British Crime Thrillers

All has been quiet in Liverpool, suspiciously quiet… So, when a frantic 999 call comes into Hale Street Police Station reporting a missing woman, it seems like there’s work to do. Except for DI Sheridan Holler there are questions. Why did Caroline Crow take her purse, suitcase and even tell friends she was going away? There’s no reason to suspect foul play…until a severed, burned hand is delivered to another address.

In the dead of night, four teenagers taking a shortcut through an archaeological dig site find a woman’s lifeless body in a muddy trench, her hands and neck locked in a medieval device known as a Shrew’s Fiddle. It doesn’t take long to see that these are no ancient remains: the woman was killed just hours earlier.

As criminal gangs rampage unchecked across London, a secretive elite squad begins a campaign of action, delivering the guilty to the cops – along with all the evidence they need for a conviction. But when innocent people are shot after the vigilante crew blunders into a major police operation – Detective Rick Turner among the unintended victims – it’s clear they must be stopped. Rick’s brother Sam might be able to help, but he’s a fugitive from the law himself, on nobody’s side but his own.

1979. Leading businesswoman Rebecca is struggling to build healthy relationships. Her on off partner is a philandering police officer, part of the team chasing the Yorkshire Ripper who’s striking terror across the county. Then Rebecca meets Larry, the charming American, with a troubled past. And then of course there’s Mervyn, the creepy journalist who’s desperate for a girlfriend and willing to do anything to keep her in his life. With three very different men craving her attention, and a serial killer on the loose, Rebecca finds herself in a twisted game of cat and mouse.

It's Alys Pugh's birthday and her mates are organizing a little surprise for her. When she doesn't show up, they realize something's wrong. Later, her body is found in the cold waters of Llyn y Fan. On searching Alys' house, detectives discover an array of seaside objects and suspect they are some sort of message left by the killer. With everyone seemingly harboring a secret, tempers fray and suspicion grows. And when similar trinkets are found in another of their houses, those underlying tensions bubble to the surface. Then someone else in the group is killed.

The woman in white—surreal artist Damaris Gethin—has invited a select group to the opening of her exhibit Artist in Crime, held in the eerie subterranean Hades Gallery. As costumed models reenact famously violent deaths, the artist herself portrays Marie Antoinette on the day of her execution, complete with a guillotine on the stage. It's not a prop; within ten minutes of Rachel's promise to solve Damaris's future murder, the artist slips her neck into the collar of the device and the very real blade sends her head rolling at the feet of her horrified audience.

While attending a crime scene on the outskirts of Maidstone, DI Kay Hunter makes a shocking discovery. The victim has been brutally cut to pieces, his identity unknown. When more body parts start turning up in the Kentish countryside, Kay realizes the disturbing truth–a serial killer is at large and must be stopped at all costs. With no motive for the murders and a killer who has gone undetected until now, Kay and her team of detectives must work fast to calm a terrified local population and a scornful media. When a third victim is found, her investigation grows even more complicated.

When Dorothy Martin goes to France—alone because Alan is stuck back home in Sherebury with a broken ankle—she worries about her ability to get along in a language she barely speaks, and in a country she hasn’t seen for over fifty years. But by the time Alan joins her a week later, Dorothy has found herself embroiled in one mystery after another: a woman drowning in quicksand; a man suffering a near-fatal fall in the abbey at Mont Saint Michel; and a missing American archaeologist—all seemingly connected to a monk named Abelard who has been dead for almost nine hundred years.

When Dorothy Martin and her husband, retired police detective Alan Nesbitt, decide to visit the beautiful island of Alderney in the English Channel, they hope for a pleasant, peaceful holiday. It’s not to be. Taking a walk on their very first day, they discover a body, apparently the victim of an unfortunate accident, on a precipitous hill path.

DI Kate Young has known for years that her boss, Superintendent John Dickson, is a violent and evil man. But when she finally confronts him and accidentally shoots and kills him, she’s forced to cover her tracks before anyone can pin his death on her. With revelations about his corruption soon to become public knowledge, Kate sets up a trail of evidence to make it seem that Dickson has conveniently vanished… But Kate knows the corruption doesn’t end with Dickson.

D.I. Graves is back on the case to face his toughest challenge yet: a case with no motive and no suspect, nothing at all that could explain why someone would kill innocent people and then take parts from the bodies. Then the next victims are discovered: another pair of bodies, new body parts taken, and again in their own home. Someone is breaking into houses across the city at night, leaving horror in their wake. It seems to Graves that this could be two serial killers, working together. But how are they choosing their victims? Is any house in London a target? Is anyone safe?

Forty modern masterpieces are found concealed on a neutral ship in international waters 16 months before the bombing of Pearl Harbor. Their provenance is sketchy and their final destination unknown. The Royal Navy suspects the works are “degenerate art” seized by the Nazis and shipped across the Atlantic to create cash for their covert operations. But how to prove it? There’s only one man for the job - Roy Hawkins. The British Secret Intelligence Service has put their half-American star agent in tough spots before, and he’s always come out on top.

Inspired by the author’s own experience, The Vicar introduces Terry Nolan, an MI5 operative who, when he discovers his cover is blown and millions of lives are at stake, will do whatever it takes to stop enemy forces. Terry Nolan, an off-the-books MI5 operative known as the Vicar, has been officially dead for the past thirty years. But when Nolan is attacked in Boston, it becomes clear his cover is blown. Even worse, his Parishioners—the network of spies who work under the Vicar—have all been compromised.

When the body of a teenage boy is found in the River Witham, it falls to DI Freya Bloom and her team to raise the truth from the depths. The boy, nicknamed Simple Simon, was a troubled soul. But when Bloom digs deeper into Simon’s life, she discovers that not only was he the victim of a viscous cyber bullying attack, but also suffered sexual abuse. Was his death a shocking teenage suicide, or does somebody have a terrible secret to hide? With four potential suspects in the firing line, and guilt in every one of their eyes, Bloom must make some difficult choices.

Nigella Parker has a deep-rooted fear of fire and a talent for solving arson cases. When a charred figure is found beside Sir Christopher Wren’s Monument to the Great Fire of London, Nigella is dragged into a case pitting her against a murderous artist creating sculptures using burnt flesh. Nigella partners with Colm O’Leary of Scotland Yard to track the arsonist. The pair are more than colleagues. But their past isn’t the only buried history as they race to connect the dots between an antique nail and a long-forgotten architect dwarfed by the life's work of Sir Christopher Wren.

A group of old friends gather in a peaceful suburban street for a dinner party. They are expecting a fun evening of wine, food and pleasant company. But then they start to play the game… It’s about trust and dark secrets – it tests marriage to its limits – and none of them can begin to imagine its consequences. Because the next day, two guests are dead and the others are trapped in a nightmare.

When an armed man massacres several people in central London, Claudine witnesses the whole thing. To her horror, one of the victims is her brother, Jethro. Riven by grief, Claudine retreats to the house in the Fens where she and Jethro grew up. When the police contact her, she is left reeling when they tell her Jethro orchestrated the attack. Why would a gentle, if troubled, middle-aged man cause such bloodshed – and why would he include himself in the list of victims? Claudine finds herself down a rabbit hole of mystery, caught up in Jethro's research on a medieval cult.

When a bloody corpse is discovered in a North London park, Detective Inspector Daniel Graves is the man tasked with finding the killer. However, with no clues and no suspects, the case seems like a dead end. Then another body turns up—and this time, it looks like it could be Graves’s fault. Has his investigation caused the murderer to strike again? As the case gets ever more complicated, a report comes in of another suspicious death—but this is nothing like any other Graves has dealt with. All involved are convinced that something supernatural is to blame: a demon.

When one of the notorious Johnson brothers is murdered and a bag of money goes missing, a deadly game of cat and mouse is set in motion. Detective Allie Shenton and her team are called in to catch the killer, but the suspects are double-crossing each other and Allie has little time to untangle the web of lies. As she delves deeper into the case, things take a personal turn when Allie realises she is being stalked by the very same person who attacked her sister seventeen years ago and left her for dead.

A man's body is found on a canal towpath. In his pocket, a magnetic letter in the shape of an E. Days later, a second victim is murdered, this time with the letter V tucked into her clothing. When the letter E is located near to a third victim, DI Allie Shenton and her colleagues are sent into full alert. Is their killer spelling a word, a name or are the letters an anagram? One thing's for certain as the body count rises—the eerie, childlike clues point to a pattern that doesn't look like stopping.