British Crime Thrillers

Tom Thorne has it all. In Nicola Tanner and Phil Hendricks, Thorne has good friends by his side. He finally has a love life worth a damn and is happy in the job to which he has devoted his life. He has everything to lose. Hunting the woman responsible for a series of grisly murders, Thorne has no way of knowing that he will be plunged into a nightmare from which he may never wake. And he'll do anything to keep it. Finally, Thorne's past has caught up with him and a ruinous secret is about to be revealed. If he wants to save himself and his friends, he must do the unthinkable.

The peace of Kielder Water is shattered when tourists open a barrel they found floating in the reservoir at dawn. Detectives Stone and Oliver are called to examine the skeletal remains inside. The tourists are eliminated from the investigation, but that same day a second body is discovered - this one with skin. Have the police let the killer leave the scene? While Stone investigates the remains, Oliver travels to Iceland to gather evidence and track down the tourists who have fled. Someone will do anything to protect the secrets of the past.

For five long years, Detective Barnes has been hunting the killer of the person he cared about the most. Now, the one man who could have revealed the truth is dead. His charred and blackened body is all that remains in his burnt-out flat. A week later, a desperate, emaciated young woman hammers on the door of a late-night convenience store. She speaks no English—but it’s clear that she’s terrified—and running for her life. It's only Barnes who connects the two events. He and his new boss, Superintendent Samson Kane, team up to uncover the truth.

Dorothy Martin’s husband, Alan Nesbitt, is heavily involved in the complex and lengthy process of choosing a new bishop for Sherebury Cathedral. The very day that the short list is announced publicly, one of the candidates is found murdered in his own church. With a long list of possible suspects, including Alan himself, Dorothy and Alan start to delve into the history of the victim, hoping to find some clue to a motive for murder. Then a second candidate is found dead, and the case becomes very complicated indeed. Who is murdering England’s clergymen and why …?

Struggling with his new role as a detective chief inspector, John Tanner is warned of a convicted psychopath’s early release. When a couple is found later that day; the man stabbed to death, the woman with her throat cut, he's forced to assume the convict is responsible. But when the male victim turns out to be heir to a global pharmaceutical company, and his twelve-year-old son is nowhere to be found, he has to start looking closer at the victim’s family, and their sprawling stately ancestral home.

When decades-old human bones are discovered beneath the old glasshouse behind Foxglove & Hemlock, the local florist, DS Harriet March and DI Ben Taylor find themselves digging into Raven's Edge's murky past. As a frosty wind whips down the cobblestoned lanes of the village, the two detectives feel an ominous chill that has nothing to do with the weather… The discovery coincides with the arrival of enigmatic novelist Iris Evergreen at Raven's Hollow, a gothic monstrosity of a mansion that's been sitting empty for years.

Marty Wingate presents Book 7 in the Potting Shed Mysteries series.

When the dead body of a woman is found on public display, the murder scene bears all the hallmarks of a famous work of art. DI Ian Drake knows he is dealing with a very creative and intelligent killer - one who enjoys having their work showcased for all to see. As more murders take place, each copying a famous work of art, Drake faces a murderer who always seems to be one step ahead.

When the police are unable to find a body, they are forced to dismiss a homeless veteran’s claim that he witnessed a homicide. But after he is found murdered in the same spot two days later, DI Bliss and the Major Crime Unit set their sights on catching a ruthless killer. Elsewhere, when the daughter of a cuckooed family is reported to have attempted suicide, Jimmy Bliss and DC Penny Chandler have their doubts and vow to uncover the truth. But the situation is about to get much worse, and violence is certain to erupt on the city streets.

What's playing at the Calliope Club may draw a furtive crowd, but as far as the CID's Andrew Dalziel can tell it's all perfectly legal. His partner, Peter Pascoe, begs to differ. From what he hears, an actress's violent ordeal on film looked all too real. When she turns up unharmed, it appears his suspicions were wrong . . . if Andrew and Peter can trust what they see. Because if this dirty business is well and good, why has the film in question vanished? Why has the theater been set ablaze? And why has its proprietor been beaten to death?

DCI Matilda Darke has returned to work after a nine-month absence. A shadow of her former self, she is tasked with reopening a cold case: the terrifyingly brutal murders of Miranda and Stefan Harkness. The only witness was their 11-year-old son, Jonathan, who was too deeply traumatised to speak a word. Then a dead body is discovered, and the investigation leads back to Matilda's case. Suddenly the past and present converge, and it seems a killer may have come back for more....

Penelope Parish has hit a streak of bad luck, including a severe case of writer's block that is threatening her sophomore book. Hoping a writer in residence position at The Open Book bookstore in Upper Chumley-on-Stoke, England, will shake the cobwebs loose, Pen, as she's affectionately known, packs her typewriter and heads across the pond. Unfortunately, life in Chumley is far from quiet, and when the chairwoman of the local Worthington Fest is found dead, fingers are pointed at Charlotte Davenport, an American romance novelist and the future duchess of Worthington.

She looked like she’d drifted off to sleep, curled up in her white dress, blonde hair floating in the breeze. They called it the Angel Murder. Eighteen-year-old Angelica Brock is found dead at a local beauty spot, dressed in a pure white nightgown, her white-blonde hair arranged around her. For years her death is a mystery, her killer the one who got away for a whole generation of police.

Two skeletons are discovered in the grounds of St Mary's Choir School. This was not a centuries-old Christian burial. They are wearing modern-day clothes, and there is evidence of foul play. Consecrated land has been sadistically violated.

Detective Inspector Gilbert Markham is a rising talent of the Bromgrove police force. He is on the trail of the murderer when another life is brutally claimed. Who is the savage killer lurking in this innocent place?

A hanging man's body found by an uncontrollable dog, a murdered historian with an unpublished book, and a mysterious cottage, hiding in the shadows of Bluebell Wood. Set within the mysterious beauty of the Norfolk Broads, this fast-paced British detective series is a dark cozy Norfolk murder mystery with a slice of humour and a touch of romance, one that will have you guessing until the very end, when the last shocking twist is finally revealed.

In Wiltshire, England, the Crime Review Team headed by Gus Freeman was formed to investigate cold cases. Freeman and his team have successfully solved several cases, using old witness statements plus fresh clues. After delving into Marion Reeves’s past, Gus Freeman confronts a group of wealthy people who are desperate to hide the truth. Each witness interview provides another missing piece of the jigsaw. Can Freeman complete the picture and unmask the killer?

When a film shoot on Wharfedale’s vintage railway turns into a grisly crime scene, DCI Oldroyd’s idyllic visit to the countryside with his partner Deborah is well and truly stopped in its tracks. One of the film’s stars has been shot dead in a train carriage while the cameras rolled outside. But nobody else went in—or came out. Has the killer really pulled off the perfect, impossible crime?

Dr. James Macintosh, the bishop of Greyle, was a mysterious man. For a long time, nobody even knew his last name...until his body is found emaciated and battered having been pushed face-first off the edge of a cliff. Inspector Littlejohn faces an incredibly peculiar case. How to explain the savage murder of a gentle bishop? Did he know too much about the secretive citizens of Cape Marvin? Above all, why was the bishop's body so undernourished that death by violence won out by only a few days over death by starvation?

DI Bliss attends the aftermath of an apparent murder-suicide—but the scene tells him and his colleagues something very different occurred. Now the Peterborough Major Crimes Unit face an adversary like no other. They have no idea why his victims had to die. They have no idea who he is. They have no idea where he might strike next—only that he will. But while the killer is cunning, leaving no evidence for them to find, his biggest mistake might be in underestimating the team now hunting him. Because when Jimmy Bliss is on the case, all bets are off.

For LA producer Larry Brooker, this is the movie that could bring the fortune that has so long eluded him.... For rock superstar, Gaia, desperate to be taken seriously as an actor, this is the role that could get her an Oscar nomination.... For the City of Brighton and Hove, the publicity value of a major Hollywood movie being filmed on location, about the city's greatest love story - between King George IV and Maria Fitzherbert - is incalculable.