, he races home to examine the gruesome remains. Learning the young woman was tortured, he’s stunned when the peaceful countryside site explodes, destroying evidence and causing more death. Uncovering clues from the victim’s car, Grimm struggles to keep up with a cunning killer when he discovers yet another body.

It was just an ordinary Wednesday lunchtime when Detective Martha Munro's life changed forever. Her sergeant is speaking, but she barely hears what he's telling her. Your mother has been shot dead. Your four-year-old daughter has been taken. There are no leads. Who would want to hurt her family? Martha realizes it's time to ask herself some hard questions about her late father. He led the anti-corruption squad at Scotland Yard. It's rumored he kept a list of everyone who worked for him, from coppers to criminals. And just being on the list was a sure-fire way to lower your life expectancy.

The Susannah Ramsay and Sadie Dawes cases are solved and DCI Lesley Clarke's team is back together. But there are tensions. Is Dennis hiding more than just mental health problems? Did Superintendent Carpenter cover up the details of DCI Mackie's death? And does Lesley's girlfriend Elsa know more about Mackie than she's letting on? Just as Lesley feels she is getting closer to answers, she's forced to work on the other side of Dorset after a body is uncovered by a landslide at Lyme Regis's beach. Who is the body and is there a connection to DCI Mackie, Arthur Kelvin, and Elsa's law firm?

If there’s one thing detective Bath Peter Diamond has no patience for, it’s a dumb git trying to get involved in one of his investigations - for example, a Philip Marlowe-wannabe private investigator like the self-styled Johnny Getz. But fate has saddled Diamond with this trial. A Bath antiques dealer, “Seppy” Hubbard, has disappeared without a trace, and his daughter has hired Getz to find him. When a body is discovered in Seppy’s locked-up store, the missing persons case becomes a murder investigation, and now Diamond has to collaborate with the insufferable private eye.

When 89-year-old Emyr Isaac is found dead in his home, Drake and his team initially suspect a burglary gone wrong. Isaac was old, and his death was a tragedy, but it’s not a murder case...is it? But as the investigation develops, Drake uncovers more suspicious deaths, but with one connection: Each victim received care from the same healthcare professional. Drake must do all he can to ensure no more lives are lost...even if it means putting members of his own team in harm’s way.

Welsh Inspector Ian Drake is back on duty, but struggles as he comes to terms with his father’s death. When a fisherman is found impaled on the sand in a small island community, Drake comes up against a wall of silence. When a young girl is killed, Drake is stumped by the motive for her death. But with lots of money at stake with the development of a nearby nuclear power station, Drake believes there are powerful forces at work.

Ritchie Gulliver MP is dead. Castrated and left to bleed in an empty Leith warehouse. Vicious, racist and corrupt, many thought he had it coming. But nobody could have predicted this. After the life Gulliver has led, the suspects are many: corporate rivals, political opponents, the countless groups he's offended. And the vulnerable and marginalised, who bore the brunt of his cruelty—those without a voice, without a choice, without a chance. As Detective Ray Lennox unravels the truth, and the list of brutal attacks grows, he must put his personal feelings aside.

DCI Lesley Clarke is back in Dorset, and her world has turned upside down. One of the people she's closest to is to under arrest for the murder of DCI Mackie and a body has been found in the remote lighthouse at Portland Bill. And not just any body, but the body of someone she investigated before moving to Dorset. Can Lesley win the trust of the close-knit Portland community and find the killer? And can DI Zoe Finch of the West Midlands force help her track down potential suspects?

When Scotland Yard superintendent Duncan Kincaid takes Gemma, Kit, and Toby for a holiday visit to his family in Cheshire, Gemma is soon entranced with Nantwich's pretty buildings and the historic winding canal, and young Kit is instantly smitten with his cousin Lally. But their visit is marred by family tensions exacerbated by the unraveling of Duncan's sister Juliet's marriage. And tensions are brought to the breaking point on Christmas Eve with Juliet's discovery of a mummified infant's body interred in the wall of an old dairy barn.

Billie-Rose's bloodstained body is found in the kitchen of her ground-floor flat. She's been strangled to death, there's a deep laceration to her upper thigh, and a wooden chess-piece grasped tightly in her hand. Daubed on the wall in Billie-Rose's own blood is a strange symbol: a bishop's mitre. All Detective Jack MacIntosh can think is: He's back. Four years earlier, four young women were also strangled to death in their own homes, the same deep wound to the thigh, the same weird symbol scrawled on the wall. The work of the killer they call the Bishop. Is he back to kill again?

Harry Richards, a local solicitor, is found in his car, throat slit. DI Clare Mackay is on the case. She soon learns that Harry was not the upstanding man he seemed to be. Finding the killer should be easy. Then the wife of one of Harry's colleagues is discovered dead in her car, and Clare realises there is something more sinister at play… Can she find out who's behind the murders before they turn their attention to her?

Deborah and Simon St. James have taken a holiday in the winter landscape of Lancastershire, hoping to heal the growing rift in their marriage. But in the barren countryside awaits bleak news: The vicar of Wimslough, the man they had come to see, is dead - a victim of accidental poisoning. Unsatisfied with the inquest ruling and unsettled by the close association between the investigating constable and the woman who served the deadly meal, Simon calls in his old friend Detective Inspector Thomas Lynley. Together they uncover dark, complex relationships in this rural village.

The career of playwright Joy Sinclair comes to an abrupt end on an isolated estate in the Scottish Highlands when someone drives an 18-inch dirk through her neck. Called upon to investigate the case in a country where they have virtually no authority, aristocratic Detective Inspector Thomas Lynley and his partner Detective Sergeant Barbara Havers grapple for both a motive and a murderer. Emotions run deep in this highly charged drama, for the list of suspects soon includes Britain’s foremost actress, its most successful theatrical producer, and the woman Lynley loves.

When a detested viscount is found murdered by the banks of the Thames and Charlie Hastings becomes the prime suspect, Barnaby and Penelope Adair join forces with Stokes to discover the real story behind the unexpected killing. Charlie Hastings is astonished to find himself accused of murdering Viscount Sedbury. Admittedly, Charlie had two heated altercations with Sedbury in the hours preceding the man’s death, but as Charlie is quick to point out to Stokes—and to Barnaby and Penelope—there are a multitude of others in the ton who will be delighted to learn of Sedbury’s demise.

DI Bliss attends the aftermath of an apparent murder-suicide—but the scene tells him and his colleagues something very different occurred. Now the Peterborough Major Crimes Unit face an adversary like no other. They have no idea why his victims had to die. They have no idea who he is. They have no idea where he might strike next—only that he will. But while the killer is cunning, leaving no evidence for them to find, his biggest mistake might be in underestimating the team now hunting him. Because when Jimmy Bliss is on the case, all bets are off.

When a body is found draped over Swanage’s iconic Globe monument, DCI Lesley Clarke is called in. A message points to the motive: Go Home. Is this a hate crime? Or something closer to home? Lesley must find the killer before he or she strikes again, all while dealing with a mutiny in her team and political pressure from her boss. At the same time, a local journalist has been investigating the death of Lesley's predecessor - and claims to have key information. Wary of involving her team, Lesley brings in her old colleague Zoe Finch to help.

When a body is discovered floating in a Thames river lock one dreary morning, Superintendent Duncan Kincaid and Sergeant Gemma James are summoned from Scotland Yard to Chiltern Hills. The dead man is Connor Swann, son-in-law of two of London's most renowned opera personalities. And prints on the corpse's neck suggest that Swann was strangled.